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Showing posts with label Street. Show all posts
Showing posts with label Street. Show all posts

Wednesday, August 17, 2011

Texas mayor for day, 11, renames street for Bieber (AP)

FORNEY, Texas – The 11-year-old "mayor for a day" of a Dallas-area city knows what her first major act in office will be: Renaming part of Main Street for teen heartthrob Justin Bieber.

A temporary sign for "Justin Bieber Way" went up Tuesday during a ceremony in Forney, Texas.

City Manager Brian Brooks says the request came from 11-year-old Caroline Gonzalez. She won a contest meant to get young people interested in municipal government. She's active in student council, recycling and community service projects.

Brooks says city officials weren't able to reach Bieber to invite him to Forney, which is about 15 miles east of Dallas.

The tween politician's act won't cost the community much. Officials say the sign was made for about $20 and would only be displayed Tuesday.

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Online:

http://us.rd.yahoo.com/dailynews/ap/ap_en_mu/storytext/us_odd_bieber_street/42619818/SIG=10u328iuv/*http://www.cityofforney.org/


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Tuesday, August 9, 2011

Chicago names street 'Buddy Guy Way' (AP)

CHICAGO – Chicago blues great Buddy Guy now has his own street.

The city of Chicago has renamed the stretch of Wabash Street in front of his club, Legends, "Buddy Guy Way."

The blues guitarist says he "wanted to cry" when the honor was bestowed Sunday. Chicago Alderman Bob Fioretti read a proclamation from Mayor Rahm Emanuel, and the crowd sang "Happy Birthday" as Guy received a copy of the street sign.

He celebrated his 75th birthday on July 30.

Guy was born in Louisiana in 1936 and moved to Chicago in 1957. He started a career as a session musician, backing blues legends such as Muddy Waters, Sonny Boy Williamson and Little Walter before recording his own music. He was inducted into the Rock and Roll Hall of Fame in 2005.


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Monday, August 8, 2011

Math, science focus of new 'Sesame Street' season (AP)

NEW YORK – More than three dozen celebrities, including Nicole Kidman and Robin Williams, athlete Carmelo Anthony and Supreme Court Justice Sonia Sotomayor (SOHN'-ya soh-toh-my-YOR') , are set to appear on the new season of "Sesame Street."

"Sesame Street" begins its 42nd season on PBS on Sept. 26.

PBS said Monday the focus of the preschool educational series will be on science, math and engineering education. That includes age-appropriate experimentation, including designing a launcher to send Hubert the Human Cannonball over a yard and into a bucket of blue gelatin on the season premiere. The orange monster Murray will conduct science experiments in a regular feature.

Other celebrities set to make cameos include Mark Ruffalo, Sofia Vergara and Seth Rogen; talk-show hosts Craig Ferguson and George Lopez; and musicians Jay Sean and Bruno Mars.


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Saturday, July 16, 2011

Korean "street boy" wows world with voice and courage (Reuters)

SEOUL (Reuters) – Dressed in blue jeans, a checked shirt and sneakers, the soft-spoken young contestant 40272 on "Korea's Got Talent" seemed a far cry from a typical opera singer.

But Sung-bong Choi's powerful baritone and his inspirational life story have now pulled at the heart strings of millions around the world thanks to the Internet, a story rivaling that of Susan Boyle.

Saturday he goes before the judges again in a semifinal round of the popular talent contest. But Choi, 22, now has as many fans from outside South Korea as at home and has been lauded by the likes of Justin Bieber.

"For me, singing is a wide bridge that links me to the people and the world," he said in an email to Reuters.

In May, in the first round, when a judge said she couldn't tell his occupation from the way he looked, Choi gave a nervous smile and said he was a manual laborer, to audience laughter.

"You mean, early in the morning and things like that?" the judge said, laughing.

A moment later, Choi hesitated when asked about his leaving the "family" portion of the application blank, then revealed in a soft voice that he'd been left in an orphanage at age three.

