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Showing posts with label Stage. Show all posts
Showing posts with label Stage. Show all posts

Tuesday, June 4, 2013

Two Best Friends On Stage Together For The First Time

Don Rickles is acerbic, insulting and -- at age 87 -- still wickedly funny. Bob Newhart is polite, charming and -- at age 83 -- also wickedly funny. Put the two together and you strike comic gold.


And that's exactly what AARP did last week when it brought the two men, best friends for nearly 50 years, together for the first time on stage at the organization's 2013 Life@50+ National Event & Expo in Las Vegas.


"If Hitler had lived, Bob would have chatted him up... that's how polite Bob is," Rickles quipped before a full house of AARP members.


Dubbed "Don Rickles In Conversation With Bob Newhart," the pair's performance entertained thousands of people for close to an hour. There were plenty of the usual Rickles' jibes, but there also was a lot of personal conversation around their friendship, their shared family vacations and the ways in which Las Vegas has changed. And, all the while, there was a lot of laughter.


"I started at the Sahara in 1963," Newhart said.


"I started on a wagon train going west," Rickles added.


Newhart said he liked the "old days" of Las Vegas, before Howard Hughes swooped in. "After that everything became very corporate," he said. "I liked the way Las Vegas used to be."


When asked about their friendship, Rickles said "I adore him. Our values are the same. When we're on vacation we can tell stories and fall on the floor laughing. In this business there's a lot of envy and jealousy, but he's one of the sweetest people I've ever known."


The pair's wives -- Ginny Newhart and Barbara Rickles -- also are close friends. Newhart has been married 50 years; Rickles has been married 48 years.


"For some reason comedians' marriages tend to last longer," Newhart said. "I think if you can keep laughing you will stay together."


Afterwards, Huff/Post50 got the opportunity to speak with the two. When asked why they chose to share a stage for the first time at an AARP event, Rickles joked that "there's this little thing called money. Maybe you've heard of it."


In other revelations, Rickles said it was Johnny Carson who called him "Mr. Warmth" for the first time. Newhart disclosed the name of the funniest comedienne he's ever known: Madeline Kahn. Both men said they stay in shape by riding a stationary bicycle an hour a day.


The pair's most hilarious exchanges came when they recalled the family vacations they'd taken together over the years.


"No one is more brilliant on stage than Don, but when you get him off stage, he's clueless," Newhart said. "We were at Lake Como in Italy. I got the camcorder out. My wife said to give it to Don.


"He took some shots of us and then we stopped and walked down the beach," he continued. "After awhile, I said, 'Hey Don, you turned the camcorder off, right?' and he said 'What... you have to turn it off?'


"We wound up with all this video of the ground shot from the camcorder hanging off Don's shoulders," he said.


The AARP event drew more than 11,000 people from around the country to the Las Vegas Convention Center. The event included three full days of volunteering, exhibits, entertainment and wide-ranging information sessions on topics including brain health, travel, personal finance, health and wellness and more. Speakers included Dr. Pepper Schwartz, AARP's sex and relationships expert.


Throughout it all, the overwhelming message was that those over 50 are living in a new age of possibilities.


"Those of us 50 and older have possibilities our parents never had due to increasing longevity and our relatively good health," said AARP CEO Barry Rand. "Growing older is no longer just about retirement. It is about living a richer and purposeful and more fulfilling life."


Mark your calendars for October 3-5 in 2013, when AARP's Life @50+ will come to the Georgia World Congress Center in Atlanta.


View the original article at Huffington Post / Celebrity

Saturday, August 20, 2011

Sugarland tour resumes in NM after stage tragedy (AP)

ALBUQUERQUE, N.M. – Sugarland returned to the stage on Thursday for their first performance since a stage collapse at the Indiana State Fair killed five people.

The Grammy-winning country duo asked its Albuquerque audience for a moment of silence in honor of those who were wounded "and the beautiful lives that were lost."

Sugarland members Jennifer Nettles and Kristian Bush were minutes from performing at the fair in Indianapolis last Saturday when 60 to 70 mph winds gusts knocked the massive stage onto the audience. Four were killed instantly, another person died later. About four dozen others were hurt.

On Thursday, the duo was joined on stage by their entire crew as Nettles sang "Love," from their 2008 "Love on the Inside" album. Then they took a break and promised to return for a professional show that would begin the healing through "the power of music."

Because the band's elaborate set and instruments were destroyed in the stage collapse, Sugarland performed in front of the basic black shell of the pavilion stage, with just lights and a little smoke. They used new instruments that were delivered to Albuquerque earlier in the day — even the media passes were generic.

