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Showing posts with label Fight. Show all posts
Showing posts with label Fight. Show all posts

Sunday, May 12, 2013

O.J. Simpson Returns To Court To Fight For His Freedom

LAS VEGAS — Like a recurring nightmare, the return of O.J. Simpson to a Las Vegas courtroom come Monday will remind Americans of a tragedy that became a national obsession and in the process changed the country's attitude toward the justice system, the media and celebrity.


His 1995 trial is the stuff of legends, the precipitous fall of a Hall of Fame football player from the pinnacle of adoration to a murder defendant who, although acquitted of killing his ex-wife and her friend, was never absolved in the public mind.


He is arguably the most famous American ever charged with murder, and his "trial of the century" cast him in the role of the accused – no longer the superhero-turned-movie actor held up to young people as an example of achievement.


But less is remembered about the 2008 Las Vegas trial that sent Simpson to prison for a bizarre hotel room robbery in which the celebrity defendant said he just wanted to take back personal memorabilia that he claimed was stolen from him.


When he comes to court Monday, it is that conviction for armed robbery and kidnapping that will be before a Nevada judge. Simpson is seeking freedom in what lawyers often call a "Hail Mary motion," a writ of habeas corpus. It claims he had such bad representation that his conviction should be reversed and a new trial ordered. Most defendants lose these motions, but in this case nobody is taking bets on the outcome.


"Nothing is the same when O.J. is involved," said Loyola Law School professor Laurie Levenson, who observed Simpson's Los Angeles trial. "An O.J. case is never like any other case."


With Simpson, the past is always a prologue – and so memories of his murder trial are certain to serve as a backdrop throughout the Las Vegas hearing. This case, while less dramatic in nature, carries with it far more devastating consequences.


Now 65 years old, Simpson has already spent the last four years in prison and must serve at least nine years of his maximum 33-year sentence before he is even eligible for parole. He would be 70 by then. If Simpson doesn't win a new trial, he could conceivably spend the rest of his life locked up.


"I try to explain to people how somebody could come from nothing to live the American dream and then lose it all," said Simpson's former manager and agent, Mike Gilbert, who is expected to testify at the hearing. "I have a hard time with it."


Close friend Jim Barnett describes Simpson as grayer, paunchier and limping a little more these days from old knee injuries. The Silicon Valley venture capitalist has visited Simpson several times at the medium-security Lovelock Correctional Center, an hour northeast of Reno.


Simpson, Barnett said, is a favorite among inmates. He has served as prison gym steward and coached a champion prison baseball team. "He gets along with everyone there," he said. "But he's slow. Last time I saw him, he had gotten quite heavy."


Before the "trial of the century," there were few televised court cases, no celebrity justice shows and a minimum of talking heads holding forth on TV about the prospects of famous defendants in court. Simpson's murder trial, televised from gavel to gavel, brought the legal arena into living rooms and turned lawyers into stars.


And Simpson, the quintessential American sports hero, was brought down by a trial that could not vindicate him even with a "not guilty" verdict. Too many people wanted him to pay for the deaths of his beautiful ex-wife, Nicole Brown Simpson, and her friend, Ronald Goldman, found stabbed in front of her Los Angeles condominium.


Too many people believed Simpson had gotten away with murder.


The man who had won the Heisman Trophy and was known for his phenomenal running on a football field – and in commercials for Hertz cars – ran again when he was named as a suspect in the June 1994 killings. The spectacle of police chasing after one of America's most famous men across Los Angeles freeways was an image for history books. The slow-speed white Ford Bronco pursuit became part of the legend.


It took a year for his trial to unfold. There were issues of racism, domestic violence, mishandled evidence – and the many memorable moments, and lines, that quickly became part of the pop culture lexicon: Simpson struggling to squeeze on a bloody black glove and his lawyer, Johnnie Cochran, admonishing the jury: "If it doesn't fit, you must acquit."


The case so captivated America that on the day of the verdict, even then-President Bill Clinton watched it on TV.


Simpson walked out a free man. But he would be a pariah forever after.


As shocking as Simpson's fall from grace is his involvement in the hotel room heist that landed him in prison.


Those who try to explain it come back to one word – hubris, the literary allusion to excessive self-confidence, pride and arrogance. Simpson refused to accept that people didn't idolize him anymore. He boasted about his continuing celebrity status. He was delighted that people still wanted his autograph and wanted to hang out with him at the pool of The Palms hotel in Las Vegas. And that was where the disastrous plan was born.


He had come to Las Vegas that September of 2007 for a happy event. His old friend, Tom Scotto, was getting married and invited Simpson to be his best man. Scotto still sounds anguished when he recalls the weekend.


"If it wasn't for me," Scotto said in an interview, "he wouldn't have been there."


Simpson, trial testimony would show, organized a posse of five friends and acquaintances to accompany him to a hotel where he was told some men were trying to sell his mementos, including family pictures. It was to be a sting of sorts, in which the memorabilia dealers would think an anonymous buyer was coming.


When Simpson walked into the hotel room, he realized he knew the sellers from previous dealings and he accused them of stealing from him. He shouted that no one was to leave the room – an action that would be judged to fit the legal definition of kidnapping. As Simpson's guys began bagging up the memorabilia, one of them pulled a gun, according to trial testimony.


No one was injured, but the sellers called the police – and another Simpson case for another century was launched.


It turned out that Tom Riccio, another memorabilia dealer who played middleman between Simpson and the sellers, had planted a tape recorder in the hotel room and the tape, played for jurors, was powerful evidence.