He said he ran away two years later after he was beaten by people there, and then lived on the streets in the city of Daejon, south of Seoul. He survived by selling gum and energy drinks, and sleeping "on the stairs or in public toilets."

Choi confessed just before his performance that he did not sing that well, but added "But when I sing, I feel like I become a different person." Then he launched into the Italian song "Nella Fantasia" (In My Fantasy).

His rendition left the audience and judges in tears.

"I just wanna give you a hug," one judge said.

In a country which has spawned countless K-pop boy and girl bands which have churned out hit after hit across Asia after careful grooming and rigorous training, Choi's rise to fame is even more phenomenal than his choice of song.

Like Susan Boyle, who shot to fame on a British TV talent show and became an Internet hit with a song from an Andrew Lloyd-Webber musical, Choi has become a global phenomenon.

His story has gone viral on YouTube, with more than 9 million hits. (http://www.youtube.com/watch?v=BewknNW2b8Y&feature=player_embedded).

The likes of pop star Bieber, who was himself discovered on YouTube in 2008, and the "Perez Hilton" celebrity gossip website are among those lauding his talents.

"MUSIC IS MY BEST FRIEND"

While some on the Internet have questioned the authenticity of his story, the show's producer Kim Sae-jin stands by Choi.

Indeed, Choi's case was all too familiar during the height of the Asia financial crisis in the late 1990s, when authorities said thousands of children were abandoned by one or both parents. Many lived at home alone.

"I have lived from hand to mouth and had even given up on my life as I guessed there was no more hope in the future. During that time, music is my only best friend," Choi said in his email.

The turning point came at 14, when a woman from a snack bar near a bus station in Daejon helped him enter night school. He soon passed middle and elementary school equivalency exams, and teachers discovered his talent for singing.

"I still remember the moment when I first met a singer at nightclub when I was selling chewing gum. That was just a miracle," Choi said.

"Every melody of the song touched me deeply and made me feel alive amid happiness and joy. That highly motivated me."

"I want to be a person who gives hope and happiness with a song," he added.

(Writing by Jeremy Laurence; editing by Elaine Lies)


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Friday, July 1, 2011

Czech Republic names street after Ronald Reagan (AFP)

PRAGUE (AFP) – The Czech Republic Friday renamed a street in its capital Prague after former US president Ronald Reagan, highly regarded in the region for having helped hasten the demise of communism.

Former US secretary of state Condoleezza Rice attended the ceremony, held to mark the 100th anniversary of Reagan's birth.

"Ronald Reagan was remarkable because he believed in the freedom so deeply, but he was even more remarkable because he believed that what ought to be had to be and so he acted on this policy," Rice said at the televised ceremony.

Republican Reagan, who was president from 1981 to 1989, is celebrated in former Soviet satellite states for a tough line credited with having pushed the Kremlin to the wall.

Czech Environment Minister Tomas Chalupa said Reagan's stance struck a chord in his country, whose 1989 Velvet Revolution became a symbol of the peaceful overthrow of the region's regimes.

"He beat communism using means that are dear to we Czechs. He decided to go against the grain and tell the truth," Chalupa said at the ceremony.

Reagan died in 2004.

He is the fourth US president to have a street named after him in Prague, after independence leader George Washington, head of state from 1789 to 1797, Woodrow Wilson (1913-1921) and Franklin Delano Roosevelt (1933-1945).

Ronald Reagan Street, near the US ambassador's residence in Prague, replaces part of a longer road named after Czech writer and historian Zikmund Winter (1846-1912).

Rice's presence was met by protests from a small, vocal group of demonstrators.

"Democracy is great but sometimes it's noisy," she said.

On Wednesday, Rice attended a ceremony in Budapest, capital of ex-communist Hungary, where a statue of Reagan was unveiled.

A bust of Reagan was already erected in a Budapest park in 2006.


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Sunday, June 19, 2011

E Street nation remembers beloved Big Man Clemons (AP)

A grateful Nation thanks him for his service.