"This incredible machine is more than a tour and more than a set," the group said in a statement on their website. "We have always celebrated music as a healer. While music cannot change the events and losses at the Indiana State Fair, it can hopefully serve as a ritual and a balm to provide comfort and facilitate healing in this time of great sorrow."

Nettles and Bush weren't injured in Saturday's accident. Their manager told The Associated Press earlier this week that a decision by their touring manager to hold them back after seeing the sky likely saved their lives.

They canceled their Sunday show at the Iowa State Fair but said earlier this week they were looking forward to getting their "touring family" back together and using their music to help with healing. Thursday's outdoor show was before a half-empty pavilion and featured scattered rain and views of distant lightning around the Albuquerque area.

"Our road family experienced its traumas together," they said in the statement. "While we all scattered to our given families for their comfort, the trauma we experienced together binds us in a unique way that we share only with each other, and those who were there. There is healing in our being together. There is healing in our working together."

The band plans a private memorial for the victims in Indiana.

___

Online:

http://www.sugarlandmusic.com


Yahoo! News

Tuesday, August 16, 2011

Strong wind topples stage at Ind. fair, killing 5 (AP)

INDIANAPOLIS – The summer evening at the Indiana State Fair turned strangely cold. The wind blew hard, then harder still, tearing the fabric from the roof of the wobbling grandstand stage.

The crowd, waiting under a thunderous sky for the country duo Sugarland to perform Saturday, had just been told over the loudspeakers that severe weather was possible. They were told where to seek shelter if an evacuation was necessary, but none was ordered. The show, it seemed, was to go on.

None of the phone calls workers had made to the National Weather Service prepared them for the 60 to 70 mph gust that blew a punishing cloud of dirt, dust and rain down the fairground's main thoroughfare. The massive rigging and lighting system covering the stage tilted forward, then plummeted onto the front of the crowd in a sickening thump.

Five people were killed, four of them at the scene, where dozens ran forward to help the injured while others ran for shelter out of fear that the devastation had only begun. Dozens of people — including several children — remained hospitalized Sunday, some with life-threatening injuries.

"Women were crying. Children were crying. Men were crying," fairgoer Mike Zent said.

The fair canceled all activities Sunday as officials began the long process of determining what happened and fielded difficult questions about whether the tragedy could have been prevented.

"We're all very much in mourning," Cindy Hoye, the fair's executive director, said during a news conference Sunday. "It's a very sad day at the state fair."

Gov. Mitch Daniels called the accident an "unthinkable tragedy" and said the wind burst was a "fluke" that no one could have foreseen. Dan McCarthy, chief meteorologist for the National Weather Service in Indiana, said the burst of wind was far stronger than gusts in other areas of the fairgrounds.

The seemingly capricious nature of the gust was evident Sunday at the fair, where crews placed a blue drape around the grandstand to block the view of the wreckage. A striped tent nearby appeared unscathed, as did an aluminum trailer about 50 yards away. The Ferris wheel on the midway also escaped damage.

First Sgt. Dave Bursten of the Indiana State Police said the lack of damage to structures on the fair's midway or elsewhere supported the weather service's belief that an isolated, significant wind gust caused the rigging to topple.

"All of us know without exception in Indiana the weather can change from one report to another report, and that was the case here," he said.

The stage toppled at 8:49 p.m. A timeline released by Indiana State Police shows that fair staff contacted the weather service four times between 5:30 and 8 p.m. At 8 p.m., the weather service said a storm with hail and 40 mph winds was expected to hit the fairgrounds at 9:15 p.m.

Bursten said fair officials had begun preparing in case they needed to evacuate visitors for the impending storm. At 8:30, additional state troopers moved to the grandstand to help in the event of an evacuation, according to the timeline.

Meteorologist John Hendrickson said it's not unusual for strong winds to precede a thunderstorm, and that Saturday's gust might have been channeled through the stage area by buildings on either side of the dirt track where the stage fell, at the bottom of the grandstand.

Fair officials said the Indiana Occupational Health and Safety Administration and state fire marshal's office were investigating. Bursten said the investigation could take months.

The owner of Mid-America Sound Corp., which installed the rigging, expressed sympathy for the families of those killed or injured. Kerry Darrenkamp also said the Greenfield, Ind.-based company had begun "an independent internal investigation to understand, to the best of our ability, what happened."

Zent, of Los Angeles, said the storm instantly transformed what had been a hot, sunny day.

"Just everything turned black. ... It was really cold, it was like winter, because I had been sweating all day. Wind blew over the ATM machine," Zent said.

He and his girlfriend, Jess Bates, were behind the grandstand when the heard a noise — the stage collapse. They began running as the wind buffeted them.

Bates said a woman who had been in the second row of the concert with her teenage daughter grabbed her and sobbed as she recounted pulling her daughter to safety while others rushed forward to try to help those pinned beneath the scaffolding.

