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Showing posts with label About. Show all posts
Showing posts with label About. Show all posts

Saturday, September 10, 2011

Mel Gibson film about Jewish hero draws criticism (Reuters)

LOS ANGELES (Reuters) – A film about a Jewish hero being produced by Mel Gibson, the actor who went on a public anti-Semitic tirade in 2006, drew sharp criticism on Friday from Jewish leaders who felt it was a slap in their faces.

Gibson's company, Icon Productions, is developing the movie about Judah Maccabee in collaboration with the Time Warner Inc-owned Warner Bros studio, but his involvement could include directing as plans move forward.

But participation by Gibson in the film that is expected to bring to life the warrior who is associated with the celebration of Hanukkah is a problem for some Jewish leaders.

"As a hero of the Jewish people and a universal hero in the struggle for religious liberty, Judah Maccabee deserves better," Abraham Foxman, national director of the Anti-Defamation League, said in a statement.

Rabbi Marvin Hier of Los Angeles' Simon Wiesenthal Center called Gibson's involvement, "simply an insult to Jews."

A Warner Bros. spokesman said the film is still in early stages and a script has not been completed. No decision has been made about who would star in the film, he said.

The studio spokesman declined to comment on the criticism, and a representative for Gibson did not comment beyond confirming the Hollywood star's participation.

Judah Maccabee was the son of a Jewish priest who in the 2nd century B.C. led a guerrilla revolt in Judea against armies of the Seleucid Empire. The historical figure, whose last name in Hebrew translates as "The Hammer," is revered by many Jews. Hanukkah commemorates his triumphs.

In the past, the Anti-Defamation League also accused Gibson of evoking age-old stereotypes about Jews in his 2004 film "The Passion of the Christ," which made over $600 million at worldwide box offices and was celebrated by many Christians.

Gibson was arrested for drunk driving in Malibu in 2006, and he ranted at the officer: "The Jews are responsible for all the wars in the world," among other comments.

His arrest and tirade made headlines around the world. He later publicly apologized and attended self-help meetings.

(Reporting by Alex Dobuzinskis: Editing by Bob Tourtellotte)


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Wednesday, September 7, 2011

Kid Rock feeling optimistic about Detroit football (AP)

NEW YORK – Kid Rock will be celebrating the kickoff of the National Football League season with a concert at Lambeau Field, but his thoughts are with his hometown Detroit Lions.

"I think the Lions are going to win nine or 10 games," Kid Rock said by phone this week. "They really have turned it around. ... It's been a long time coming here in Detroit."

The Lions haven't had a winning season since 2000. Last year they won six of their 16 games, which was four more than they won in 2009 — and six more than in 2008.

Kid Rock, who's known for dabbling in musical styles from hip-hop and hard rock to country and Southern rock, said in an interview with The Associated Press on Tuesday that it's been tough being a football fan in Detroit ever since he can remember. But it helps ease the pain to be a fan of more than one football team, so Kid Rock has adopted the Green Bay Packers as one of his teams.

On Thursday, Kid Rock will join Lady Antebellum and Maroon 5 for a concert at Lambeau Field, the home of the Packers, in Green Bay, Wis., where the Super Bowl champions will play the New Orleans Saints in the inaugural game of the NFL season.

Kid Rock, whose hits include "Bawitdaba" and "Cowboy," said he expects an energetic crowd for the season opener, which will air on NBC.

"I've been to a playoff game in Lambeau Field, so I know their level of intensity," he said.

Kid Rock is a sports fan, but he's more partial to football: He was born on Super Bowl Sunday, in 1971, when the Baltimore Colts beat the Dallas Cowboys in Miami.

Still, he had a backup plan if the NFL work stoppage had scuttled the season: "Just watch NASCAR."

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Online:

http://www.nfl.com

http://www.kidrock.com

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Nekesa Mumbi Moody is the AP's music editor. Follow her at http://www.twitter.com/nekesamumbi


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Friday, September 2, 2011

Prosecutors worried about leaks in Jackson case (AP)

By LINDA DEUTSCH, AP Special Correspondent Linda Deutsch, Ap Special Correspondent – Thu Sep 1, 4:19 pm ET

LOS ANGELES – Prosecutors want to delay disclosure of coroner and fire department records on Michael Jackson's death to parties in a civil suit to prevent information leaks to the media before the trial of his doctor.

In documents filed Wednesday, Deputy District Attorneys David Walgren and Deborah Brazil said media leaks would be inevitable if the reports are released for the civil case, in which Lloyd's of London is suing entertainment giant AEG Live over the insurance policy for the pop star's ill-fated concert series.

The prosecutors asked that materials including Jackson's autopsy photos remain sealed until the conclusion of the involuntary manslaughter trial for Dr. Conrad Murray.

Noting that Murray's case has received "significant, unrelenting media attention," they said any media leaks also would complicate jury selection for that criminal trial, which begins Sept.8.

Prosecutors predicted that those with access to the evidence would be offered money for any information. They also said some of the material sought in the lawsuit may never be admitted in evidence at the criminal trial.

Jackson, 50, died in June 2009, days before he was to go to London for the "This Is It" concerts.

Lloyd's had insured Jackson for $17.5 million for the shows. The insurer is challenging payment of the policy, saying they did not know Jackson was taking drugs before he died of an overdose of the anesthetic propofol.


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Five things fans may not know about Keanu Reeves (Reuters)

LOS ANGELES (TheWrap.com) – For the amount of time that he's been in the spotlight, Keanu Reeves has managed to retain a remarkable amount of privacy. Charming but evasive in interviews, unwilling to court the paparazzi's flashbulbs for the sake of extended publicity, the "Speed" star has maintained an almost Sphinx-like aura of mystery.

But despite Reeves' best efforts to remain enigmatic, a few details about the actor have managed to slip out. As the actor prepares to turn 47 on Friday, here's a few little-known facts.

5) He's Extremely Generous

Rather than wring every dime he could out of the popular "Matrix" movie series, Reeves signed away his back-end deal for the two sequels to the films' special-effects and costume-design teams -- an act of benevolence that cost him many millions.