Simpson's cohorts testified against him, including the man who said he brought a gun. They were an odd assortment of down-on-their luck Vegas characters who received plea deals and were set free on probation.


Simpson's co-defendant at his trial, Clarence "C.J." Stewart, served more than two years in prison before the Nevada Supreme Court overturned his conviction. The justices ruled Simpson's fame tainted the proceedings and that Stewart should have been tried separately. Stewart took a plea deal to avoid a retrial and was released.


Simpson, meantime, was sentenced by Clark County District Court Judge Jackie Glass to nine to 33 years in prison. Referencing the earlier murder trial, the judge said that her penalty was not intended as "retribution or any payback for anything else." She made no mention of the two Las Vegas police detectives overheard in a taped conversation saying that if California authorities couldn't "get" Simpson, those in Nevada would. The tape was played at the trial.


On Monday, Simpson will be back before a different judge who agreed to hear evidence on 19 claims of ineffective counsel and attorney conflict of interest. Simpson contends his trial attorney never told him about a plea bargain that had been offered by prosecutors. He also said in a sworn statement that the same attorney knew about the memorabilia sting before it happened, and "he advised me that I was within my legal rights."


Simpson is expected to testify sometime during the weeklong hearing. Instead of wearing an expensive suit and tie, the man known to Nevada authorities as inmate No. 1027820 will be dressed in plain blue prison garb.


View the original article at Huffington Post / Celebrity

Friday, August 26, 2011

Gibson Guitar to fight probe of its wood imports (Reuters)

CHICAGO (Reuters) – Gibson Guitar's chief executive said on Thursday he would fight a federal investigation of the legendary guitar maker's wood imports after agents raided the company for the second time in two years.

Federal agents entered Gibson's facilities in Nashville and Memphis, Tennessee, on Wednesday, seizing wood imported from India, and workers were sent home.

In an affidavit, authorities indicated they are weighing charges against the company or its executives for illegally importing wood under a U.S. law barring importation of endangered plants and woods. The company has sued to recover its property.

"Gibson has complied with foreign laws and believes it is innocent of any wrong doing," Chief Executive Officer Henry Juszkiewicz said in a statement. "We will fight aggressively to prove our innocence."

Juszkiewicz said the company, which began more than a century ago and makes some of the world's most prized guitars, has worked with environmental groups such as the Rainforest Alliance to ensure its wood imports are from sustainable sources.

"(The government) has suggested that the use of wood from India that is not finished by Indian workers is illegal, not because of U.S. law, but because it is the Justice Department's interpretation of a law in India," Juszkiewicz said.

If the same wood from the same tree was finished by Indian workers, the material would be legal, he said.

In an affidavit, agent John Rayfield of the U.S. Fish and Wildlife Service said U.S. Customs agents in June detained a shipment of sawn ebony logs from India.

The paperwork accompanying the shipment identified it fraudulently as Indian ebony fingerboards for guitars and it did not say it was going to Gibson, the affidavit said.

In July, agents observed Indian ebony and rosewood delivered to a storage facility for Gibson, according to the affidavit, which asked permission to seize Gibson's business computers.

Gibson plants also were raided in 2009, when agents confiscated ebony imported from Madagascar.

(Reporting by Andrew Stern; Editing by Bill Trott)


Yahoo! News

Wednesday, August 24, 2011

Family helps Glen Campbell fight the darkness (AP)

By CHRIS TALBOTT, AP Entertainment Writer Chris Talbott, Ap Entertainment Writer – Tue Aug 23, 8:42 pm ET

BILOXI, Mississippi – Singer Glen Campbell is having a great time.

Make no mistake, it is tragic that Alzheimer's disease is slowly stripping away the memories and abilities that define one of music's greats. But day-to-day, surrounded by his family and friends, encouraged to play his guitar and sing and golf and joke, the 75-year-old Campbell is often smiling.

"I'm really not worried about anything," Campbell said. "You know those people who say, `Oh, geez, I wonder what's going to happen tomorrow?' Tomorrow's cool. Just don't mess it up. It's just wonderful. I think where I am at right now in this universe, I wouldn't want to be anything else than what I am."

Call it The Zen of Glen, and it has been reached through the hard work of his wife, Kim, his children and his business associates who often are as close as family. They have created a carefully engineered environment meant to shelter and encourage Campbell at every turn, whether he is at home or on the road.

The Campbell family allowed The Associated Press a glance at the Country Music Hall of Fame member's life during a recent visit to Biloxi, Mississippi, where Campbell played his first show last month since announcing he has Alzheimer's, a degenerative brain disease that so far has proven incurable.

That show was a dry run in preparation for a string of dates overseas this year, and for a goodbye tour next year in support of his last studio album, "Ghost on the Canvas," out next Tuesday.

"What's really fun is it's not like work now because I've got my kids here, and my wife here, and they're all playing," Campbell said.

There are indeed moments of confusion, memories that refuse to coalesce and words for simple things that remain just out of reach. But for the most part, Campbell does not realize he has Alzheimer's. He is untroubled by the gravity of it all.

Gently reminded of the diagnosis he says, "It hasn't come by yet."

"You get a little forgetful," Kim says.

"Well, it may look like that, but I don't want to hear it sometimes. That's an old trick."

And everyone laughs. Out of sadness, a smile.

"We call it part-timers," Kim said. "You just never know. Some days are great, and some days he maybe repeats himself a little. On stage a couple of times he might forget what key a song is in, which 20 years ago might never happen."

It started with simple forgetfulness about 10 years ago. Early on, doctors gave less dire diagnoses. As it advanced, there was confusion and anxiety: The family wonders if the disease contributed to a short return to drinking that resulted in a drunken driving arrest in 2003.