"She was gripping me very tight, and I could just feel her shaking," Bates said. "She said, `My daughter is all I have in this world and I almost lost her tonight,'" Bates said.

Dr. Dean Silas, a gastroenterologist from Deerfield, Ill., said it took about five minutes to work his way from the grandstands to the track after the collapse. He saw three bodies covered with plastic when he arrived.

He said it took about 25 minutes for volunteers and emergency workers to remove victims from beneath the rigging and load them onto makeshift stretchers.

"There had to be 75 to 100 people there helping out," he said.

Bursten identified those killed as Alina Bigjohny, 23, of Fort Wayne; Christina Santiago, 29, of Chicago; Tammy Vandam, 42, of Wanatah; and two Indianapolis residents: 49-year-old Glenn Goodrich and 51-year-old Nathan Byrd. Byrd, a stagehand who was atop the rigging when it fell, died overnight.

Jennifer Nettles of Sugarland sent a statement to The Associated Press through her marketing manager, saying she watched video of the collapse on the news "in horror."

"I am so moved," she said. "Moved by the grief of those families who lost loved ones. Moved by the pain of those who were injured and the fear of their families. Moved by the great heroism as I watched so many brave Indianapolis fans actually run toward the stage to try and help lift and rescue those injured. Moved by the quickness and organization of the emergency workers who set up the triage and tended to the injured."

Jason Owen, who manages marketing, press and creative for the band, said Sugarland was in a prayer circle before their performance. The band members were held off stage by the tour manager because of the weather before the stage collapsed.

Sugarland — Nettles and Kristian Bush — canceled their Sunday show at the Iowa State Fair.

Concert-goers and other witnesses said an announcer warned them of impending bad weather but gave conflicting accounts of whether emergency sirens at the fair sounded. Some fair workers said they never heard any warnings.

"It's pathetic. It makes me mad," said groundskeeper Roger Smith. "Those lives could have been saved yesterday."

Fair spokesman Andy Klotz said the damage was so sudden and isolated that he wasn't sure sirens would have done any good.

Indiana is prone to volatile changes in weather. In April 2006, tornado-force winds hit Indianapolis just after thousands of people left a free outdoor concert by John Mellencamp held as part of the NCAA men's Final Four basketball tournament. And in May 2004, a tornado touched down south of the Indianapolis Motor Speedway, delaying the start of the Indianapolis 500 and forcing a nearly two-hour interruption in the race.

Daniels stood by the fair and its officials as they prepared to reopen Monday with a public memorial service to honor the victims.

"This is the finest event of its kind in America, this is the finest one we've ever had, and this desperately sad ... fluke event doesn't change that," he said.

Saturday's accident was the worst at the Indiana fairgrounds since a 1963 explosion at the fairgrounds coliseum killed 74 people attending an ice skating show.

___

Associated Press writers Cliff Brunt and Ken Kusmer in Indianapolis, Caitlin R. King in Nashville, Tenn., Michelle Johnson in Chicago and AP photographer Darron Cummings contributed to this report.


Yahoo! News

Sunday, July 31, 2011

Danny Aiello turns his grief into stage fuel (AP)

NEW YORK – These days, Danny Aiello is pouring his personal tragedy into a national one.

The Academy Award-nominated actor, still reeling from the death last year of his 53-year-old son from pancreatic cancer, has found solace in the strangest of places: Sept. 11, 2001.

The star of such films as "The Godfather, Part II" and "Do the Right Thing" is currently appearing off-Broadway in "The Shoemaker," an emotionally charged play about loss and grieving set on 9/11.

"I've been looking for distractions," the 78-year-old actor says during an interview where he showed flashes of both his tenderness and his frustration. "I've found a vehicle that permits me the opportunity to vent my anger."

His son, stuntman and stunt coordinator Danny Aiello III, died in May 2010. His parents are still shocked by how quickly the disease took him. "My wife won't get out of bed," Aiello says.

In the play, written by Susan Charlotte, Aiello plays an Italian-Jewish cobbler who worries about a young World Trade finance worker who became his customer when she brought in a pair of high heels to be mended.

The shoemaker feels certain she must have just died at ground zero, a loss that reminds him of his strained relationship with his absent daughter, the memory of his long-deceased father and the Holocaust.

It is a wrenching performance, leaving Aiello drenched in his own tears. He says he draws on his memories of the terrible day when he saw the twin towers fall and from the staggering loss of his son.

"I don't know why it happens. I don't bring him up, but he comes up and I'm crying. I'm not fake crying. The tears are coming out," he says. "I don't draw on it. It's just there."