And it's far from the only time he's taken a financial hit in the name of his art -- Reeves lowered his salary by a few million dollars for 1997's "The Devil's Advocate" so that producers could afford to bring Al Pacino on board as well.

"Money is the last thing I think about," Reeves has said. "I could live on what I have already made for the next few centuries."

4) He's a Coke Man

Before "Bill & Ted's Excellent Adventure" -- before even "River's Edge" -- Reeves built up his acting resume with a Coca-Cola commercial. Reeves, then 16, played a bicycle racer whose winning spirit is bolstered by the sugary, carbonated beverage.

3) He's Ambidextrous

Though left-handed, Reeves played bass with his bands Dogstar and Becky in a right-handed manner. Despite this seeming advantage, neither band made much of an impression in the music world.

2) He's Picky

"The Gift" notwithstanding, Reeves is actually pretty choosy about the roles he takes. He turned down the role of Private Chris Taylor in 1986's "Platoon" (a part that eventually went to Charlie Sheen) because he wasn't happy about the movie's violence. He also passed on the role of Racer X in 2008's "Speed Racer," and famously -- most would say wisely -- declined to participate in "Speed 2: Cruise Control," the sequel to his hit "Speed."

1) He Just Might Have the Coolest Name Ever

Named after his uncle, Henry Keanu Reeves, the actor's first name roughly translates to "cool mountain breeze" in Hawaiian. No wonder the guy's so laid-back.


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Thursday, August 25, 2011

Ashton Kutcher teases Letterman about fatwa (AP)

NEW YORK – Like David Letterman, Ashton Kutcher isn't afraid of a little fatwa humor.

Kutcher taped an appearance for Letterman's talk show Wednesday, and the actor came on stage wearing a helmet and a bulletproof vest printed with the phrase, "Not Dave."

Last week, a contributor to a jihadist website posted a threat of violence against Letterman because the comedian had made fun of al-Qaida leaders on a previous show. Letterman, back from vacation Monday, played the threat for monologue laughs.

During Wednesday's taping, Letterman asked Kutcher if his bowtie was bullet-proof. The actor replied that "you can't be too careful" sitting next to a guy facing a threat.

Kutcher joined CBS' "Two and a Half Men" after Charlie Sheen was fired. He and Letterman predicted success for the revamped sitcom.


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Tuesday, August 23, 2011

David Letterman jokes about militant death threat (Reuters)

NEW YORK (Reuters) – Late-night TV comedian David Letterman on Monday shrugged off a death threat made against him by a Muslim militant, joking on his show that his audience could "shield" him.

Last week, the U.S.-based SITE intelligence monitoring group said a death threat against Letterman was posted on a website used by militants.

The militant who made the threat, and was apparently angered by a joke Letterman made about the death of a leading member of al Qaeda killed in an air strike in Pakistan, called on Muslims in the United States to "cut the tongue" of the comedian and "shut it forever."

While taping an episode of CBS network's "Late Show with David Letterman" on Monday, the comedian addressed the threat during his opening monologue.

"Tonight, you people are more, to me, honestly, more than an audience ... you're more like a human shield," Letterman joked in front of audience members at the Ed Sullivan Theater in New York where the show is produced.

"I'm so sorry, I'm a little late coming out. Backstage, I was talking to the guy from CBS. We were going through the CBS life insurance policy to see if I was covered for jihad," Letterman said.

Letterman went on to jokingly suggest the threat really originated from late night rival Jay Leno.

Letterman's comedic take on the death threat will air on the "Late Show" on Monday night.

An FBI spokesman said last week that the agency was looking into the militant threat against Letterman.

(Reporting by Alex Dobuzinskis: Editing by Peter Bohan)


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Saturday, August 13, 2011

Outside Lands fest about more than music (AP)

The Outside Lands festival has acts like the Grammy-winning Arcade Fire and Muse as headliners, but co-promoter Rick Farman is just as excited about another attraction at the three-day event — its culinary delights.

"People (are) talking about what they're going to eat and going to drink ... almost as much as what they're going to see or hear music-wise," he said about the event, which starts Friday and wraps up Sunday.

Outside Lands, now in its fifth year, this year features acts including Erykah Badu, John Fogerty, the Arctic Monkeys and dozens more. Since its inception, the festival has played up its San Francisco food-and-wine connections. Its "Taste of the Bay" lineup includes numerous local eateries, and it also has a separate wine component.

"It was very much a part of the original plan of the event, to really incorporate some specific aspects of the Bay area culture into the event, and food and wine were two of those top things that we focused on right off the bat," said Farman, whose Superfly Presents is one of the two promoters of Outside Lands.

"But that said, it certainly has grown each year, and this year, sort of the vision that we had first set out for the festival has really culminated."

Many music festivals incorporate art, food and other elements to enhance the event. Superfly Presents also puts on the Bonnaroo Music & Arts Festival in Manchester, Tenn., which also has film, comedy and other attractions.

Farman said Outside Lands was inspired by the New Orleans Jazz & Heritage Festival, which incorporates that city's famous food fare into the festival.

"We really looked to that in some ways as a mode — how could we create an event that expressed the culture of the Bay area? So I think it is something certainly festivals in general can offer music fans other than something beyond (the) music experience," he said.

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Online:

http://www.sfoutsidelands.com

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Nekesa Mumbi Moody is the AP's music editor. Follow her at http://www.twitter.com/nekesamumbi

(This version CORRECTS Corrects spelling of Muse.)


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Tuesday, August 2, 2011

Jennifer Lopez talks about split from Marc Anthony (AP)

NEW YORK – Jennifer Lopez tells Vanity Fair magazine that she still believes in love despite her split from her husband of seven years, Marc Anthony.

The singer and actress gave the publication her first interview since announcing her divorce earlier this month.

Lopez says she is an "eternal optimist" and describes love as her "biggest dream."

The 42-year-old, who has had a string of high-profile relationships, says she's learned to walk away from something when it isn't right.

One thing Lopez says she and Anthony do right is work together, saying "together we make magic."

The couple has two children, twins Max and Emme.

The September issue of Vanity Fair goes on sale nationwide Aug. 9.