Recently California took away his driver's license. Kim avoided telling him as long as possible, finding excuses to drive them everywhere they went.

She is afraid he's slipping from the early stage to the middle stage of the disease, and there is no predicting how long he will be able to perform. The album and tour dates are the family's way of helping him stay anchored in the present.

"I do get nervous about his ability to stay on track and read his teleprompter and remember his chords," Kim said. "So far everything's been pretty good. Eventually I expect if this progresses as it normally does, we'll start to have problems. So we're preparing to get him off the road and retire, but we wanted to go out with a bang. He wants to do it as long as he can, but the scary thing is you don't know when the shoe's going to drop. We're all worried that if we stop, he'll get worse more quickly."

The power music has to preserve what Campbell has left is on display any time he picks up a guitar. His fingers appear to have forgotten nothing and still float over the strings.

"I can't imagine what that guy must've been like at 25 because at 75 and in this condition he's frightening," said Julian Raymond, producer of "Ghost." "He's really very good. He's blessed in that sense."

Always has been. What Campbell lacked in formal training, or perhaps because of what he lacked, he made up for with feeling and his ear and a preternatural sense of what fit where.

As a young man coming west out of Arkansas, he was enchanted by the sounds of jazz and country and rock and the true melting pot that American music was in the 1950s and 1960s. At 16, he took an uncle's invitation to join his band in Albuquerque, New Mexico, and play on a radio show. He eventually migrated to Los Angeles.

"I didn't go to Nashville because Nashville at that time seemed one-dimensional to me," Campbell said. "I'm a jazzer. I just love to get the guitar and play the hell out of it if I can."

Despite being unable to read music, he joined a crack team of session players known as The Wrecking Crew. They recorded iconic songs like The Byrds' "Mr. Tambourine Man," and Simon and Garfunkel's "Bridge Over Troubled Water," "The Monkees" and "The Age of Aquarius" while helping Phil Spector develop his game-changing wall of sound approach.

"We'd get the rock 'n' roll guys and play all that, then we'd get (Frank) Sinatra and Dean Martin," Campbell said. "That was a kick. I really enjoyed that. I didn't want to go nowhere. I was making more money than I ever made just doing studio work."

He was a member of The Beach Boys for a time during this period and never knew who might show up in the studio during his day job. One of those sessions was with The Smothers Brothers, which landed him on television. He was overseas when his first episode aired and was amazed to find everyone seemed to know who he was when he returned stateside.

"The whole lid just blew off," Campbell said. "I had never had anything like that happen to me. I got more phone calls. It was awesome. For the first couple of days I was like how do they know me? I didn't realize the power of television."

Not long after that Campbell launched one of music's most successful runs. He was a true crossover star whose music appealed to both pop and country fans. He employed the ear and opinions he had honed over the years in the studio to put his own spin on instant classics like "Wichita Lineman," "Rhinestone Cowboy," "Gentle on My Mind," "Galveston," "By the Time I Get to Phoenix" and "Southern Nights."

Raymond said many of the hallmarks that made Campbell such a great performer then remain today. He first met Campbell in 2007 when they worked on "Meet Glen Campbell" together. The two became friends and Raymond began keeping notes, writing down snatches of conversations he had with Campbell as he discussed his feelings and his family.

Raymond crafted those fragments into deeply personal songs that address both his health and his feelings for his wife and family. The album also features songs from singer-songwriters as diverse as Paul Westerberg, Jakob Dylan and Robert Pollard, but with the Campbell touch foremost in mind.

"We'd compare notes and talk about what he wanted to say and what he didn't want to say," Raymond said. "And then he'd do this classic Glen Campbell stuff where he wants the tempo sped up a bit and to find the right keys. It was a collaborative affair as far as that goes. He's always been very, very good in the studio, and that didn't change in the last few years of doing this."

What emerges is an ultimately optimistic album, full of love and a sense of peace. Campbell is learning to play the songs for his live shows, actively battling Alzheimer's by making and retaining new memories, forcing his brain not only to remember but also to help him excel.

It is a dramatic change for Campbell. He was ready to give up life on the road a few years ago, said Bill Maclay, Campbell's tour manager for 33 years.

"Glen was not a happy camper out on the road," Maclay said. "He told everybody, `I'm going to quit. I don't want to do this.' I asked Kim to come out on the road and that really helped. And once we brought his family out, the road is his home now. He sees his family here more than at home."

There is something of a circus atmosphere around Campbell's entourage, constant jokes and banter, the sounds of lives being lived. Fans invited to a meet and greet find Campbell in 100-watt mode, cracking jokes and showing few signs he's anything but the Glen of old. But there are little reminders that occasionally catch up with everyone.

"We were watching one of his videos from `The Goodtime Hour' and some live shows in the `70s and he was so on top of things," said Ashley, 24. "And it's sad to know that he could still be that good if he didn't have Alzheimer's. It's stealing his powers away."

But those sad moments are quickly chased away, said her 26-year-old brother Shannon. Everyone chooses to follow The Zen of Glen.

"There are a lot of new treatments he's trying out," he said. "Nobody's ever been cured before, but people are pretty hopeful about these treatments he's been trying. We're just keeping our fingers crossed."

___

Online:

http://www.glencampbellshow.com

___

Chris Talbott covers entertainment for The Associated Press. Follow him at http://www.twitter.com/chris_talbott


Yahoo! News

Tuesday, August 23, 2011

Family helps Glen Campbell fight the darkness (AP)

BILOXI, Miss. – Glen Campbell is having a great time.