Directed by Antony Marsellis, the two-act drama is being presented at the Acorn Theatre in Midtown, with Alma Cuervo and Lucy DeVito — daughter of Danny DeVito and Rhea Perlman — in the supporting cast.

Aiello first appeared in the original one-act version of "The Shoemaker" in 2001, which became the movie "A Broken Sole," featuring Margaret Colin and Judith Light. He did the one-act version again last year in New York and encouraged Charlotte to expand it into two acts.

Aiello says his performance is influenced by "Network," the 1976 movie written by Paddy Chayefsky, in which a fictional news anchor, Howard Beale, decides that he is "mad as hell," and that he is "not going to take it anymore!"

"I want to express — not necessarily in an articulate way, which almost sanitizes the event — but to scream at the top of my lungs, `I'm mad and I'm not going to take it anymore,'" he says.

Aiello would love to take the play to Broadway and hopes actors across the globe will play the shoemaker, including his friend Harvey Keitel. "An actor's got to be crazy not to want to play this part," he says.

Charlotte isn't sure just anyone can play it, though, citing Aiello's skills at conveying both tremendous power and gut-wrenching vulnerability, evident in films including "The Purple Rose of Cairo" and "Moonstruck."

"There's nobody else who could hit every note of that character — no body that I can think of," Charlotte says. "From the vulnerability, to the toughness, to the humor. I can't think of an actor who can go to every note and make it so believable."

After "The Shoemaker," Aiello plans to escape into music: He's working on a one-man musical about the gangster Al Capone and has a new CD called "Bridges" coming out in which he teams up with the rapper Hasan to give old songs a hip-hop flavor.

"I hate rap," he says, laughing. "I want to introduce great classic standards to kids who've never heard of them. How do you do it? You attach it to something that's happening now."

___

Online:

http://theatrerow.org

http://www.dannyaiello.com

http://www.bridgesalbum.com/p/danny-aiello.html

___

Mark Kennedy can be reached at http://twitter.com/KennedyTwits


Yahoo! News

Monday, July 18, 2011

Stage falls at Ottawa Bluesfest; 8 injured (AP)

TORONTO – The main stage at Ottawa Bluesfest collapsed Sunday night during a Cheap Trick concert as a severe thunderstorm sent the musicians and thousands of fans running for cover. At least five people were injured, one seriously.

Cheap Trick's band members got off the stage safely, but witnesses said they were thrown off their feet.

"Everyone is okay and we are so lucky to be alive and hope that all the fans are okay too," the band, best known for hits including "Surrender", "I Want You to Want Me" and "The Flame", said in a message posted on Facebook.

Video of the Bluesfest site posted on YouTube within minutes of the storm's passing showed a stage that had crumpled and collapsed over electronic equipment. Twisted shards of metal jutted out from the stage, which stood several stories tall before it was destroyed.

Concert-goer Leanne Wilson said the stage slowly heaved backwards and caved in.

"In less than 10 seconds it was gone," she said. "(Cheap Trick) were playing right until it fell. And then instantly everybody was just running and screaming."

"I was stunned, I'd never seen anything like that before at a concert."

Marc Messier, a spokesman for Ottawa Fire Services, said a 49-year-old man was in serious condition with abdominal, pelvic and leg injuries. Another had a spinal injury and a third person experienced chest pains. At least eight other people were treated at the scene for minor issues including twisted ankles and anxiety.

Environment Canada had a thunderstorm warning in effect for Ottawa, saying winds were expected to reach 56 mph (90 kph).

Bluesfest is one of North America's main musical events. The festival first took place in 1994 and has since grown from a one-stage, three-day event to a multi-staged, 12-day music showcase featuring some of the best international talent.


Yahoo! News

Cheap Trick escape as Ottawa rock stage collapses (Reuters)

OTTAWA (Reuters) – Veteran U.S. band Cheap Trick escaped unharmed when a storm blew down much of the stage they were performing on at a major rock concert in Ottawa, Canada, late on Sunday.

The band were about 20 minutes into their set at the Ottawa Bluesfest when the storm suddenly swept over the area. The band left the stage seconds before a particularly strong gust destroyed most of the structure, pushing it back onto an adjacent road and away from the thousands of spectators.

Three people were injured, including the band's bus driver. Police are investigating the incident, which happened on the event's last night.

"Fortunately the band and crew are all lucky to be alive and we'll see you down the road," lead vocalist Robin Zander said on the band's website.

Ottawa mayor Jim Watson, who was present at the event, said he did not feel organizers could have prepared for the strength of the storm.

"It's Mother Nature, really, and there are certain things you just can't plan for ... we're very fortunate there was no one killed," he told the Canadian Broadcasting Corp. on Monday.

