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Showing posts with label brings. Show all posts
Showing posts with label brings. Show all posts

Thursday, August 18, 2011

Brad Paisley brings his world tour to London (AP)

LONDON – Brad Paisley is bringing a bit of country to the city — the city of London, that is.

The reigning Country Music Awards Entertainer of the Year is playing London's O2 Arena on Wednesday. He'll be expecting a warm welcome after two sold-out concerts in the British capital last year.

Paisley has already taken his "H20 II: Wetter and Wilder World Tour" across the United States. He kicks off his European swing in London, then has three dates in Ireland — Dublin, Castlebar and Killamey — before shows in Sweden, Norway and Denmark. He returns to the U.S. in September.

Paisley's seventh studio album is "This Is Country Music." The country star has also been heard in theaters recently, as he has two songs in Disney's animated film sequel "Cars 2."


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Monday, July 25, 2011

"Cowboys & Aliens" premiere brings out the big guns (Reuters)

SAN DIEGO (TheWrap) – For the premiere of his new shoot-'em-up epic "Cowboys & Aliens," Jon Favreau presented a screening almost as big and bombastic as the movie itself, invading the San Diego Civic Theater with a horde that included Daniel Craig, Harrison Ford, Olivia Wilde, Sam Rockwell, Steven Spielberg and Ron Howard.

"In case you don't like the movie, I'm gonna say that this is how you felt about the film," Favreau said in reaction to the thunderous applause that greeted him, before dragging the aforementioned assemblage onto the stage and launching into a heartfelt assessment of the evening.

"We have all the people who've been working on the movie interacting with the fans," Favreau noted. "These are real people who've been working really hard on this, and they're on pins and needles waiting to find out what you think."

The results of their collective labor, "Cowboys & Aliens," is pretty much summed up by the title -- despite its fantastical premise, it's an action flick, from head to tentacle.

Based on the 2006 graphic novel by Scott Mitchell Rosenberg, the film (out July 29) stars Daniel Craig as Jake Lonegan, a robber with a past that's an enigma even to him, after an alien abduction that leaves him with a fuzzy memory and a mysterious bracelet on his wrist.

Stumbling into a nearly abandoned mining town, he finds himself joining with the local townsfolk to fend off an invasion of aliens intent on blowing the place up and abducting its remaining citizenry -- "Gunfight at the O.K. Corral" meets "Independence Day," in a nutshell.


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Friday, July 22, 2011

Chris Evans brings `Captain America' to Comic-Con (AP)

SAN DIEGO – Amid throngs of fans, uniformed soldiers and dancing girls, "Captain America" star Chris Evans introduced the latest Marvel film to a Comic-Con crowd Thursday, a day ahead of its nationwide opening.

"I love this movie. I really think we've got something special here," Evans said to the packed theater audience, many wearing Captain America T-shirts (and some in the full costume, with shield). "It's everything a superhero movie should be.

"I can't always be this enthusiastic, because I don't always like my movies."

With that, fans donned their special Captain America 3-D glasses and settled in for the two-hour ride. The pre-show excitement was so great that people clapped for the Paramount logo and cheered when the Marvel imprint came on screen.

Fans gathered before dawn for a chance to see the first public showing of the anticipated Marvel movie. They were rewarded for their devotion with free posters, buttons and T-shirts that read "First to see the first Avenger."

"This is what San Diego Comic-Con is all about," said Mark Walters of Dallas, who toted a poster and a T-shirt as he attended his 17th consecutive Comic-Con. "I've been waiting for this movie my whole life. I'm a huge Captain America fan."

Fans' enthusiasm remained constant throughout the action romp, where Evans plays Steve Rogers, a good-hearted but small-statured guy who enlists in the Army and submits himself for an experimental treatment to become a super soldier. Spontaneous applause erupted when Evans first came on screen, when Stan Lee made his requisite cameo and when Samuel L. Jackson appeared as the eye-patch-wearing Nick Fury.

When the credits rolled, nobody moved. This is Comic-Con, and the fans here know that Marvel movies often end with "Easter eggs" that hint at future films.

This one was a doozy: A teaser trailer for next summer's superhero-packed "The Avengers" showed at the end of "Captain America," providing fans with a first look at the film and all its superstar superheroes in one dazzling, blink-and-you'll-miss-something preview.

"I can't wait for next year!" an elated Robert Garcia said as he left the theater. He had waited since 5 a.m. to attend the "Captain America" screening. "It was worth it just for the trailer."

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Online:

http:// www.comic-con.org

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AP Entertainment Writer Sandy Cohen is tweeting from Comic-Con at http:// www.twitter.com/APSandy.


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Monday, July 11, 2011

Kate brings feminine, tried-and-true looks to US (AP)

Even in a town where celebrity-studded awards shows are commonplace, it was the most anticipated event of the season.