The E Street Nation — a world-wide community wrapped around the nucleus of Bruce Springsteen and the E Street Band — has lost its beloved Big Man, Clarence Clemons.

"The whole E Street Nation is in mourning. This is an awful moment," grief-stricken Springsteen author Dave Marsh said Saturday night on E Street Radio after the news of the saxophonist's death.

Besides Bruce, the band, the Nation and of course his family, the sadness enveloped Lady Gaga; she grew up in a Springsteen household, recorded with Clemons and appeared with him on American Idol. After his stroke last Sunday, Gaga spoke about how dearly she loved Clemons and summoned her Little Monsters to say how much they loved him, too, in a compilation of touching, heartfelt videos.

The Big Man just had that effect on people. Sure, there was the music; who hasn't shed a tear from the exquisite sax strains of "Jungleland"? But the music and the man were a double draw.

"He carried within him a love of people that made them love him. He created a wondrous and extended family," said Springsteen.

For a week, Clemons' devastating stroke had ignited a wildfire of tweets and texts, tears and tributes. Taking their cue from Springsteen, who had urged a climate of hope, fans posted songs with titles like "Tougher Than The Rest" and "Countin' on a Miracle."

Clemons, who embraced all of the world's religions and called the stage his "healing floor," had beaten the odds many times before. He battled chronic pain after back and knee surgeries.

The former football player willed himself out of a wheelchair just days before playing his sax at the Super Bowl.

He arrived, again, in a wheelchair for his May 2010 children's benefit appearance, but insisted on walking across the red carpet with his much-adored wife, Victoria, and dragging himself up the stage stairs.

More recently, he appeared at New Jersey's Garden State Film Festival. His remarks were spiritual, in keeping with the theme of his movie about his journey through China; but he also relished exchanging playful remarks with his audience.

On stage and off, he was a joy to behold — flashing that million-watt smile as he gleefully pumped up his own larger-than-life persona, mugging for the camera, laughing large in that deep, velvety voice. On Twitter, he billed himself thusly: "Saxophonist, sexual adventurer, poet and author! And the Biggest Man you've ever seen!" (Egotistical? Nah. Consider the context: The man was once introduced by Springsteen, among other things, as the future king of England.)

Despite the hyperbole, he touched lives in a deeply personal way.

"There would be no journey without you," he told fans in one tweet. "Much love, Big Man."

He once told me he could sense when someone standing near the stage was hurting; he'd intentionally latched his gaze on them as his horn sent forth a healing salve, then sealed the covenant by pressing his hands together in the prayer position.

It happened to Brenda VanHorn. After her son, a drummer, died, she sought solace and fellowship at Springsteen concerts. In Charlotte, N.C., in 2002, she and another son stood, awash in grief, during the song "You're Missing."

"As the last few notes of the song were playing, I looked up to see tears streaming down Clarence Clemons' face as well," she recounted in "For You," a book of fan recollections by Lawrence Kirsch. "...My first reaction was that this must be a really sad song if he hears it all the time and it still made him cry."

"Then I realized it wasn't the song, it was us — a boy grieving for his brother, a mother grieving for her son — that caused those tears. ... The Big Man, someone we have cheered and applauded for years, not only felt our pain but in some small way did his part to ease it."

After learning of Clemons' passing, VanHorn again reflected on that night.

"Tears were streaming down my face when Clarence looked at me and shook his head no. Then he gave me his famous blessing and more famous smile," VanHorn said, responding to a question sent through Facebook private message. "It was as if he was telling me — enough! No more sorrow, be happy for the joy (her son) brought to us."

"I feel like that tonight," said VanHorn. "I am sad and I shed tears but I feel so blessed to have been able to enjoy his music all these years. He truly was the biggest man you ever saw."

Fans always knew, of course, that Clemons would one day be with them only in spirit. But they're still reeling from the hard, cold reality that the Big Man had run out of miracles. He just seemed so damned invincible.