(Reporting by David Ljunggren; Editing by Jerry Norton)


Yahoo! News

Saturday, July 9, 2011

Fire near stage cuts short Rihanna concert in Texas (Reuters)

DALLAS (Reuters) – R&B singer Rihanna cut short a Dallas concert on Friday after a fire broke out near the stage, the artist said in a post on Twitter, and video of the incident showed sparks falling down from above.

"DALLAS!!! We set the stage on FYAH TONIGHT!!! LITERALLY!!!" Rihanna wrote on Twitter. "I was havin so much fun wit yall too!!! I gotta come back man!!!"

"Heading into a production meeting to find out exactly what happened," she later wrote, saying she was glad her fans were safe and promising to come back.

Videos posted on YouTube of the incident showed a light above the stage appear to catch fire, sending sparks spraying down toward the stage at the American Airlines Center in Dallas.

Spokesmen for the Dallas police and fire departments could not immediately be reached for comment. Representatives for Rihanna were also not immediately available for comment.

(Writing by Cynthia Johnston)


Yahoo! News

Sunday, June 12, 2011

Eminem takes the big stage as rap rules Bonnaroo (AP)

By CHRIS TALBOTT, AP Entertainment Writer Chris Talbott, Ap Entertainment Writer – Sun Jun 12, 3:46 am ET

MANCHESTER, Tenn. – After a little more than an hour of a hard-as-nails set that had the bikini-clad rumps shaking at Bonnaroo, Eminem thanked the crowd and left the stage.

Nearly 80,000 fans chanted "Shady! Shady! Shady!" in a thunderous roar for five minutes until hip hop's angry king returned to the stage for a triumphant encore of "Lose Yourself," capping the day rap took over Bonnaroo.

Saturday kicked off with Big Boi and Lil Wayne laying down early morning sets — inexplicably overlapping — shortly after Arcade Fire's Friday night finale, and the takeover continued with Wiz Khalifa on the big stage during a hot afternoon set before Eminem destroyed his Bonnaroo debut.

These weren't the first rappers at the four-day festival down on the farm in Tennessee. The event is known more for its granola-flavored ethos than its urban cool, but Jay-Z turned in one of the most memorable sets in the festival's 10-year history in 2010 and expectations were high for Saturday's takeover — the most concentrated collection of star MCs at Bonnaroo.

Big Boi mixed in his own songs with Outkast favorites. Lil Wayne played it naughty with the crowd and debuted tracks from his forthcoming album "Tha Carter IV," rattling the port-a-potties with a thunderous bass well into the morning.

And Khalifa kept the crowd sky high by preaching the gospel of weed to a willing choir that included a man who wore a "Marijuana Cures Racism" T-shirt, dancers with flowers in their hair and joints in their hands, and girls in bikinis crowd surfing.

The day was full of odd juxtapositions. Khalifa dropped his hit "Black & Yellow" while just a few hundred yards away Mumford & Sons tore through a set of fiery folk rock as fans watched over a nearby fence and from atop ATMs. The sold-out crowd appeared to be evenly split among the two rising stars of their genres.

Later in the evening, a reunited Buffalo Springfield set up Eminem's show with a fiery rendition of Neil Young's "Keep on Rockin' in the Free World." Fans rushed into the festival's largest compound as Young's echoing guitar died away, entering another world.

Eminem opened with "Won't Back Down" and "3 a.m." and never let up, featuring a mix of hits and new songs from his 2010 return to the top, "Recovery."

"It's been a minute since I been to the South," he shouted. "Did y'all miss us?"

Eminem was in top form, fast and angry as he stalked the stage in long camouflage shorts and a black t-shirt. He thanked his fans for standing by him before launching into "Not Afraid."

Bonnaroo's crowd may be a hippie enclave, but you wouldn't have known it Saturday night as most fans rapped right along with Eminem, brightened the sky with lighters to the Slim Shady and Royce Da 5'9"`s "Lighters" and played along to a naughty call-and-response before "Love the Way You Lie."

After the show the debate shifted from whether hip hop belongs at Bonnaroo to Shady 2011 or Hova 2010?

___

Online:

http://www.bonnaroo.com

___

Contact Chris Talbott at www.twitter.com/Chris_Talbott.


Yahoo! News

Eminem takes the big stage as rap rules Bonnaroo (AP)

By CHRIS TALBOTT, AP Entertainment Writer Chris Talbott, Ap Entertainment Writer – Sun Jun 12, 3:46 am ET

MANCHESTER, Tenn. – After a little more than an hour of a hard-as-nails set that had the bikini-clad rumps shaking at Bonnaroo, Eminem thanked the crowd and left the stage.

Nearly 80,000 fans chanted "Shady! Shady! Shady!" in a thunderous roar for five minutes until hip hop's angry king returned to the stage for a triumphant encore of "Lose Yourself," capping the day rap took over Bonnaroo.