Make no mistake, it is tragic that Alzheimer's Disease is slowly stripping away the memories and abilities that define one of music's greats. But day to day, surrounded by his family and friends, encouraged to play his guitar and sing and golf and joke, the 75-year-old Campbell is often smiling.

"I'm really not worried about anything," Campbell said. "You know those people who say, `Oh, geez, I wonder what's going to happen tomorrow?' Tomorrow's cool. Just don't mess it up. It's just wonderful. I think where I am at right now in this universe, I wouldn't want to be anything else than what I am."

Call it The Zen of Glen and it's been reached through the hard work of his wife, Kim, his children and business associates who are often as close as family. They've created a carefully engineered environment meant to shelter and encourage Campbell at every turn, whether he's at home or on the road.

The Campbell family allowed The Associated Press a glance at the Country Music Hall of Fame member's life during a recent visit to Biloxi, Miss., where Campbell played his first show last month since announcing he has Alzheimer's, a degenerative brain disease that so far has proven incurable.

That show was a dry run in preparation for a string of dates this summer and fall overseas, and for a goodbye tour next year in support of his last studio album, "Ghost on the Canvas," out next Tuesday.

"What's really fun is it's not like work now because I've got my kids here, and my wife here, and they're all playing," Campbell said.

There are indeed moments of confusion, memories that refuse to coalesce and words for simple things that remain just out of reach. But for the most part, Campbell doesn't realize he has Alzheimer's. He's untroubled by the gravity of it all.

Gently reminded of the diagnosis he says, "It hasn't come by yet."

"You get a little forgetful," Kim says.

"Well, it may look like that, but I don't want to hear it sometimes. That's an old trick."

And everyone laughs. Out of sadness, a smile.

"We call it part-timers," Kim said. "You just never know. Some days are great ,and some days he maybe repeats himself a little. On stage a couple of times he might forget what key a song is in, which 20 years ago might never happen."

It started with simple forgetfulness about 10 years ago. Early on, doctors gave less dire diagnoses. As it advanced, there was confusion and anxiety: The family wonders if the disease contributed to a short return to drinking that resulted in a drunken driving arrest in 2003.

Recently California took away his driver's license. Kim avoided telling him as long as possible, finding excuses to drive them everywhere they go.

She's afraid he's slipping from the early stage to the middle stage of the disease, and there's no predicting how long he'll be able to perform. The album and tour dates are the family's way of helping him stay anchored in the present.

"I do get nervous about his ability to stay on track and read his teleprompter and remember his chords," Kim said. "So far everything's been pretty good. Eventually I expect if this progresses as it normally does, we'll start to have problems. So we're preparing to get him off the road and retire, but we wanted to go out with a bang. He wants to do it as long as he can, but the scary thing is you don't know when the shoe's going to drop. We're all worried that if we stop, he'll get worse more quickly."

The power music has to preserve what Campbell has left is on display any time he picks up a guitar. His fingers appear to have forgotten nothing and still float over the strings.

"I can't imagine what that guy must've been like at 25 because at 75 and in this condition he's frightening," said Julian Raymond, producer of "Ghost." "He's really very good. He's blessed in that sense."

Always has been. What Campbell lacked in formal training — or perhaps because of what he lacked — he made up for with feel and his ear and a preternatural sense of what fit where.

As a young man coming west out of Arkansas, he was enchanted by the sounds of jazz and country and rock and the true melting pot that American music was in the 1950s and `60s. At 16, he took an uncle's invitation to join his band in Albuquerque, N.M., and play on a radio show. He eventually migrated to Los Angeles.

"I didn't go to Nashville because Nashville at that time seemed one-dimensional to me," Campbell said. "I'm a jazzer. I just love to get the guitar and play the hell out of it if I can."

Despite being unable to read music, he joined a crack team of session players known as The Wrecking Crew. They recorded iconic songs like The Byrds' "Mr. Tambourine Man," and Simon and Garfunkel's "Bridge Over Troubled Water," "The Monkees" and "The Age of Aquarius" while helping Phil Spector develop his game-changing wall of sound approach.

"We'd get the rock `n' roll guys and play all that, then we'd get (Frank) Sinatra and Dean Martin," Campbell said. "That was a kick. I really enjoyed that. I didn't want to go nowhere. I was making more money than I ever made just doing studio work."

He was a member of The Beach Boys for a time during this period and never knew who might show up in the studio during his day job. One of those sessions was with The Smothers Brothers, which landed him on television. He was overseas when his first episode aired and was amazed to find everyone seemed to know who he was when he returned stateside.

"The whole lid just blew off," Campbell said. "I had never had anything like that happen to me. I got more phone calls. It was awesome. For the first couple of days I was like how do they know me? I didn't realize the power of television."

Not long after Campbell launched one of music's most successful runs. He was a true crossover star whose music appealed to both pop and country fans. He employed the ear and opinions he'd honed over the years in the studio to put his own spin on instant classics like "Wichita Lineman," "Rhinestone Cowboy," "Gentle on My Mind," "Galveston," "By The Time I Get to Phoenix" and "Southern Nights."

Raymond said many of the hallmarks that made Campbell such a great performer then remain today. He first met Campbell in 2007 when they worked on "Meet Glen Campbell" together. The two became friends and Raymond began keeping notes, writing down snatches of conversations he had with Campbell as he discussed his feelings and his family.

Raymond crafted those fragments into deeply personal songs that address both his health and his feelings for his wife and family. The album also features songs from singer-songwriters as diverse as Paul Westerberg, Jakob Dylan and Robert Pollard, but with the Campbell touch foremost in mind.