As the music lives on, so will the indelible images: Scooter and the Big Man dancing with abandon on top of the stage speakers, and sealing their lifelong bromance with a kiss; Clemons tearing up as band members stood side-by-side, holding hands, during a Madison Square Garden performance of "Blood Brothers" that included the late keyboardist Danny Federici.

After Clemons was stricken, his family and Springsteen set up an email address where people could send get-well wishes.

"Dear Clarence," went mine. "I once said you reminded me of that bunny on the TV commercial — pounding his drum while he just keeps going, and going, and going. You laughed heartily and replied, `I AM the bunny, baby!' Yes, you are — and thank God for it.

" I hope you're aware of the deluge of prayers, music, fond reminiscences and messages of hope being posted on the Internet by your fans all over the world — forming one giant wave of love.

"Along with my husband, Mike (you once pointed to him from the stage and said, `I like this guy!'), I wish you and your family health, strength and joy as you continue to reach mightily for the top of yet another new mountain.

"We can't wait to see the Big Man back in action, lighting up the world with his music and his smile."

Maybe his reply can be found in remarks he made onstage in New York in August 2010.

"You know, sometimes in this life, sometimes there are situations that make you sad. Things happen that you don't understand that make you sad, make you very unhappy and uneasy," said Clemons.

"But I want you to know that the universe loves you. I love you. Be happy."


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E Street Band sax player Clarence Clemons dies (AP)

NEW YORK – Clarence Clemons, the larger-than-life saxophone player for the E Street Band who was one of the key influences in Bruce Springsteen's life and music through four decades, has died. He was 69.

Clemons died Saturday night after being hospitalized about a week ago following a stroke at his home in Singer Island, Fla.

Springsteen acknowledged the dire situation earlier this week, but said then he was hopeful. He called the loss "immeasurable."

"We are honored and thankful to have known him and had the opportunity to stand beside him for nearly 40 years," Springsteen said on his website. "He was my great friend, my partner and with Clarence at my side, my band and I were able to tell a story far deeper than those simply contained in our music. His life, his memory, and his love will live on in that story and in our band."

Known as the Big Man for his imposing 6-foot-5-inch, 270-plus pound frame, Clemons and his ever-present saxophone spent much of his life with The Boss, and his booming saxophone solos became a signature sound for the E Street Band on many key songs, including "Jungleland," a triumphant solo he spent 16 hours perfecting, and "Born To Run."

In recent years, Clemons had been slowed by health woes. He endured major spinal surgery in January 2010 and, at the 2009 Super Bowl, Clemons rose from a wheelchair to perform with Springsteen after double knee replacement surgery.

But his health seemed to be improving. In May, he performed with Lady Gaga on the season finale of "American Idol," and performed on two songs on her "Born This Way" album. Just this week, Lady Gaga's video with Clemons, "The Edge of Glory," debuted.

Clemons said in a 2010 interview with The Associated Press then that he was winning his battles — including severe, chronic pain and post-surgical depression. His sense of humor helped.

"Of all the surgeries I've had, there's not much left to operate on. I am totally bionic," he said.

"God will give you no more than you can handle," he said in the interview. "This is all a test to see if you are really ready for the good things that are going to come in your life. All this pain is going to come back and make me stronger."

Outside The Stone Pony, the legendary Asbury Park, N.J., rock club where Springsteen, Clemons and other E Street Band members cut their teeth in the 1970s, Phil Kuntz stopped to place a small yellow flower on a decorative white fence. Nearby, someone taped a handwritten sign that read simply "RIP Big Man."

"I'll never hear `Jungleland' played live again, and that's a bummer," said Kuntz, 51, who had seen Clemons perform with Springsteen in excess of 200 times.

Caroline O'Toole, The Stone Pony's general manager, called it "a sad day for Asbury Park."

"He was `the Big Man' but he was an even bigger man here," she said. "His presence was just enormous and unbelievable. No one who has ever played at our club in all the decades was ever like him."