Saturday kicked off with Big Boi and Lil Wayne laying down early morning sets — inexplicably overlapping — shortly after Arcade Fire's Friday night finale, and the takeover continued with Wiz Khalifa on the big stage during a hot afternoon set before Eminem destroyed his Bonnaroo debut.

These weren't the first rappers at the four-day festival down on the farm in Tennessee. The event is known more for its granola-flavored ethos than its urban cool, but Jay-Z turned in one of the most memorable sets in the festival's 10-year history in 2010 and expectations were high for Saturday's takeover — the most concentrated collection of star MCs at Bonnaroo.

Big Boi mixed in his own songs with Outkast favorites. Lil Wayne played it naughty with the crowd and debuted tracks from his forthcoming album "Tha Carter IV," rattling the port-a-potties with a thunderous bass well into the morning.

And Khalifa kept the crowd sky high by preaching the gospel of weed to a willing choir that included a man who wore a "Marijuana Cures Racism" T-shirt, dancers with flowers in their hair and joints in their hands, and girls in bikinis crowd surfing.

The day was full of odd juxtapositions. Khalifa dropped his hit "Black & Yellow" while just a few hundred yards away Mumford & Sons tore through a set of fiery folk rock as fans watched over a nearby fence and from atop ATMs. The sold-out crowd appeared to be evenly split among the two rising stars of their genres.

Later in the evening, a reunited Buffalo Springfield set up Eminem's show with a fiery rendition of Neil Young's "Keep on Rockin' in the Free World." Fans rushed into the festival's largest compound as Young's echoing guitar died away, entering another world.

Eminem opened with "Won't Back Down" and "3 a.m." and never let up, featuring a mix of hits and new songs from his 2010 return to the top, "Recovery."

"It's been a minute since I been to the South," he shouted. "Did y'all miss us?"

Eminem was in top form, fast and angry as he stalked the stage in long camouflage shorts and a black t-shirt. He thanked his fans for standing by him before launching into "Not Afraid."

Bonnaroo's crowd may be a hippie enclave, but you wouldn't have known it Saturday night as most fans rapped right along with Eminem, brightened the sky with lighters to the Slim Shady and Royce Da 5'9"`s "Lighters" and played along to a naughty call-and-response before "Love the Way You Lie."

After the show the debate shifted from whether hip hop belongs at Bonnaroo to Shady 2011 or Hova 2010?

___

Online:

http://www.bonnaroo.com

___

Contact Chris Talbott at www.twitter.com/Chris_Talbott.


Yahoo! News

Wednesday, June 8, 2011

Chris Young hits big stage at CMA Music Fest (AP)

By CHRIS TALBOTT, AP Entertainment Writer Chris Talbott, Ap Entertainment Writer – Wed Jun 8, 10:01 am ET

NASHVILLE, Tenn. – Chris Young's been waiting 15 years for his shot at the big stage during the CMA Music Festival.

He first came to the festival as a skinny young kid after winning a pair of tickets in a singing contest. He got his career kick-started in the exhibition hall where he sold independent albums as a teenager, and he's spent the last four years performing in sight of LP Field on a smaller stage.

So when Robert Deaton, executive producer of the CMA Fest television special, told Young he'd made the cut this year, it was one of the more emotional moments of the 25-year-old singer's rising career.

"I honestly thought he was going to cry at first," Young's mother, Becky Harris, said. "He was so excited. His face got red and he said, `I'm going to finally get to play LP Field. This is the coolest thing ever.'"

Young earned his spot Saturday night through hard work and perseverance. With a deep baritone, a traditionalist's taste in material and boyish good looks, he's been steadily rising through the ranks. He's had three consecutive No. 1 singles. A fourth, "Tomorrow" from his upcoming album "Neon," out July 12, has reached the top 10 with the help of a steamy video. And he'll be the middle act on Jason Aldean's wildly popular tour later this summer.

All of that is great. But right now Young is focused on CMA Fest, which runs Thursday through Sunday in downtown Nashville.

"That's been a big deal and the fact that it's happening on the 40th birthday of CMA Music Fest makes it even more special," Young said. "This is probably the 15th year I've been at it, whether it's as a fan (or an artist). I've been going there for a long time. It's a really big deal for me."

The festival draws 50,000 to 60,000 fans each night to LP Field, the home of the Tennessee Titans. Country's biggest stars play there and the concerts are filmed for an ABC special that airs later in the summer. Before all the glitz and multimillion-dollar glamor, the festival was known as Fan Fair and the big concerts were held at the much more intimate fairgrounds grandstand.

That's where Young, then 9 or 10, first fell in love with the festival and got his first look at the mysterious world behind the songs that spilled out of his radio.