"We'd compare notes and talk about what he wanted to say and what he didn't want to say," Raymond said. "And then he'd do this classic Glen Campbell stuff where he wants the tempo sped up a bit and to find the right keys. It was a collaborative affair as far as that goes. He's always been very,, very good in the studio and that didn't change in the last few years of doing this."

What emerges is an ultimately optimistic album, full of love and a sense of peace. Campbell is learning to play the songs for his live shows, actively battling Alzheimer's by making and retaining new memories, forcing his brain to not only remember but to help him excel.

It's a dramatic change for Campbell. He was ready to give up life on the road a few years ago, said Bill Maclay, Campbell's tour manager for 33 years.

"Glen was not a happy camper out on the road," Maclay said. "He told everybody, `I'm going to quit. I don't want to do this.' I asked Kim to come out on the road and that really helped. And once we brought his family out, the road is his home now. He sees his family here more than at home."

There is something of a circus atmosphere around Campbell's entourage, constant jokes and banter, the sounds of lives being lived. Fans invited to a meet and greet find Campbell in 100-watt mode, cracking jokes and showing few signs he's anything but the Glen of old. But there are little reminders that occasionally catch up with everyone.

"We were watching one of his videos from `The Goodtime Hour' and some live shows in the `70s and he was so on top of things," said Ashley, 24. "And it's sad to know that he could still be that good if he didn't have Alzheimer's. It's stealing his powers away."

But those sad moments are quickly chased away, said her 26-year-old brother Shannon. Everyone chooses to follow The Zen of Glen.

"There are a lot of new treatments he's trying out," he said. "Nobody's ever been cured before, but people are pretty hopeful about these treatments he's been trying. We're just keeping our fingers crossed."

___

Online:

http://www.glencampbell.com

___

Chris Talbott covers entertainment for The Associated Press. Follow him at http://www.twitter.com/chris_talbott


Yahoo! News

Tuesday, August 16, 2011

Review: The War on Drugs fights the good fight (AP)

By CHRIS TALBOTT, AP Entertainment Writer Chris Talbott, Ap Entertainment Writer – Mon Aug 15, 3:42 pm ET

The War on Drugs, "Slave Ambient" (Secretly Canadian)

It's hard to find something that sounds new these days. It feels like everything's been done before, your new favorite band sounding like a throwback to your old favorite band.

Into this tape loop steps The War on Drugs, sporting a sound that may not exactly be new in its execution but sure feels that way in spirit. Daniel Granduciel, the primary player in The War on Drugs, spent much of the last three years laboring over "Slave Ambient." It's the band's second album and first without former collaborator and fellow Philadelphian Kurt Vile, who mines very similar sounds in his solo career and with the critically acclaimed release "Smoke Ring For My Halo."

Granduciel made much of the record by taking samples he made in the studio and blending them together to form a modern sort of wall of sound where several different threads blend together seamlessly into what feels like an impenetrable tapestry.

The fun is in the close, repeated listen, trying to pull out all the different flavors from the overall piece.

There's the demented harmonica in "Baby Missiles," the subtle guitar hiding in the shadows on "I Was There," and the spacey horns of "The Animator" that slop over and blend perfectly into "Come to the City."

"Slave Ambient" deserves the same kind of critical attention "Smoke Ring" got earlier this year. Taken together these albums hopefully represent the first unified volley in a new Philly sound — shambolic, shamanistic and completely cool.

CHECK THIS TRACK OUT: "Baby Missiles," a holdover from an EP Granduciel issued to keep fans at bay while waiting on new material, marches along on an infectious beat with inscrutable lyrics and an addictive melody. Go ahead and play it just once. We dare you.


Yahoo! News

Saturday, July 30, 2011

Appeals court sides with J.Lo in home video fight (AP)

By ANTHONY McCARTNEY, AP Entertainment Writer Anthony Mccartney, Ap Entertainment Writer – Fri Jul 29, 7:15 pm ET

LOS ANGELES – An appeals court sided Friday with Jennifer Lopez and ordered that an invasion of privacy lawsuit she filed against her first husband be handled in arbitration rather than through a public court case.

The ruling by California's 2nd District Court of Appeal states that Lopez's attorneys provided a Los Angeles judge with plenty of information supporting her request that she had a binding arbitration agreement with ex-husband Ojani Noa.

Lopez sued Noa for $10 million in November 2009 after he and his agent announced plans to use portions of 11 hours of home videos to produce a movie based on the couple's relationship. The couple was married in 1997, but the union lasted just 11 months.

A settlement agreement between the two prohibits Noa from "disclosing for monetary gain any private or intimate details about Lopez or Noa's relationship with Lopez." It also binds any of his agents to the same terms.

The videos, which both sides agree does not depict the singer and actress in sexual situations, have been blocked for release by a judge. Noa's agent, Ed Meyer, however threatened to release clips from the videos earlier this year, which prompted a judge to order them to be stored in a bank safe deposit box with restricted access in June.

The court ordered Friday that Meyer is also subject to the arbitration provisions. He wrote in an email that he will appeal the ruling to the California Supreme Court. Noa's attorney, Christopher Lauria, did not immediately return a phone message seeking comment.

Lopez, 42, won $545,000 in damages and attorney fees in 2007 in another lawsuit that blocked Noa from publishing a ghostwritten tell-all book.

She and her third husband, singer Marc Anthony, announced earlier this month that they were ending their seven-year marriage.


Yahoo! News

Monday, July 25, 2011

Drogba takes malaria fight to native Africa (Reuters)

BANGKOK (Reuters) – After six years braving England's frigid winters, a tropical disease was the last thing Chelsea's injury-prone striker Didier Drogba thought would keep him on the sidelines of the Premier League.