John D'Esposito, a talent buyer for the concert promoter Live Nation, also stopped by the club.

"Asbury Park is crying right now," he said. "It's like the whole city is one big teardrop. Our Pied Piper is gone."

Reaction came from across the entertainment industry.

"Clarence Clemons was an electric, generous, sweet spirit. Taught me how to look cool with a sax. Goodbye Big Man," tweeted actor Rob Lowe.

Added Questlove, drummer for the Roots: "RIP Clarence Clemons. A True Legend. Will be absolutely missed."

An original member — and the oldest member — of the E Street Band, Clemons also performed with the Grateful Dead, the Jerry Garcia Band, and Ringo Starr's All Star Band. He recorded with a wide range of artists including Aretha Franklin, Roy Orbison and Jackson Browne. He also had his own band called the Temple of Soul.

The stage "always feels like home. It's where I belong," Clemons, a former youth counselor, said after performing at a Hard Rock Cafe benefit for Home Safe, a children's charity, in 2010.

Born in Norfolk, Va., Clemons was the grandson of a Baptist minister and began playing the saxophone when he was 9.

"Nobody played instruments in my family. My father got that bug and said he wants his son to play saxophone. I wanted an electric train for Christmas, but he got me a saxophone. I flipped out," he said in a 1989 interview with the AP.

He was influenced by R&B artists such as King Curtis and Junior Walker. But his dreams originally focused on football. He played for Maryland State College, and was to try out for the Cleveland Browns when he got in a bad car accident that made him retire from the sport for good.

His energies then focused on music.

In 1971, Clemons was playing with Norman Seldin & the Joyful Noise when he heard about rising singer-songwriter named Springsteen, who was from New Jersey. The two hit it off immediately and Clemons officially joined the E Street Band in 1973 with the release of the debut album "Greetings from Asbury Park."

Clemons emerged as one of the most critical members of the E Street Band for different reasons. His burly frame would have been intimidating if not for his bright smile and endearing personality that charmed fans.

"It's because of my innocence," he said in a 2003 AP interview. "I have no agenda — just to be loved. Somebody said to me, `Whenever somebody says your name, a smile comes to their face.' That's a great accolade. I strive to keep it that way."

But it was his musical contributions on tenor sax that would come to define the E Street Band sound.

"Since 1973 the Springsteen/Clemons partnership has reaped great rewards and created insightful, high energy rock & roll," declared Don Palmer in Down Beat in 1984. "Their music, functioning like the blues from which it originated, chronicled the fears, aspirations, and limitations of suburban youth. Unlike many musicians today, Springsteen and Clemons were more interested in the heart and substance rather than the glamour of music."

In a 2009 interview, Clemons described his deep bond with Springsteen, saying: "It's the most passion that you have without sex."

"It's love. It's two men — two strong, very virile men — finding that space in life where they can let go enough of their masculinity to feel the passion of love and respect and trust," he added.

Clemons continued to perform with the band for the next 12 years, contributing his big, distinctive big sound to the albums, "The Wild, The Innocent and the E-Street Shuffle," "Born to Run," "Darkness on the Edge of Town, "The River" and "Born in the USA." But four years after Springsteen experienced the blockbuster success of "Born in the USA" and toured with his group, he decided to disband the E Street Band.

"There were a few moments of tension," the saxophonist recalled in a 1995 interview. "You've been together 18, 19 years. It's like your wife coming to you: `I want a divorce.' You start wondering why? Why? But you get on with your life."

During the breaks, Clemons continued with solo projects, including a 1985 vocal duet with Browne on the single "You're a Friend of Mine" and saxophone work on Franklin's 1985 hit single "Freeway of Love." He released his own albums, toured, and even sang on some songs.

Clemons also made several television and movie appearances over the years, including Martin Scorsese's 1977 musical, "New York, New York, in which he played a trumpet player.

The break with Springsteen and the E Street Band didn't end his relationship with either Springsteen or the rest of the band members, nor would it turn out to be permanent. By 1999 they were back together for a reunion tour and the release of "The Rising."