Country music stars tend to be open to the average fan and the festival has always been one of the places where artists of all levels of popularity are most accessible.

Young Chris' head was on a swivel as he waited in line for autographs from stars like Vince Gill, who he idolized, haunted the freebie tables with his sister, Dot, looking for buried treasure like a CD single of John Anderson's "Seminole Wind," and soaked up the performances of just about everyone.

"You'd get a bag of free stuff, just random stuff," Young said. "Fans, signed photos, CDs from people we'd never heard of before. We would always come back to the house with a bag of stuff, dump it and go get another bag of stuff."

Around the age of 12 or 13 Young joined a friend's band on stage at a bar-restaurant in his hometown of Murfreesboro, about 25 miles south of Nashville. He sang two songs in his professional debut.

"They gave me a free coke, something like that," Young said. "I thought that was it. It built from there. Once I started playing guitar and writing songs, it was everything I could do."

When he next returned to the festival it was with an eye toward figuring out how he could attend as a featured artist rather than a guest.

He enlisted Harris, who so believed in her son's dream that she began to take music business courses at Middle Tennessee State and eventually started a new career as a business manager. By 17 he had recorded his first independent album and wanted to join the stars in the festival's exhibition hall, hawking CDs and T-shirts.

They paid $125 for a booth and Young sold $250 in records.

"It was like, `This is awesome! I want to do this every year!'" Harris said of Young's reaction. And they did: "The next year we built light boxes and put these pictures in them and everybody started coming up and standing in line because they thought he really was somebody. The booth looked fabulous."

Each year they returned to build, stock and staff the booth with Young working right alongside his family (this is the first year he's too busy to help out). A second independent record came when he was 19. He quit college shortly after he started and took a job as a singer in a bar band in Texas and eventually caught an important break. A fan suggested he try out for a new show called "Nashville Star." He auditioned for it and eventually won the reality contest show in 2006.

That got him his deal with RCA and he's tirelessly built an audience since, releasing two albums and touring relentlessly.

Looking at photos of his teen years spent in that booth, signing autographs, taking pictures with fans, Young said he's finally reached the goal that kid in the ill-advised shirt was so starry-eyed about.

"I'm not sure the kid in that picture had any idea what he was doing when you look back," he said. "But that's six years of experience. He wanted it really bad, and I still want it really bad every day I wake up."

___

Online:

http://www.chrisyoungcountry.com


Yahoo! News

Monday, May 23, 2011

Center stage beckons for Jason Sudeikis of `SNL' (AP)

NEW YORK – As several cameras and a large film crew hover around him, Jason Sudeikis is enjoying the attention.

"Think about how long this lighting would take if I didn't have perfect bone structure," he says, smiling. "Show off God's work."

Sudeikis is shooting promotions for the MTV Movie Awards, which he'll host June 5. As he lists the attendees, he riffs effortlessly ("Blake Lively ... nice guy?") and ponders the Scrabble points in "Shia LaBeouf."

The awards will introduce Sudeikis to millions of viewers just as he's making his largest splash on the big screen. He stars in the upcoming summer comedy "A Good Old Fashioned Orgy," out in September, and plays a supporting role in the star-filled "Horrible Bosses," out in July.

For the veteran "Saturday Night Live" cast member, center stage is a relatively new vantage point. Hosting the MTV Movie Awards (the last two hosts were Andy Samberg and Aziz Ansari) has been a kind of platform for rising comedians on the cusp.

"A platform either to dive beautifully off of or to fall completely off of, but a platform nevertheless," says the 35-year-old Sudeikis.

Though born in Virginia, Sudeikis was raised in Kansas City, Kan., and has a Midwestern aw-shucks candor. But he often uses a cheery facade for arrogant or oblivious characters. Whether playing Vice President Joe Biden or the devil, Sudeikis is usually grinning broadly.

"I always liked smart asses," he says. "I probably wanted to be Axel Foley from age 9 until 38. In three years, I'll probably stop wanting to be Axel Foley. I like people that laugh, smart asses that also laugh, that don't take any of it too seriously. Love Ace Ventura. Love Groucho Marx. Love Bugs Bunny."

Sudeikis didn't sincerely pursue comedy until he came to the famed Chicago improv troupe Second City in 1997. His family had some familiarity with showbiz: Sudeikis' uncle is George Wendt ("Cheers"). Wendt's success, Sudeikis says, pacified his parents in accepting entertainment as a career.

At Second City, he "dove in completely" to improv and helped develop a Las Vegas offshoot. There, he became enamored of the Blue Man Group and even auditioned once (unsuccessfully).

He was hired first as a writer on "SNL," which he did for two years, getting a handful of sketches on the air. Though Sudeikis yearned to be a performer, he learned the "SNL" system and relished the writing process.