Since contracting malaria last year, Drogba's fight against the disease has gone from the Chelsea treatment room to the wilds of West Africa, where he is building a hospital and providing thousands of mosquito nets in an effort to cut the infection rate of one of the world's biggest killers.

There are 225 million cases a year of malaria, a mosquito-borne disease which can damage the nervous system, kidneys and liver. There were 781,000 deaths due to malaria in 2009, nine out of 10 were in Africa, according to the World Health Organization.

"I had malaria, I know exactly what it feels like and it's something that I want to stop," Drogba told Reuters on Saturday, handing out hundreds of nets bearing his face to a foundation in Thailand during Chelsea's Asian tour.

"That's why we're giving these nets to kids and people who can't afford treatment. These are good options, they're efficient and they save lives."

Drogba has been active in his native Ivory Coast in raising funds and donating his own sponsorship earnings to building a hospital in the capital Abidjan worth more than $4 million.

The 32-year-old fell ill with malaria in September but continued playing, a decision he said was foolish in retrospect and delayed his recovery.

DANGEROUS MOVE

The towering forward still does not know where he picked up the illness, which the club did not reveal until two months later.

"It was very dangerous and cost me fitness for almost two months," he said. "But I kept playing, I wanted to help my team, but I really should not have."

Drogba's hospital project has been delayed due to a four-month conflict in Ivory Coast that killed thousands of people following an election intended to unite the former French colony that plunged it back into civil war.

The country is now in recovery following April's ouster by French-backed rebels of former President Laurent Gbagbo, who had refused to cede power. Drogba said he would return to his homeland in the next few weeks to get his hospital project started.

"The situation in Ivory Coast has meant it's difficult for people to receive treatment, but the country is trying to survive, slowly things should get back to normal," Drogba said.

"I want this money to go to the right place, to try to help my people and give back to them what they gave to me.

"They've always been supporting me, so I really want to help them."


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Saturday, July 16, 2011

Jake Gyllenhaal sees LA gang fight in cop ride-along (AFP)

LOS ANGELES (AFP) – Oscar-nominated US actor Jake Gyllenhaal witnessed a gang fight in Los Angeles when he joined the city's police riding along with the cops as research for a new film, the LAPD said Thursday.

Gyllenhaal, star of "Brokeback Mountain" and "Prince of Persia," and actor Michael Pena are preparing for roles in the upcoming film "End of Watch," which deals with a friendship between two police officers.

They decided to get up close and personal with Los Angeles police by joining the department to watch cops at work. But on Wednesday, they got a taste of reality when they witnessed a real-life gang fight.

The two actors were on patrol with a police unit in South Los Angeles -- one of the most dangerous neighborhoods in the sprawling metropolis -- when a man was shot at by rival gang members in a park.

The injured man, who had been hit in the arm and the face was hospitalized and his condition was said to be stable, an LAPD spokesman said.


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Friday, June 17, 2011

Bollywood actor to fight new drinking age laws (AFP)

MUMBAI (AFP) – Top Bollywood actor Imran Khan said on Friday that he will challenge in court a decision to raise the age for buying alcohol in India's entertainment capital, slamming the new law as double standards.

Khan, who is teetotal, said he planned to file a case in the Bombay High Court against the state government of Maharashtra, which earlier this month upped the minimum age for buying beer from 18 to 21 and spirits from 21 to 25.

The government has brought in the new law as part of moves to discourage under-age consumption and problem drinking across the state.

Khan, who is the nephew of the actor-producer-director Aamir Khan, told a news conference in Mumbai that the restrictions set a "very, very dangerous precedent" and were an infringement of constitutional rights.

Young people in India are classed as adults from the age of 18 and are able to vote and get married. As a result, banning the sale and consumption of alcohol until 21 and 25 was inconsistent and "arbitrary", he said.

"If you can set one double standard today, it's a very, very slippery slope," said the 28-year-old actor, whose new film, "Delhi Belly", is released next month.

"It's time for someone to stand up and say something. (Alcoholism and problem drinking are) not an age-specific problem. It's a problem that can affect anyone of any age."

The new law is the latest to hit cosmopolitan Mumbai, which has a vibrant nightlife centred around bars and nightclubs, most of which attract a younger, well-heeled crowd.

Last year, the state government hiked taxes on foreign-branded liquor and beer manufactured in India.


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Tuesday, May 31, 2011

AIDS claimed celebrity victims, but stars lead fight (AFP)

LOS ANGELES (AFP) – AIDS claimed a string of celebrity victims in its early days, from Rock Hudson to Freddie Mercury, but fellow stars have played a major role in fighting the killer disease over the years since.

Elton John and Elizabeth Taylor were among leading figures who used their celebrity from the start to raise awareness and funds for research into HIV, as well as reducing the stigma of what was initially seen as a "gay plague."

Retired basketball player Magic Johnson has campaigned tirelessly since announcing in 1991 that he had contracted HIV, while pop icon Michael Jackson, a friend of Taylor's, was also a strong supporter before his death in 2009.

John's "White Tie and Tiara Ball" has become an annual star-studded fixture organized with his partner David Furnish since 1999 to raise funds for his Elton Joects in 55 countries since it was founded in 1992.

"Both Elton and David are absolutely passionate about the work of the Foundation. They are on the phone weekly getting updates ... and discussing stategy," said Anne Aslett, boss of EJAF's British arm.

"Celebrities can speak personally and emotionally ... This means their influence can be enormous," she told AFP, citing the impact of others including the late Princess Diana, Whoopi Goldberg and Sharon Stone.