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Online:

http://us.rd.yahoo.com/dailynews/ap/ap_en_ce/storytext/us_people_jennifer_lopez/42461130/SIG=10s6v362d/*http://www.vanityfair.com//


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Thursday, July 28, 2011

Cage to star in film about Alaska serial killer (AP)

ANCHORAGE, Alaska – The hunt for Alaska's most infamous serial murderer is about to get the Hollywood treatment.

Academy Award-winning actor Nicolas Cage will star in "Frozen Ground," a movie detailing the police investigation of serial killer Robert Hansen, Variety reported Wednesday. He will play an Alaska State Trooper who investigated the murders.

Filming is scheduled to start in Anchorage on Oct. 10, a second major production filmed in Alaska in the last year. Filming wrapped up last fall on Drew Barrymore's "Everybody Loves Whales."

Emmett Furla Films is financing the $27 million Cage project and producing with Amber Entertainment, Variety reported. Messages left for both by The Associated Press weren't immediately returned Wednesday.

Hansen, who got the nickname "the Butcher Baker," was convicted in 1984 after confessing to killing 17 women and raping another 30 in a 12-year span.

He received a 461 year sentence and is incarcerated at a state prison in Seward.

Hansen owned a bakery in a downtown mini-mall in the 1970s and `80s. He lived across town with his wife and children, and they knew nothing of his other life.

The construction of the trans-Alaska pipeline in the 1970s brought prostitutes, pimps, drug dealers and con artists to Alaska's largest city, all hoping to pry away some of the big money construction workers were pulling in.

Those who sought a quick buck left as abruptly as they arrived in Anchorage, making sudden disappearances commonplace.

Glenn Flothe was the trooper who put Hansen behind bars. Now retired, he didn't immediately return a message to the AP on Wednesday.

But he told the Anchorage Daily News in 2008 that Hansen's victims initially included any woman who caught his eye but that Hansen quickly learned that prostitutes and strippers were harder to track and less likely to be missed.

"He tried to make us think that he had some kind of moral code but the reality was that these street girls and the girls in the bars were easier victims," Flothe told the newspaper.

Hansen would abduct the women and take them to isolated places outside Anchorage. Sometimes he would drive; other times the licensed pilot would fly.

Investigators said in some instances, he would rape the women but return them to Anchorage, warning them not to contact police. Other times, authorities said he would let the women go free in the wilderness and then hunt them with his rifle.

Officials only found 12 bodies of the 17 women he confessed to killing. The others have never been located.

It wasn't immediately clear if Cage would play Flothe in the movie since so many troopers were part of the investigation.

Dave Worrell, manager of the Alaska Film Office, said the production is close to receiving pre-approval for state tax credits, meaning they would be eligible to regain 30 percent of what they spend in Alaska on the production.

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Information from: Anchorage Daily News, http://www.adn.com


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Aspiring singer Pablo Dylan speaks about grandpa Bob (Reuters)

LOS ANGELES (TheWrap.com) – Pablo Dylan, the 15-year-old grandson of music legend Bob Dylan, is making a name for himself in rap.

The son of Bob's oldest son Jesse - a music video director who has worked with the likes of Lenny Kravitz, Tom Petty, and Will.I.Am for the Barack Obama "Yes We Can" video - Pablo Dylan released his "10 Minutes" mixtape, available for download on his site.

"We got like 50,000 views on that, and I just got back in the studio to work on things and perfect everything," Pablo said in an interview with AllHipHop.

In his single, "Top of the World," Pablo raps: "I'm a grandson of a man nothin' less than legendary."

"I consider him the Jay-Z of his time, he continued in the AllHipHop interview. " has a legacy that a lot of people look up to."

While his name carries the weight that got his work out there, Pablo is hoping to gain traction based on his own efforts.

"Of course we do two different things, and I don't want people to see me for what he has done," Pablo told AllHipHop. "But, what I have done, I mean from a musical and personal standpoint, is definitely influenced by him."

(Editing by Jill Serjeant)

(This story corrects the name Pablo Dylan in the first paragraph)


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Saturday, July 16, 2011

Drew Peterson tries to stop movie about him (AP)

CHICAGO – Drew Peterson, a former police officer charged with murdering his third wife and suspected in the disappearance of his fourth, joked that he'd rather see Denzel Washington play him than Rob Lowe when he heard there would be a television movie about him. Now, though, he wants to pull the plug on the project.

Walter Maksym, a lawyer for Peterson, sent letters Wednesday to Lifetime Entertainment Services, Lowe and others involved with the movie demanding that they stop production because they have no legal right to use Peterson's name, likeness or story without Peterson's approval.

"There are right to publicity statutes in every state that you have the right to use your name, persona, likeness, and life story for commercial purposes and nobody else can use that unless they get your written permission," said Walter Maksym, who said he sent out 18 letters. Peterson, he said, has never been asked for his permission.

Peterson, who was an officer in the Chicago suburb of Bolingbrook, is charged with murder in the 2004 bathtub drowning of his third wife, Kathleen Savio. He is also a suspect, though he has not been charged, in the 2007 disappearance of his fourth wife, Stacy, who is presumed dead by investigators.

Peterson has been in jail since he was arrested in May 2009. He maintains his innocence in both his third wife's death and fourth wife's disappearance.

Maksym also alleges in his letter that the movie defames Peterson, who has not been convicted, because it is based on a book that is "nothing more than a deliberate and calculated assemblage of falsehoods constituting a character assassination ... to falsely and intentionally insinuate that my client is a despicable wife murderer."

A spokesman for Lifetime Entertainment, Les Eisner, declined to comment on the letter.

But Joe Hosey, who wrote "Fatal Vows: The Tragic Wives of Sergeant Drew Peterson," defended the book as accurate, saying neither Peterson nor his attorneys have identified any errors. In fact, he said, his reporting was borne out by testimony during a lengthy court hearing regarding the murder charges in the Savio case.

"The testimony from several witnesses was word for word printed in my book well before that hearing took place," said Hosey. "Under oath, they gave the same account that I had when I thoroughly researched my book."