"I really enjoyed the re-write table. That was my favorite thing to do," says Sudeikis. "When Tina Fey likes one of your jokes and puts it into the script, you can't help but feel like, `Maybe I am somehow doing the right thing, the right job.'"

Horatio Sanz overlapped with Sudeikis at Second City and again at "SNL," where he co-wrote Sudeikis' first sketch to air (Jack Black singing "Cats in the Cradle" to his estranged father).

"We all knew there was a performer in him," says Sanz. "Because it's so effortless for him, I think you kind of forget that he's such a good comedic actor. He doesn't go too big too often. A lot of what he plays is a lot like him."

Sudeikis became a cast member in 2006 as part of one of the show's best classes: Kristin Wiig, Bill Hader and Andy Samberg. Sudeikis and Wiig often wrote together and one of their late-night, gum-chewing sessions led to an early recurring hit: "Two A-Holes." In it, the two played an absurdly self-absorbed couple.

"I probably dealt with a lot of people like that — inflated egos — through sports and also entertainment," says Sudeikis. "And then again, there might be part of me that's not too dissimilar from that, the worst parts of myself."

Sudeikis says this "SNL" season, which concluded this past weekend, has been one of creeping nostalgia, as he, Wiig, Hader, Samberg realize their time together is waning.

"We all sort of realize that you're not going to do this forever," says Sudeikis, who expects to return next season.

But they all have other projects now, too. For Sudeikis, most notably, there's "A Good Old-Fashioned Orgy," an R-rated comedy in which a group of friends decide to have an orgy. It's a generational kind of film with characters in their late `20s and early `30s — stuck between the free-love `60s and the sexting `00s — insisting on their own chance for sexual inhibition.

Writer-directors Alex Gregory and Peter Huyck first met Sudeikis at an "SNL" after-party, where he and Huyck sang a karaoke duet of "Living on a Prayer."

"I have never seen a dude bring more charisma than that guy brought in that moment," says Huyck. "He was one of those guys that you could just see instantly and go, `He's got that thing.'"

Says Gregory: "We've had those conversations: Is he a young Bill Murray? Is he a young Chevy Chase? What is he? I always think more than anything, he's a young Tom Hanks."

The pair convinced Sudeikis to make "Orgy" — a risky proposition for a first leading role — partly by comparing it to Hanks doing 1984's "Bachelor Party" early in his career.

Handsome and confident, Sudeikis has shown leading man appeal, including in a memorable guest arc on "30 Rock." (He was previously married to "30 Rock" writer Kay Cannon, and last year dated "Mad Men" actress January Jones, which attracted tabloid coverage.)

One of Sudeikis' most popular characters is speechless: A tireless — and surprisingly skilled — dancer, clad in an Adidas jumpsuit that adorns the background of the "What Up with That?" sketch. Since dancing is often the province of award show hosting, there's a chance Sudeikis may trot the character out at the MTV Movie Awards.

"Very possibly," he says. "You got to dance with the one that brung you. No pun intended."

___

Online:

http://www.mtv.com/ontv/movieawards/2011/


Yahoo! News


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Saturday, May 21, 2011

Jude Law takes center stage in tabloid spying case (AP)

LONDON – Actor Jude Law is taking a lead role in a court battle over the wide-ranging spying campaign mounted by a British tabloid newspaper.

Law was one of many people allegedly targeted by the scandal-hungry News of The World, which listened in on voicemails to get its scoops.

Law was named Friday in one of four test cases to be considered by Justice Geoffrey Vos at Britain's High Court next year.

Vos says that the cases will help him set a range of damages to award people targeted by the News of The World — the biggest-selling Sunday tabloid newspaper — enabling other cases to be resolved without going to court.

The News of the World is currently facing about 20 lawsuits from alleged hacking victims, although more are expected.


Yahoo! News


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Sunday, May 1, 2011

Jimmy Buffett 'Doing Well' After Falling Off Stage at Sydney Show

Jimmy Buffett suffered a fall during a concert in Sydney, Australia, earlier today, after flashing lights temporarily impaired his vision during the show. Now TMZ reports that the musician is "doing well" and has been released from the hospital.

The 64-year-old 'Margaritaville' singer crashed into a gap at the edge of his stage, where he hit his head, suffering a massive cut.

The concert, during which the accident occurred, was tacked onto the singer's three sold-out shows in honor of Australia Day, which celebrates the first British fleet's arrival in Sydney in 1788.

According to an eyewitness, "It looked like he did a massive face plant after his encore and pretty much didn't get up."

Before the accident, the singer apologized for not performing on the Australian continent more often, insisting that he and his band would return in 2012.


Popeater


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