AIDS first came to broad public notice in 1981, when US doctors noted an unusual cluster of deaths among young homosexuals in California and New York.

In the three decades since then it has killed nearly 30 million people, and 33 million others live with it or HIV, the virus that causes AIDS by destroying immune cells, according to 2009 World Health Organization (WHO) figures.

The first major celebrity victim was Hudson, whose admission that he was suffering from HIV in the early 1980s helped raise the profile of the disease. He died in 1985, aged 59.

Flamboyant US entertainer Liberace died in 1987 followed in 1990 by Scottish "Chariots of Fire" actor Ian Charleson and New York artist Keith Haring, who was only 31 when he died.

Queen frontman Mercury died the following year, perhaps the first high-profile pop star to succumb publicly to the disease. Jacques Morali, creator of camp music icons the Village People, died the same year.

Also in 1991 Oscar-winning British director Tony Richardson died, while Magic Johnson announced he was HIV positive, retired immediately and dedicated his life to fighting the deadly disease.

In 1992 "Psycho" actor Anthony Perkins, Britain's Denholm Elliott and sci-fi writer Isaac Asimov all died, followed by tennis star Arthur Ashe and ballet dancer Rudolf Nureyev in 1993.

The list of high profile AIDS victims has tailed off as awareness grew and more effective treatments were introduced -- at least in rich developed countries -- but celebrity campaigners kept fighting.

Screen siren Taylor, who died in March aged 79, regularly organized AIDS fund-raising benefits until her own health complications mounted.

"She saw this terrible disease, and she was angered by the fact that nobody was doing anything about it," said Kevin Frost, head of the Foundation for AIDS Research (amfAR), co-founded by Taylor in 1985.

"She just stepped right into the breach."

Magic Johnson, 51, was one of the first to benefit from the cocktail of antiretroviral medications which emerged in the mid-1990s to keep HIV in check -- and he believes his infection and survival were meant to be.

"This happened to me for a reason, and I know it was for me to help someone else," he said in an interview in Newsweek magazine ahead of the HIV anniversary.

But he is concerned that, while gays have taken steps to protect themselves, African Americans still treat the subject as taboo -- the HIV infection rate for black women was 15 times that for white women, according to 2006 figures.

"Those numbers really break my heart... The gay community has done such a great job of getting their message across, and it?s worked, But there is still such a stigma with the virus in our community, and that prevents any progress."

Some groups who benefit from celebrity funding play down the importance of star power, saying staying power is more important.

"In the world of AIDS advocacy, Elton is seen less as a celebrity and more as one of the real leaders in the fight," said Drew Altman of the Kaiser Family Foundation, one of dozens of groups backed by Elton John's Foundation.

"When he gets involved he sticks with it when others show only temporary interest," he told AFP.

But while the British singer has made a huge difference, after three decades there is still much more to be done, stresses Aslett.

"I know Elton would say we've lost so much and we've come so far because of AIDS, we cannot give up now. The fight against AIDS is mobilizing the greatest support even seen for a health issue," she said.

"As we go into the fourth decade since HIV first appeared, we must work towards an end for this global killer."


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Sunday, May 15, 2011

Hall of Famer Harmon Killebrew ends cancer fight (Reuters)

NEW YORK (Reuters) – Baseball Hall of Famer Harmon Killebrew, the brawny slugger who remains near the top of the career home runs list, said Friday he is ending his battle with esophageal cancer and will live out the final days of his life in hospice care.

The 11-times All-Star, whose 573 career home runs are the 11th most in Major League Baseball, said he looks forward to spending his finals days in comfort alongside his wife.

"It is with profound sadness that I share with you that my continued battle with esophageal cancer is coming to an end," Killebrew, 74, said in a statement released by the Baseball Hall of Fame.

"With the continued love and support of my wife, Nita, I have exhausted all options with respect to controlling this awful disease. My illness has progressed beyond my doctors' expectation of cure."

Killebrew started his career with the Washington Senators in 1954 and relocated with the franchise to Minnesota in 1961 where they became the Twins. He played one year with the Kansas City Royals in 1975 before retiring.

Killebrew was named the American League's Most Valuable Player in 1969 after a season where he recorded a career-best 140 RBIs, 49 home runs and a .276 batting average while playing in all 162 of Minnesota's games that year.

The Twins retired his uniform number in 1975 and he was inducted into the Hall of Fame in 1984 after a 22-year career in which he recorded 1,584 RBIs and a .256 batting average in 2,435 games.

"He's such a classy guy," Jim Kaat, Killebrew's team mate for 15 years, told Reuters. "The statement he came out with shows you what a dignified attitude he has toward this.

"I think he was the face of the Twins organization. The Twins have a reputation for handling themselves properly on and off the field and playing the game right, and I think that probably started with Harmon."

TREMENDOUS PROGRESS

In April, Killebrew scrapped plans to throw the ceremonial first pitch at the Twins' home opener, saying the trip would disrupt his cancer treatment schedule in Arizona.

At the time, he said in a statement that he had made tremendous progress and remained optimistic and hopeful for a full recovery.

Twins spokesman Kevin Smith said plans to pay tribute to Killebrew at Friday's home game against the Toronto Blue Jays were still being finalized but acknowledged that a video tribute and hanging the former player's No. 3 jersey in the Minnesota dugout were likely.

"This is not anywhere close to a memorial. He is still with us," Smith told Reuters. "This is an acknowledgment of his statement. He just wanted everyone to know what his next step was and beyond that we don't have anything to say."

Smith also said notes of best wishes from current Twins players will be sent to Killebrew overnight by the team.