A judge ultimately ruled that much of that hearsay testimony could not be used at trial — a ruling that is now before an appellate court — but Hosey said that nobody has ever proven that the witnesses lied, that what they told him is what they told the court.

Kelli Sager, a prominent Los Angeles media lawyer who is not involved in the dispute, said it's unlikely Peterson's claim would hold up in court.

"The law's very well established on this — the First Amendment allows filmmakers, authors, TV producers, and the like to publish unauthorized biographies, and the "right of publicity" is trumped by the constitution," she wrote in an email Thursday.

Dave Heller, an attorney with the Media Law Resource Center in New York who also is not connected to the dispute, said the statute Maksym based his argument on is geared toward preventing the unauthorized commercial use of a person's likeness, and that it wouldn't apply here.

"Right of publicity claims are defined and intended to stop the use of celebrities or other people's names in commercial advertising, and movies, like the news, are not generally considered commercial advertising," he said, adding that unauthorized movies and books are produced all the time about people without their permission.

Heller said Peterson could have a legal claim if he can prove the film "departs from the known facts and is defamatory." But he said, "They don't have a claim over an accurate portrayal of real life events."

The movie has received a fair amount of publicity in recent weeks, including a People Magazine story, that includes a photograph of Lowe, made up to look like Peterson, which explains how the actor "goes through a nine-hour transformation every day" to make him resemble Peterson.

When first told of the movie, Peterson, through his attorneys, joked about Lowe playing him. At the same time, one of his attorneys, Joel Brodsky, said he hoped that Lifetime, which is making the movie, would not rely on Hosey's book, which he characterized as biased and inaccurate.

And Maksym said that the reason Peterson did not want to file a lawsuit over the book was because he did not want to be forced to testify in a civil case before his criminal trial "because the state would use what he said" when he ultimately stood trial.

"We will do that later," he said.

Maksym said that even if he cannot halt production of the movie, which, he said is already being filmed, he is confident that if those involved with the production ignore his letter and he ultimately files a lawsuit that he can prevent the movie from being aired. He said that if he does not receive an answer to his letter by the end of next week that he will file a lawsuit before the end of the month.


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Monday, July 11, 2011

"Curb" writer David Mandel talks about show's new season (Reuters)

NEW YORK (TheWrap) – David Mandel is one of only a handful of people in Hollywood not named Larry David who can legitimately claim to have written for both "Seinfeld" and "Curb Your Enthusiasm," the two most influential TV sitcoms of the past 20 years.

With the eighth-season premiere of the HBO comedy arriving Sunday at 10 p.m. ET, the 40-year-old talks about what's in store for Larry David this year, how he's approaching a reboot of the 1985 movie "Fletch," starring Chevy Chase, and whether there'll be a ninth season of "Curb Your Enthusiasm."

Q: This season, the show shifts to New York. Did you need to do this because you were out of ideas, like when "Laverne and Shirley" moved to Los Angeles?

A: Everyone's always gone west. Laverne and Shirley went west. Lucy and Desi went west. No one ever went east, so I think that's where we're really reinventing the wheel here. No, honestly, look -- first of all, it was fun. Also, the thing about the show is, despite the fact that it takes place mostly in a three-block area of the Palisades in Los Angeles, it's a New York show that happens to be set in the Palisades. So, there was an internal logic. Larry is the quintessential New Yorker, even though he hasn't lived in New York in 20 years. It's not like we took "The Dukes of Hazzard" and sent them up north. And the reason Larry goes to New York, I think people will really enjoy it. It's a reason that only Larry David would go to New York for, or because of.

Q: He goes out there to find a perfect marble rye, doesn't he?

A: I don't want to give up the reason! It's going to happen five episodes in. I'll just say that it's an incredibly unique Larry David reason, and only he would do it. I'll leave it at that. Honestly, you would hate me if I actually told you because you will enjoy it that much more. It is not arbitrary. He doesn't win the lottery and go there. He doesn't do it because he loses a bet, or anything of that nature. It is a genuine reason, that only Larry David could have.

Q: Oh, so he go there because of a grudge?

A: It is grudge-related. It's grudge-adjacent. That's all I'm saying! Changing the subject!

Q: You coined the incredibly useful expression "man hands" in the "Seinfeld" episode "The Bizarro Jerry." Is that still the best line you've ever come up with?

A: Boy, it's tough -- I don't even really think like that, is the honest answer.

I mean, it's probably "man hands," or people using the word "bizarro." But I enjoy weird little lines that probably no one cares about. That's what I like. I'm much more happy that there's, like, a James Polk reference in that episode than I am specifically about the catch-phrasiness of "man hands." That's where I'm coming from. Because I personally don't think James Polk gets enough credit for the westward expansion of the United States of America. That's my agenda. Other people have their own -- but that's my agenda.

Q: There's going to be a big Polk reference in your "Fletch" script, isn't there?

A: God willing.

Q: Are you bringing any Larry Davidisms to your revamp of "Fletch"?

A: Look, I love "Fletch." I love "Fletch Lives." There was nothing funnier than Chevy Chase back then. Like any other red-blooded American male, I can quote both movies at will. But because I loved that first movie so much, I devoured all of the books, the entire series, as a younger man and, you know, they definitely made their mark on me. Gregory McDonald wrote such amazing, crisp dialogue.

The differences between the books and the movies are small -- but also huge. In the books, the Fletch character is not above using a fake name, and things like that. But there are perhaps fewer funny wigs and funny teeth. So I think there's an opportunity to go back to the source material. I know, that's very, like, J.J. Abrams' "Star Trek"/"Batman Begins." But they're not bad models, taking things that are very beloved, and putting a new spin on them. In no way saying that the past is bad, but just going, "Here's a new version."

And I do think the Fletch character, in the books, is more of a character. He is more particular and has his own code of morality. I think Larry David has his own code of morality. And I think I have my own code of morality. There are certain things I wouldn't do. There are certain things that I consider to be ultimate betrayals. Whether you think they are or not, I do. And hopefully, I can bring some of that to Fletch, if that makes sense. What I'm basically saying is, the new Fletch is going to be a 50-year-old balding Jewish guy with glasses.

Q: What's the status on season nine of "Curb Your Enthusiasm"?