It wasn't Prince William's match at the charity polo game Saturday. It wasn't the visit to Los Angeles' Skid Row on Sunday.

It was the unveiling of the Duchess of Cambridge's travel wardrobe.

Much expectation followed the young royal couple as they took their first state trip to Canada and the United States, with royal-watchers wondering how they would handle themselves, celebrity-hounds delighting over the mix of real and Hollywood royalty, and fashion observers waiting for new looks from a duchess whose picks can clear stockrooms within hours of an appearance.

To many, the former Kate Middleton's sartorial choices in California hit just the right notes — even though she didn't pack any surprises.

She brought all feminine looks, among them: a pleated lilac floor-length gown designed by Sarah Burton of Alexander McQueen, a vibrant green Diane von Furstenberg shift with a waist-tie, and a silver silk dress with hand-painted flowers by British designer Jenny Packham.

"It's like our first ladies," said Kate Betts, a contributor editor for Time magazine and the author of "Everyday Icon: Michelle Obama and the Power of Style." "We're always going to think of them as role models — people we look to as some kind of example, either by the way they dress or the way they speak."

The duchess eschewed bright colors and bold prints even in sunny Southern California, though she donned the floral Packham for a charity polo match in Santa Barbara.

That designer also made a yellow silk dress that the duchess wore in Canada. But Kate is known for repeats: She prefers drapey dresses by the Brazilian designer Issa; the cream Reiss dress she wore in her engagement photo showed up again in Canada; and her nude-colored leather pumps and straw box-clutch from British upscale fashion brand LK Bennett were frequent sights during the 11-day trip.

"She's repeating things to make sure people understand she's not overspending in this very difficult economic moment," Betts said. "It's very age-appropriate. She's what, 29? People that age don't have thousands of pairs of shoes. It's not something someone that age does or cares about."

For the celebrity-studded black-tie BAFTA dinner Saturday, where the royal couple were the honored guests, she wore the McQueen gown and a pair of Jimmy Choos platform sandals.

Avril Graham, a fellow Brit and executive fashion and beauty editor for Harper's Bazaar, said she wasn't surprised that Burton, who made Kate's two dresses on her wedding day, was responsible for the BAFTA gown.

Graham said its simplicity and bejeweled waistband recalled Kate's wedding reception dress. She praised the duchess for resisting "the temptation to overdress, over-glitz a la Hollywood red-carpet glam."

Betts also declared it a hit, saying that the duchess stuck to her usual "easy and fluid" style.

"It was fluid and beautiful, almost like a T-shirt. It had a very American feeling to it," she said. "When I looked at what the celebrities were wearing at the event, it seemed too uptight and over-done and over-styled compared to her."

The running theme among the outfits was a ladylike figure-flattering silhouette, in luxurious neutral fabrics with knee-length hems. The dresses nipped in at the waist, either with darts, a waist tie or a waistband, as with the light-gray frock by London-based designer Roksanda Ilincic that Kate changed into during the flight from Canada.

The knee-length dress had asymmetric draping from one shoulder with folds at the collar, a cut that both Betts and Graham loved.

"I love the ease of her style. I love the fact that she's wearing dresses, which actually when you think about it is a very American thing because if you look back at other royals, they wore suits," Betts said.

Betts noted that even though the duchess primarily wore British labels because "she has to wave the British flag too," she likely chose the Diane von Furstenberg dress for a reception Saturday "as a nod to American fashion."

"She really has to be a style ambassador for the U.K.," Graham said, noting that William's late mother, Princess Diana, at first wore British designers exclusively.

Graham called the duchess' choices "spot on," saying she displayed a "cautious selection that's worked well in her new role" but that Kate should take away from the trip a learning experience to be more adventurous in the future.

But don't ever expect Kate to dress down, Graham added. Even though the royal couple on Sunday visited an arts center in Los Angeles' gritty Skid Row, the duchess stayed prim in navy pumps with a matching crochet blouse and a white pleated skirt — an ensemble that didn't come from a glamorous fashion house but the U.K. high-street brand Whistles.

As a royal in a senior role, Kate's not allowed to have a bad fashion day if she's somewhere representing the crown, Graham added.

Celebrity stylist Robert Verdi said he was fascinated by the duchess and liked that her style "isn't vulgar," although he thought the McQueen gown at the BAFTA dinner was "a little matronly (because) you don't get a bust line."

He also called the soft colors of her other dresses "a little mother-of-the-bride... you could see it on a silver-haired mom at a wedding."

But Verdi said they were minor missteps considering "she had been thrown" into the international spotlight yet managed to stay true to her style and respectful of the crown.

The secret, he said, is the blind eye she turns to labels, whether they're off-the-rack or couture, and instead, consistently focuses on her own natural beauty.

"We don't know what's going on behind the scenes in the royal household but what's in front of us — which is what all we have to see and believe and understand — it feels positive," he said. "She's not a desperate housewife of New Jersey."