Killebrew, who still holds the team record for most home runs, RBIs, walks and games played, had announced in December that he had been diagnosed with cancer and started treatment.

"I am comforted by the fact that I am surrounded by my family and friends. I thank you for the outpouring of concern, prayers and encouragement that you have shown me," Killebrew said Friday.

"I look forward to spending my final days in comfort and peace with Nita by my side."

(Additional reporting by Larry Fine)

(Reporting by Frank Pingue in Toronto; Editing by Mark Lamport-Stokes)


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Sunday, April 24, 2011

Rev. Al Sharpton: 'You Cannot Fight for Freedom Without Fighting for Freedom for Everyone'

At Saturday's 22nd Annual GLAAD Media Awards, the Rev. Al Sharpton presented hip-hop producer, entrepreneur and activist Russell Simmons with the Excellence in Media Award, which is awarded by GLAAD for work done to increase the visibility and understanding of the LGBT community in the media. Simmons has spoken out often on LGBT issues, urging Americans to support full equality.

"Martin Luther King said many years ago, 'You judge a man not by where he stands in the times of convenience but where he stands in the time of controversy,'" Rev. Sharpton said. "It was Russell Simmons that said to the hip-hop industry that you cannot fight for freedom without fighting for freedom for everyone. He said to the civil rights and human rights movement, to all of us, that were limited -- some homophobic -- you can't fight for human rights for some, without fighting for human rights for all."

"It's a great honor, and I'm truly appreciative of the GLAAD Media Awards including me in this special night. I'm humbled by having one of my mentors and heroes, Rev. Sharpton, giving me this award," Simmons said. "It's no secret that faith-based communities, in some cases, have been difficult, and I think that for all of us who step outside of our comfort zone and fight for the rights of others, we are blessed. And Rev. Sharpton [has] stood up in so many ways and has been very special. And to the gay and lesbian community he's a true blessing. I'm honored and appreciative, and I just want to thank everybody. Thank you."

Other major winners included '30 Rock' for Outstanding Individual Episode, Scissor Sisters, 'True Blood' for Outstanding Drama Series, 'The Oprah Winfrey Show' for Outstanding Talk Show Episode and 'Anderson Cooper 360' for Outstanding TV Journalism – Newsmagazine for its "Gay Teen Suicides" special.


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Saturday, April 2, 2011

Rev. Al Sharpton: 'You Cannot Fight for Freedom Without Fighting for Freedom for Everyone'

At Saturday's 22nd Annual GLAAD Media Awards, the Rev. Al Sharpton presented hip-hop producer, entrepreneur and activist Russell Simmons with the Excellence in Media Award, which is awarded by GLAAD for work done to increase the visibility and understanding of the LGBT community in the media. Simmons has spoken out often on LGBT issues, urging Americans to support full equality.

"Martin Luther King said many years ago, 'You judge a man not by where he stands in the times of convenience but where he stands in the time of controversy,'" Rev. Sharpton said. "It was Russell Simmons that said to the hip-hop industry that you cannot fight for freedom without fighting for freedom for everyone. He said to the civil rights and human rights movement, to all of us, that were limited -- some homophobic -- you can't fight for human rights for some, without fighting for human rights for all."
Rev. Sharpton continued: "He said to those of us that consider ourselves faith leaders that you're not God and you cannot determine the faith of anyone and you need to get out of the way of judging and deal with the fact that God gave everyone the same human right and you must stand for that. And that is why I'm honored to present an award to a man who presented to me a full list of knowing what freedom fighting is -- and that's freedom fighting for everybody."

Watch Sharpton present Simmons with the GLAAD Excellence in Media Award below:



"It's a great honor, and I'm truly appreciative of the GLAAD Media Awards including me in this special night. I'm humbled by having one of my mentors and heroes, Rev. Sharpton, giving me this award," Simmons said. "It's no secret that faith-based communities, in some cases, have been difficult, and I think that for all of us who step outside of our comfort zone and fight for the rights of others, we are blessed. And Rev. Sharpton

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Thursday, March 31, 2011

The Fight Begins Over Elizabeth Taylor's Fortune

Elizabeth Taylor left an enduring legacy of great films and even greater acts of philanthropy. She also amassed a huge fortune estimated between $600 million and $1 billion, most of that from her savvy business dealings. Already, the fighting has begun as to who will get to manage that bounty along with all the money she's destined to make in death.

I'm told her last wish was for her lucrative jewelry collection, valued at a staggering $150 million in 2002, to be auctioned off and the proceeds given to the Elizabeth Taylor AIDS Foundation and amfAR.

"Elizabeth also made arrangements to split the rest of her fortune between her four children and other charities that she cared so much about," a close friend of the star's tells me. "But what is causing all the problems is not the money she made during her life, but rather what should happen to the millions she is going to make after her death."
Beauty product giant Elizabeth Arden has already announced they'll continue selling Liz's still-popular fragrances -- they made $77 million last year alone -- and there are countless other opportunities, like film re-releases and merchandising that the estate could profit greatly from.

"The one thing she didn't do was understand that, much like Elvis and Michael Jackson, she might be worth more in death," my source says. "This is what has already started to cause friction between family, business managers and the many charities that meant so much to Elizabeth."

The two-time Oscar winner has been worth a lot of money for decades. In 1996, when she divorced her last husband, Larry Fortensky, documents showed her net worth was $608.4 million. The New York Post reported that during the 1990s, Taylor earned about $2 per second, or about $63 million per year. Her perfume, White Diamonds, has never stopped selling.

"Elizabeth was a great actress, but she was also a great businesswoman," a Hollywood insider tells me.



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