A: I'm in New York now, working on "The Dictator"...and Larry's sort of at the point of going, "So when are you guys going to be done?" He sort of starting with the "So, when are you guys going to be back in L.A.?" And I'll say "September" and he'll go, "Well, maybe we'll talk then." Which doesn't mean there'll be a season nine, but it also doesn't not mean season nine, if you know what I mean.

Q: Wait -- so Larry doesn't die at the end of season eight? Thanks for the spoiler alert!

A: Oh, maybe he does. You don't know that. He could have meant the Jeff Garlin and Susie Essman spinoff.

Q: Nice cover-up. And I suppose Larry did survive dying at the end of season five.

A: Exactly. I mean, he came back from that. If death can't stop him, what can?


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Thursday, June 30, 2011

Monaco palace rejects 'ugly rumors' about wedding (AP)

MONACO – An aide to Prince Albert II of Monaco has dismissed as "ugly rumors" news reports the sovereign's fiancee, Charlene Wittstock, tried to call off the wedding and return to her native South Africa.

Christiane Stahl says the reports, which have appeared in several European publications, are "the very incarnation of jealousy."

Stahl told Monaco-Info Wednesday that "only jealousy could push people to start such violent, such ugly rumors just a few days before a marriage."

Albert and Wittstock, a 33-year-old ex-Olympic swimmer, will be married in two-day-long festivities Friday and Saturday.

Stahl said the couple were "affected" by the rumors but added they are concentrating on last-minute preparations.


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Saturday, June 11, 2011

It's all about soul for Warren Haynes at Bonnaroo (AP)

By CHRIS TALBOTT, AP Entertainment Writer Chris Talbott, Ap Entertainment Writer – Fri Jun 10, 9:19 pm ET

MANCHESTER, Tenn. – There are different levels of celebrity at Bonnaroo and Warren Haynes belongs in the elite group.

After eight visits and dozens of performances, Haynes — the Gov't Mule frontman, the voice of The Dead and the go-to guitarist of The Allman Brothers Band — is a part of the fabric of the 10-year-old festival down on the farm in Tennessee.

After laying down a scorching set of soul songs on Friday afternoon from his new solo album, "Man in Motion," he had trouble clearing the backstage area because of well-wishers. A quartet of security guards asked him to pose for a picture and old friends laid down hosannas.

On the bus, The Warren Haynes Band, which includes Ivan Neville, were critiquing the show, picking over details that could be improved.

"I don't care," keyboardist Nigel Hall said. "We killed it tonight."

After changing out of his sweat-soaked shirt, Haynes talked about how being a musician makes you a student for life and how Bonnaroo with its free-spirited, multi-genre lineup fits in with that philosophy.

"I feel a connection to the crowd, to the musicians, to the people who run the event," Haynes said. "I feel like I've been here from the very beginning. It's kind of an extended family in some sort of ways. I've played on stage with so many of the artists and bands that play Bonnaroo. It's dozens and dozens."

He's showcased his versatility at Bonnaroo, laying down epic guitar solos with his jam band friends, playing the blues and now laying down soul songs that might appeal to an entirely different crowd.

He worried his fans might be slow to accept these new sounds, but the set was one of the afternoon's best attended and there was plenty of booty-shaking going on, especially when he launched into Stevie Wonder's "I Wish."

"Man in Motion" is Haynes' first solo album in 19 years and arrives as something of a left turn for fans who are into his long-form rock `n' roll.

"This is what I grew up on before I ever heard rock `n' roll music," Haynes said. "My first hero was James Brown. I learned how to sing listening to Otis Redding and Levi Stubbs from The Four Tops and Dennis Edwards from The Temptations and Sam Moore from Sam and Dave, Wilson Pickett. And so before I ever picked up a guitar I was a little kid in my room trying to sound like a soul singer."

Then he heard Jimi Hendrix and Cream and he was drawn in another direction. But his love of old soul always remained. He saw no point in putting out a solo project that sounded like Gov't Mule, so he thought he'd take the chance to explore.

He invited a talented group to Willie Nelson's studio in Austin, Texas: Neville; fellow keyboardist Ian McLagan, formerly of The Faces and The Rolling Stones; saxophone player Ron Holloway; drummer George Porter Jr. of The Meters; drummer Raymond Webber and backup singer Ruthie Foster. At the studio, Haynes laid down songs that had a soul feel, but also were marked by his trademark fiery guitar solos.

Neville said he walked into the studio with no idea what he would record, listened to Haynes rough out the songs and then was astonished to find the tape rolling right away.

"We recorded them with virgin ears, I mean very early on," Neville said. "We played the song maybe once and probably the next time we played it was probably the take, for the record. There wasn't a lot of takes of a bunch of stuff. We kind of caught the moment. That's what makes this project so cool."

Haynes wouldn't have had it any other way.

"I think a lot of people get trapped into thinking they have to do that one thing because they think that's all their audience will let them get away with," Haynes said. "Sometimes they try something that's too far removed from what they started with and the audience is like `Oh, I don't want to hear that.' I'm lucky that I've got an audience that's willing to go where I go and that's such a blessing."

___

Online:

http://www.warrenhaynes.com

___

Contact Chris Talbott at http://www.twitter.com/Chris_Talbott.


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It's all about soul for Warren Haynes at Bonnaroo (AP)

By CHRIS TALBOTT, AP Entertainment Writer Chris Talbott, Ap Entertainment Writer – Fri Jun 10, 9:19 pm ET

MANCHESTER, Tenn. – There are different levels of celebrity at Bonnaroo and Warren Haynes belongs in the elite group.

After eight visits and dozens of performances, Haynes — the Gov't Mule frontman, the voice of The Dead and the go-to guitarist of The Allman Brothers Band — is a part of the fabric of the 10-year-old festival down on the farm in Tennessee.

After laying down a scorching set of soul songs on Friday afternoon from his new solo album, "Man in Motion," he had trouble clearing the backstage area because of well-wishers. A quartet of security guards asked him to pose for a picture and old friends laid down hosannas.

On the bus, The Warren Haynes Band, which includes Ivan Neville, were critiquing the show, picking over details that could be improved.