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Follow the AP's fashion coverage at http://twitter.com/AP_fashion


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Wednesday, July 6, 2011

Arab Spring's songbird brings "Liberty" to the West Bank (Reuters)

RAMALLAH, West Bank (Reuters) – Three months after Algerian singer Souad Massi released her latest album "O Houria" (Liberty), revolution was sweeping the Arab world.

The songwriter and guitarist acclaimed for her extraordinary voice predicts no quick end to the popular uprisings that are reshaping the Middle East.

And she thinks it is only matter of time before the Arab Spring reaches Palestinians living under Israeli occupation in the West Bank, where she performed at a sell-out concert on Tuesday.

"What would have been a miracle in the past, can today happen," said Massi, whose latest album, released in October, includes three songs on the theme of revolution. They include "Let Me Be In Peace," a duet with British star Paul Weller.

The track, she says, is dedicated to the Palestinians, who have waged two major Intifadas, or uprisings, against Israel in the last three decades.

"Things have changed. The people are now the force of renewal," Massi told a news conference packed with Palestinian journalists in Ramallah. "The winds of revolution will certainly reach you."

Addressing delighted fans under a starry West Bank sky, she reiterated that message on stage during her performance at the annual Palestine International Festival -- her second concert in Ramallah.

Blending sounds from north Africa, the broader Arab world, Flamenco, pop and American folk, her songs touch on themes including love, exile and her homeland and are mainly written in Algerian dialect and French.

Her early career was threatened by Algeria's civil war, which broke out in 1991. Musicians and artists were targeted in the conflict between the state and armed Islamist groups. Raised in a working-class area of Algiers, she moved to France in 1999.

A success in France and north Africa, Massi has begun to achieve wider fame in the eastern Arab world, where Egyptian and Lebanese pop stars tend to dominate the airwaves.

Her album "Liberty" addresses issues including the oppression faced by women in Arab north Africa and racial discrimination in France.

Political oppression in the Arab world was also on her mind when producing the album, which was partly inspired by the writings of the 14th Century Arab philosopher Ibn Khaldoun.

"After the album came out, what happened in the Arab countries and everybody was asking me: 'How did you know this was going to happen?" she said. "When I used to meet young people with spirit and enthusiasm, I imagined that it could.

"I was very happy that something I'd thought of before the album had come to pass," she added. "The rulers and sultans are no longer the power. The situation has changed in all the Arab countries."

(Additional reporting by Ali Sawafta editing by Paul Casciato)


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Tuesday, July 5, 2011

Jay-Z brings 40/40 restaurant franchise to London (Reuters)

LONDON (Reuters) – Rapper Jay-Z plans to bring his 40/40 restaurant and bar franchise to London next year in a deal which will team him up with England and Chelsea soccer player Ashley Cole.

The NVA Entertainment Group (NVA), which brokered the multi-million pound (dollar) deal, said that The 40/40 London will be the first project of a partnership between Jay-Z and Cole that will include a number of new ventures.

"London is one of the most vibrant and exciting cities in the world and the perfect location for our new venue," Jay-Z said in an NVA statement emailed to Reuters.

"I'm excited about working with Ashley and NVA Entertainment Group on a range of new projects and The 40/40 London is going to be the hottest place in town."

The management team will be appointing a top chef to deliver a modern American-themed menu for the restaurant/bar that will feature top DJ's and A-list artists. A shortlist of three potential sites is now under consideration with a final decision on location expected in August, NVA said.

The 40/40 London will give first option on jobs to talented, long-term unemployed young people. Each month a percentage of profits from the project will go to local youth charities for music and sport projects in deprived communities.

"I am delighted to be working with Jay Z I have grown up listening to his music and now to be doing business with him is amazing and the projects we do will be delivering much needed funds back into sport and music on a local community level as well as helping talented young people get back to work," Cole said in the statement.

The grand opening party to be held next year will be similar to the 40/40 openings thrown by Jay-Z in New York, Las Vegas and Atlantic City and will be attended by a host of stars from music, sport and entertainment.

NVA are in talks with UK broadcasters over exclusive TV opportunities.

Alongside his music business Roc Nation and Rocawear clothing range Jay-Z is a sports fan - he attended Wimbledon last week and co-owns NBA basketball team New Jersey Nets. He runs a chain of 40/40 clubs in five U.S. cities.

(Reporting by Paul Casciato)


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Saturday, June 18, 2011

'Golf summit' brings out Obama, top Republican (AFP)

WASHINGTON (AFP) – President Barack Obama and his most powerful Republican critic met on the green in what was billed as the first US "golf summit" involving the fierce political foes.

While Obama and House speaker John Boehner are on par in their appreciation for birdies and bogeys, they have been at loggerheads over several wedge issues including taxes, spending cuts, and operations in Libya.