But the years took a toll on Clemons' body, and he had to play through the pain of surgeries and other health woes.

"It takes a village to run the Big Man — a village of doctors," Clemons told The Associated Press in a phone interview in 2010. "I'm starting to feel better; I'm moving around a lot better."

He published a memoir, "Big Man: Real Life and Tall Tales," in 2009 and continued to perform.

He is the second member of the E Street Band to pass away: In 2008, Danny Federici, the keyboardist for the band, died at age 58 of melanoma.

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Associated Press writer Wayne Parry in Asbury Park, N.J., contributed to this report.


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Thursday, June 9, 2011

Hanging Not So Loose: Fans of Street Art "Surfing Madonna" Anguished As California Town Wages Campaign to Move It (ARTINFO)

It seems that the saga of the "Surfing Madonna" is continuing to make waves in the San Diego suburb of Encinatas, long after a gaggle of mysterious street artists dressed as construction workers installed the unauthorized mosaic under a railroad bridge down the street from Moonlight Beach on April 22. Now, the city has hired a team of conservationists to remove the guerrilla artwork, which depicts Our Lady of Guadalupe hanging five. But it's proving to be not so simple to take down this piece of piously tubular street art: the mural has accrued a devoted local following, and conservators are left scratching their heads, having found that the piece is masterfully affixed to the wall. "This thing is perfectly done," Jesse Taylor, one of the conservators from the L.A.-based Sculpture Conservation Studio told Sign on San Diego. "It looks like they put in an extra structure to make sure it couldn't be removed." Encinitas is paying three conservators $2,000 in tax money to study how to tackle the take-down of the patron saint of the Americas. The Virgin is portrayed on the rogue 10-foot-square artwork riding a surfboard on the nose of which appears a portrait of St. Juan Diego, the indigenous American saint who is said to have seen the Virgin on a hillside in Mexico in 1531. The words "Save the Ocean" run down the left side of the mosaic.

Having been told that the unsanctioned piece was installed by experts, who did not just glue tiles onto the concrete wall with epoxy (as was originally reported), but bolted the work to the overpass, Encinitas Councilman (and former cartoonist) Jerome Stocks expressed his concerns. "That just furthers my argument that a big part of this particular piece of guerrilla art was to put the establishment or the administration in a difficult place," Stocks told Sign on San Diego. The councilman has expressed his concern that religious iconography on public property will invite lawsuits and imply that the city condones graffiti.

Meanwhile, however, fans of the surfing saint have rallied together, leaving flowers and votive candles at the base of the mosaic, according to the AP, and swelling the ranks of a Facebook page aimed at telling the city "it is NOT ok to destroy something so beautiful." In fact, far more people actually seem to be looking for ways to save the work than for ways to eradicate it. Local businesspeople are offering to display the salvaged mosaic on their property, and an AP report states that the Encinitas City Council is looking to relocate the work to a place where the public can continue to view it.

This is, of course, a community that rallies around even those public art displays that they only love to hate. The "Cardiff Kook" for instance, another surf-themed work in the neighboring town of Cardiff-By-The-Sea, is a bronze sculpture by Matthew Antichevich, the actual title of which is "Magic Carpet Ride." This three-year-old commissioned work, which cost some $120,000 to create and install, is frequently mocked by surf aficionados for the awkwardness of the pose, but has cultivated loving fans who dress up the "kook" — recently he has been costumed to look like Oprah (in honor of the final show), Osama bin Laden, and Vincent van Gogh.

Perhaps it's no wonder then, that locals are so staunch in their support of the "Surfing Madonna." According to Sign on San Diego, one incensed driver even stopped his semi-truck at a green light and hopped out, screaming at the conservation team, "What's wrong with you, don't do it! Get away from there, get out!" The North County Times reports that one of the conservators responding to this passionate intervention by shaking his head and quietly muttering, "We would like to, believe me."


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