"I don't care," keyboardist Nigel Hall said. "We killed it tonight."

After changing out of his sweat-soaked shirt, Haynes talked about how being a musician makes you a student for life and how Bonnaroo with its free-spirited, multi-genre lineup fits in with that philosophy.

"I feel a connection to the crowd, to the musicians, to the people who run the event," Haynes said. "I feel like I've been here from the very beginning. It's kind of an extended family in some sort of ways. I've played on stage with so many of the artists and bands that play Bonnaroo. It's dozens and dozens."

He's showcased his versatility at Bonnaroo, laying down epic guitar solos with his jam band friends, playing the blues and now laying down soul songs that might appeal to an entirely different crowd.

He worried his fans might be slow to accept these new sounds, but the set was one of the afternoon's best attended and there was plenty of booty-shaking going on, especially when he launched into Stevie Wonder's "I Wish."

"Man in Motion" is Haynes' first solo album in 19 years and arrives as something of a left turn for fans who are into his long-form rock `n' roll.

"This is what I grew up on before I ever heard rock `n' roll music," Haynes said. "My first hero was James Brown. I learned how to sing listening to Otis Redding and Levi Stubbs from The Four Tops and Dennis Edwards from The Temptations and Sam Moore from Sam and Dave, Wilson Pickett. And so before I ever picked up a guitar I was a little kid in my room trying to sound like a soul singer."

Then he heard Jimi Hendrix and Cream and he was drawn in another direction. But his love of old soul always remained. He saw no point in putting out a solo project that sounded like Gov't Mule, so he thought he'd take the chance to explore.

He invited a talented group to Willie Nelson's studio in Austin, Texas: Neville; fellow keyboardist Ian McLagan, formerly of The Faces and The Rolling Stones; saxophone player Ron Holloway; drummer George Porter Jr. of The Meters; drummer Raymond Webber and backup singer Ruthie Foster. At the studio, Haynes laid down songs that had a soul feel, but also were marked by his trademark fiery guitar solos.

Neville said he walked into the studio with no idea what he would record, listened to Haynes rough out the songs and then was astonished to find the tape rolling right away.

"We recorded them with virgin ears, I mean very early on," Neville said. "We played the song maybe once and probably the next time we played it was probably the take, for the record. There wasn't a lot of takes of a bunch of stuff. We kind of caught the moment. That's what makes this project so cool."

Haynes wouldn't have had it any other way.

"I think a lot of people get trapped into thinking they have to do that one thing because they think that's all their audience will let them get away with," Haynes said. "Sometimes they try something that's too far removed from what they started with and the audience is like `Oh, I don't want to hear that.' I'm lucky that I've got an audience that's willing to go where I go and that's such a blessing."

___

Online:

http://www.warrenhaynes.com

___

Contact Chris Talbott at http://www.twitter.com/Chris_Talbott.


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Tuesday, June 7, 2011

AC/DC singer driven to write about cars in memoir (Reuters)

DETROIT (Billboard) – AC/DC fans will learn a lot more about frontman Brian Johnson's relationships with cars and auto racing than with music and the band in his new book, "Rockers and Rollers: A Full-Throttle Memoir."

And that's not by accident.

"I hate autobiographies," Johnson told Billboard.com. "I think they're boring and rotten, and I'm not interested. It's usually some bitter old git doing a tell-all to get back at everybody."

The book was published in the United States two weeks ago, more than 18 months after it came out in Britain, where it is now available as a paperback.

Johnson, 63, fills "Rockers and Rollers" with what he calls "short stories that are funny and positive," mostly about his lifelong fascination with cars -- including youthful misadventures and even a remembrance of his teenage driving test.

"I just love cars," said Johnson, who was working in an auto shop when he was recruited to replace late frontman Bon Scott in 1980. "It's probably because we were born with no money, and it was always something you dreamt of when you saw it driving past -- 'I wonder what it would be like to have one of them?' But it went beyond that. I just loved these things, these motor cars, these things that you could get in and do anything. You could go anywhere. It becomes personal, you know?"

Johnson has parlayed his passion into a collection of four vintage race cars -- his "biggest prize" is a 1928 Bentley 4 1/2 Liter -- that he races regularly when he's not on the road with AC/DC. "I don't tell (the band) anything," he says with a laugh. "I just go out and do it, because otherwise they wouldn't let me."

Johnson says another set of stories is possible -- "Man, I've got a million," he notes --- but if he ever does dip deeper into his music career for a book, he promises it will be of the same anecdotal style as "Rockers and Rollers."

"If I could do it without stepping on anybody's toes, I think that would be quite fun," Johnson explains. "As long as it wasn't negative. It would have to be a positive, funny side of everything. I think that would be a great thing, and I have thought of it."

Meanwhile, Johnson has no firm idea about AC/DC's next move after the long cycle supporting 2008's "Black Ice," but he's hoping there won't be another eight-year interim before the band's next project.

"I'll be six feet under by then, so no," Johnson says with a laugh. "We never say 'no' and we never say 'never.' If we can get out an album and do another short, little tour or something, have a bit of fun, I'll be right there.

"The thing with the boys in AC/DC you've got to remember is we're constantly surprised and amazed at how we keep the success going. We don't know what we're doing -- I mean, we literally don't know what we're doing except that we just play 100 percent every night and give it everything we've got. If that's the secret to success, we'll pass it on."

(To read more about our entertainment news, visit our blog "Fan Fare" online at http://blogs.reuters.com/fanfare/)


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Thursday, May 26, 2011

Schultz apologizes for off-color remarks about Ingraham (Reuters)

LOS ANGELES (Hollywood Reporter) – Ed Schultz tried to make amends for calling Laura Ingraham a "right-wing slut" on his radio show Tuesday.

"I am deeply sorry, and I apologize," said Schultz, who was suspended from his "The Ed Show" by MSNBC for his off-color remarks. "It was wrong, uncalled for and I recognize the severity of what I said. I apologize to you, Laura, and ask for your forgiveness."