But the top Washington political adversaries joined forces and in the end came out on top in a foursome that included Vice President Joe Biden and Ohio Republican Governor John Kasich.

According to aides, the president and speaker won the match on the 18th hole, and collected $2 each in a friendly wager, before enjoying a cold drink at clubhouse of the course at Andrews Air Force Base outside the US capital.

There was no immediate word about discussions on a more weighty topic -- including the political gridlock over raising the nation's debt ceiling of $14.29 trillion.

It was not clear if any political progress was made, but long walks or cart rides between shots are often seen as a way to improve relations.

"This is an opportunity that I think has value beyond the game," White House spokesman Jay Carney told reporters on Friday.

He added that "spending a number of hours together in that kind of environment I think can only help improve the chances of bipartisan cooperation," he said.

Boehner is among Capitol Hill's best golfers, with a 7.9 handicap, according to Golf Digest.

Obama, with a 17 handicap, is not in that league, but he has recruited Biden (6.3 handicap), who has been handling bipartisan debt ceiling talks.

Boehner recruited Kasich, reportedly an eight handicap, to round out the foursome.

While the White House has stressed that the outing is a "social" occasion, Boehner said last week that he was intrigued at the prospect of using his handicap advantage to help whittle down Washington spending.

"Mr. President, you can have all the strokes you want, it'll just cost you a trillion dollars a stroke," he quipped.


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Monday, May 23, 2011

"Bridesmaids" success brings Wilson Phillips new boost (Reuters)

NEW YORK (Billboard) – Wilson Phillips' "Hold On" is reaching a new audience thanks to the film "Bridesmaids," 21 years after the song hit No. 1. It's one of the key tracks in the movie, whose 13-song Relativity Music Group soundtrack also boasts Blondie's "Rip Her to Shreds," a cover of Violent Femmes' "Blister in the Sun" by Nouvelle Vague and songs by Hole and Smokey Robinson.

Even though Carnie Wilson has a small part in the Judd Apatow-produced film -- which opened May 13 and took in $26.2 million on its first weekend, according to BoxOfficeMojo.com -- a 20-minute conversation with her makes it clear she could have played a much bigger role.

Effusive and hysterically funny, Wilson wraps up the call by saying that she's taking her mother and some friends to see "Bridesmaids" again. Only this time, she's wearing a pantyliner. "I peed my pants laughing so hard the first time I saw it," she says. "So this time I'm totally prepared."

Wilson, along with Chynna Phillips and sister Wendy Wilson, should also be prepared to step back into the spotlight. "Hold On" rises 620 percent, with sales increasing from 1,000 to 6,000 downloads, according to Nielsen SoundScan. While the band's latest record, a Christmas album released last year by Sony Masterworks, sold minimally last week, the trio's catalog has shifted 4.2 million units since SoundScan began tracking sales in 1991.

Winston Simone, who co-manages the group, arrived at work on May 18 to find two messages from TV showrunners asking about the group's availability -- and that the phone has been ringing nonstop.

Wilson Phillips charted three No. 1s on the Billboard Hot 100 in the early '90s. Having released its last studio album, "California," in 2004, the act has played select dates as a trio while simultaneously pursuing acting careers, writing books and raising children.

A fan of such earlier Apatow-produced comedies as "Knocked Up" and "Superbad," Wilson said the group's publicist, Lizzie Grubman, "was the one who made 'Bridesmaids' happen. I'm more of a music business chick than a movie business chick, though, so actually shooting the scene was a new experience for me."

Wilson said the scene in which she and her bandmates play at the wedding of Maya Rudolph's character was an all-day affair. "We were there until two in the morning, but it was amazing," she said. "We spent time with Kristen Wiig, who is hysterical and so talented. We were just laughing the entire time."

Although the film has reignited fond memories for the act's longtime fans and introduced the trio to a whole new generation, Wilson said a Wilson Phillips blitz isn't likely.

"It takes a lot of money to capitalize on something," she said with a laugh. "We are doing select dates around the country. We have four in June, one in July, a few in August and then some in December. We've also had to turn down gigs because they've been one-offs, and it doesn't make sense financially to do them."

She added that she has no desire to tackle the arena circuit, either. "We've been touring quietly for the past two years, and I'm really happy with the venues that we are playing, like performing arts centers and the occasional casino," she said.

But fans will have a new album to look forward to: a collection of covers featuring tracks by the Mamas & the Papas and the Beach Boys, which Wilson said will likely be released next January on Sony Masterworks. She added that the group is in the early stages of talking to a network about a reality show that would follow the trio through the recording and touring process.

For now, Wilson said she's just excited to be part of "Bridesmaids" and that she loves the film's message. "It's all about the evolution of female friendships," she said. "And that's something I can definitely relate to."

(Editing by Chris Michaud)


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