"This is the lowest of low for me," continued Schultz. "My wife is a wonderful woman. We have a wonderful family. And with six kids and eight grandkids, I try to set an example. In this moment, I have failed. And I want you to know that I talked to my sons especially about character and about dignity and about the truth.

"And I tell you the truth tonight that I am deeply sorry and I tell them every day that they have to live up to standards if they want to be a successful human being in life. And I have let them down. I have never been in this position before to the point where it has affected so many people. And I know that I have let a lot of people down."

Schultz was unable to reach Ingraham in person to apologize.

Ingraham, a radio host and political commentator, criticized Schultz on her Facebook page: "MSNBC suspends Schultz. Oh great, now his ratings will go up."

In a statement released Wednesday, the cable channel said: "MSNBC management met with Ed Schultz this afternoon and accepted his offer to take one week of unpaid leave for the remarks he made yesterday on his radio program. Ed will address these remarks on his show tonight, and immediately following begin his leave. Remarks of this nature are unacceptable and will not be tolerated."

This is just the latest punishment MSNBC has had to dole out. In November, Keith Olbermann (who is no longer with the network) and Joe Scarborough were suspended for violating MSNBC's policy about political donations.

(Editing by Chris Michaud)


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A Minute With: Kara DioGuardi about her return to TV (Reuters)

NEW YORK (Reuters) – As a former "American Idol" judge, singer, songwriter and producer, Kara DioGuardi, made her mark offering no-nonsense feedback to contestants hoping for stardom on the popular singing talent contest.

Now she returns as a judge on Bravo's new show "Platinum Hit", which debuts on May 30. The series offers a glimpse into the world of emerging singer-songwriters on their journey to become the next big hit maker and offers a $100,000 cash prize and a record publishing deal.

DioGuardi spoke to Reuters about the show, songwriting and a famous 2009 bikini stunt on national television.

Q: What can viewers expect when tuning into "Platinum Hit?"

A: "The show is completely different since it's not about performing. It's about the song. And it's about the people that write that song. This is a show about finding the next great songwriting talent and looking into the process of songwriting, which I think is going to be very interesting."

Q: When you were on 'American Idol' there was a lot of chatter about you. Were you surprised at the fan's reaction to you joining the show?

A: "Not really, because I think they didn't quite understand my role. Some thought I was there to take over Paula's role and they didn't understand that I was in the music business. When I first got the job, I said, 'Why do you need a fourth judge?' It was completely puzzling to me. I can only imagine what it was like for the American people."

Q: Do you prefer collaborating with other songwriters or writing solo?

A: "I really don't have a preference. I kind of love it all. I get something different from each session I walk into. Sometimes it's great to work with an artist that has a very specific vision. I really enjoyed working with Pink, when I co-wrote 'Sober.' She has a real idea about what she wants to say and how she wants to say it and I find that very refreshing."

Q: How do you strike the right balance of offering feedback to contestants without crushing their dreams?

A: "People have to get used the idea that there is a lot of rejection in the music business no matter how successful you are ... If that's what crushes your dream, then you should get out of the music business, because if you can't stand the rejection, this industry will crush you. What it's really about is how to take the feedback and learn from it and become better."

Q: How would you characterize yourself as a judge?

A: "I'm pretty tough on this show, but I'm always constructive. You may not see it always because it doesn't get into the edit. But if I am giving a critique to a contestant, I'm telling them how they can do it better, so they can learn from it."

Q: What advice do you have for those just starting out?

A: "It's a muscle, songwriting. You got to do it a lot. You have to constantly be working it out and always come from a place of truth."

Q: If you were not a singer/songwriter, what do you think you would be doing?

A: "I would be a lawyer, or run a Bed and Breakfast. I would like to be in Maine baking muffins."

Q: You stripped down to a bikini during the "American Idol" finale in 2009. What was that like?

A: "It was scary, but it showed that I kind of don't take myself so seriously. And I got to build a recording studio from it, because I was given money to use toward my charity. So I'm glad I did it."

(Editing by Jill Serjeant and Patricia Reaney)


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Wednesday, May 25, 2011

Stars talk about Oprah Winfrey (AP)

NEW YORK – As the final original "Oprah Winfrey Show" airs Wednesday, celebrities talk about the talk show host.

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"I've got to say, I bow before cultural icons like Oprah, who take things that can be as minor and goofy as an hour worth of TV and turn it into something that is actually something everybody can be talking about. You know what's going to be missing now from the vernacular? 'Did you see Oprah yesterday? Did you see that girl on "Oprah?" Did you see that thing on "Oprah?"' So, we're going to miss her. God bless her service. But we'll get by." — Tom Hanks.

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"I have been an avid Oprah watcher for as long as I can remember, sharing laughs and tears with millions upon millions of viewers, all with whom she has touched in various ways. She has such a genuine compassion and intellect that is universally embraced. While I'm sad to watch this chapter in Oprah's career come to a close, I look forward to watching her legacy continue through OWN." — Nicole Kidman.

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"During the time of the Oscars she called and said, 'I want you to understand the significance of what you're about to do. I don't want you to joke it away.' She knew I was being a little bit reckless. She took me to Quincy Jones' house and inside the house were all of these actors that came before me — mostly African American actors. They were like, 'We're really counting on you to walk the right way, do the right thing' and this was leading up to the awards and then she took me to see Sidney Poitier. At that moment I was like, 'Now here's my Oprah moment.' It's not about herself. It's about how can I take Jamie Foxx and give him a boost, give him a mental boost and change his life literally forever. Meeting Sidney Poitier and Quincy Jones and being able to hang with them, I got the keys to unlock doors that probably would have never been open to me. She's an amazing person." — Jamie Foxx.

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"Oprah was part of our lives. She was in our living rooms. She cried with us, she laughed with us. One part of me is sad to see that go but another part of me is happy for her growth and for her expanding and having her OWN network and all of that and just evolving as a person. I'm sure she wants a break as well." — Stacy Ann "Fergie" Ferguson of the Black Eyed Peas. The group appeared on "Oprah" numerous times including in September 2009 when the show shut down parts of Chicago's Michigan Avenue.

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"I think that Oprah's legacy is that she has made a difference and that's what we as women want to do. We want to make a difference in this world and she's made a difference in a lot of ways. She's made a difference in really fun things and she's made a difference in really serious things and she's told us stories that ... I'd never heard — the word abuse. ... I wouldn't even know what that was. She's made a difference so for me that's why I respect her. ... She will be remembered long after she's gone." — Stevie Nicks,

who made her first appearance on "The Oprah Winfrey Show" in April 2011.

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"When I think about the Oprah legacy it's humbling. She's changed the lives of millions of people. She brought important issues to the dinner table that never would have been there otherwise. She leaves behind a body of work that will never be paralleled. Of course, she also leaves behind a time slot at 4pm." — Ellen DeGeneres.

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"It's been an honor to have been a guest on Oprah's show throughout the years. She has meant a lot to me personally and professional, and she truly is in a class of her own. I'm sure she's going to continue to pioneer the way television is presented on her OWN network." — Celine Dion who has been a guest on "The Oprah Winfrey Show" more than any other celebrity.

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"Oprah has set the bar so high that no one touches her. She redefined the genre. ... The thing I respect most about her is her absolute authenticity — she is genuinely curious about everyone she meets, expresses a genuine gratitude to all who cross her path and has a zest for life that is second to none. She is a seeker of the truth and then once she finds it she is generous enough to share all her wisdom with the rest of us." — Hugh Jackman who famously injured his eye in a zip line accident appearing on an "Oprah" show taping in his native Australia in December 2010.

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Associated Press video producers Mike Cidoni Lennox and Natalie Rotman in Los Angeles contributed to this report.

(This version CORRECTS Fergie's name to Stacy Ann.)


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Thursday, May 5, 2011

Questions linger about end of 'Oprah Winfrey' show (AP)

CHICAGO – Oprah Winfrey has given the world 25 years of poets and politicians, A-list actors and musicians and talk show topics that defined and reflected American culture.

As "The Oprah Winfrey Show" ends, with 16 episodes left as of May 4, her millions of fans around the globe are waiting to see how she will close out a show that engineered a media empire.

Winfrey's producers plan a star-studded, double taping on May 17 at Chicago's United Center. The shows will air May 23 and 24, as Winfrey's second and third-to-last episodes.

The show is dubbed "Surprise Oprah! A Farewell Spectacular." Winfrey hates surprises, producers say, but she has agreed to this event.

But for fans, questions remain.

Who will be at the United Center that Tuesday night? Who will be beamed in by satellite or deliver a taped farewell message?

Winfrey has a stable of celebrity friends who have appeared repeatedly on her talk show. John Travolta. Tom Cruise and Katie Holmes. Jennifer Aniston. Chris Rock.

Could the Black Eyed Peas perform, as they did when Winfrey shut down Chicago's Michigan Avenue in 2009?

Then there are the presidents and world leaders: Bill Clinton; George W. Bush; Nelson Mandela. President Barack Obama and first lady Michelle Obama have already appeared on a special show that aired Monday.

And Winfrey has other well-respected friends who could be possibilities: Maya Angelou; Sidney Poitier; Barbara Walters. Not to mention Winfrey's proteges, who she fostered to their own television stardom, such as Mehmet Oz, Phil McGraw and Nate Berkus.

Kelly Brittain, a 41-year-old mother of three and assistant professor from East Lansing, Mich., has watched Winfrey for decades. In 2000, she attended a taping on phenomenal graduates. Audience members received mortarboard caps; Brittain stores hers in a keepsake box.

"Somehow I know the producers, they're going to absolutely `wow' her," Brittain said.

It has the makings for a major cultural event, said Bill Carroll, expert on the daytime television market for Katz Television in New York.

"It's going to be the top-of-the-top of anybody who is available to go to Chicago on that day," Carroll said. "It's going to be talked about and talked about and watched and talked about."

Harpo Productions received more than 154,000 ticket requests for seats to the event — the United Center's capacity is about 20,000. There was a lottery for seats.

"For a national, international audience that's a small number," said Marianne Jennings, an Arizona State University professor who has researched the ticket industry for decades.

Tickets for the Chicago taping could be even more coveted than seats for the Super Bowl or World Series, she said.

"It's a once-in-a-lifetime event," Jennings said. "There's something that grips us about that. It's something about being there with the crowd, being there for history."

And Winfrey's talk show history is anything but small: 30,000 guests, 4,500 episodes and 283 items named her "favorite things" in the famous annual giveaway.

But there's still a bigger question: What will Winfrey do for the May 25 finale? Harpo isn't talking, nor is the talk show queen.

Experts suggest the Chicago celebrity blowout means the finale will be in Winfrey's studio for a quieter, more intimate occasion, maybe even without an audience.

"If I were a longtime viewer, I'd want the show to end in a place where I'm most comfortable with her and most familiar," said Janice Peck, author of "The Age of Oprah: Cultural Icon for the Neoliberal Era."

Viewers are looking for a heartfelt connection after having daily interaction with Winfrey for 25 years, Peck said.

"The longtime fans are going to feel cheated if she doesn't somehow honor that history," Peck said. "They want to be crying. They want to feel something, some powerful emotional departure."

Samantha Howsare, 22, of Pittsburgh, who has watched Winfrey since she can remember and named her goldfish "Oprah" when she was 3, said she doesn't know who Winfrey could interview or what Winfrey could give away to make it worthy of the finale.

"I don't want it to feel like it's going to be on tomorrow," Howsare said. "I don't want it to be played down in any way and if she played up it being the last episode right, then it would get a lot of people to cry and that would be a good thing."

A model to look to would be Johnny Carson's final episode as host of "The Tonight Show" in 1992, Carroll said: There were no guests and after his traditional monologue Carson showed a montage of past shows.

"For the better part of the end of the show he sat there on a stool and just talked directly to people at home," Carroll said. "That had so much class to it."

Brittain is among fans who hope that Winfrey will stay on television, thinking there may be a promise of a yearly Oprah Winfrey special or other appearances.

"What would TV be without Oprah on the radar?" Brittain said. "That's hard to fathom. Who now serves as that source of overall inspiration, the infinite possibilities of the impossible?"

___

Online:

http://www.oprah.com


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