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Showing posts with label acting. Show all posts
Showing posts with label acting. Show all posts

Saturday, September 10, 2011

Nolte's love of acting gives heart to `Warrior' (AP)

By SANDY COHEN, AP Entertainment Writer Sandy Cohen, Ap Entertainment Writer – Fri Sep 9, 12:46 pm ET

MALIBU, Calif. – In "Warrior," Nick Nolte plays a man looking for redemption. In real life, he's already found it.

The 70-year-old actor looks like a man at peace. He's invigorated by his girlfriend, Clytie Lane, their 3-year-old daughter, Sophia, and a passion for storytelling that hasn't waned over his 40-year career.

A little Hello Kitty suitcase and plush Smurf doll sit near the door of the home that anchors his sprawling Malibu compound, where he keeps a private water well and an acre-sized organic garden that sustains his family.

He happily picks a few onions and peppers for a visitor to take home — and a handful of raspberries and tomatoes that they eat together off the vine — as his golden retrievers Socrates and Ginger faithfully follow him across the gated property.

In "Warrior," in theaters Friday, Nolte plays Paddy Conlon, a recovering alcoholic seeking forgiveness from his two sons, whom he alienated with episodes of drunken violence. Tom Hardy and Joel Edgerton play the grown-up boys. They have grudges against their dad and each other, and each is training for the world's biggest mixed martial arts competition, where they become unlikely contestants for the title.

Nolte's character, who speaks volumes with his crinkled eyes, is the heart of the film.

"He's the heart and the problem!" laughs the actor, who sits on a sofa beside one of the living room's three fireplaces, occasionally puffing on a smokeless electronic cigarette. The room doubles as a drum-circle site. Half a dozen conga drums sit in the center, beside a grand piano, a stack of colorful pillows, a barrel of wooden rain sticks and a crow in a cage.

"Warrior" director Gavin O'Connor wrote the part with Nolte in mind. The two worked together for months on O'Connor's 2008 film "Pride and Glory," until Nolte pulled out three weeks before shooting began. He needed a knee replacement and couldn't continue.

"You would think a director then wouldn't want to have anything to do with you because you've walked (out) on his film, caused him a lot of agony," Nolte says. But they kept in touch — they're also neighbors in Malibu — and one day O'Connor called: "He said we're working on another piece and I'm writing you in it," Nolte says.

The writer-director called Nolte "a national treasure."

"I wanted to use him how he's best and hoped the role would remind everyone what he's capable of," O'Connor said.

And it's true — some audiences may need reminding; in recent years, Nolte has done only smaller parts and some voice work (including Bernie the gorilla in "Zookeeper").

Then there was his 2002 arrest on Pacific Coast Highway for driving under the influence of drugs. The booking photo from that arrest, showing an especially disheveled-looking Nolte, continues to circulate in cyberspace, but the actor himself has clearly moved on.

Now, he's generating early Oscar buzz as a central character in "Warrior" and has some solid projects in the pipeline, including Robert Redford's "The Company You Keep" and the Los Angeles crime story "The Gangster Squad." Plus he says he typically does one European film a year.

"For a while I was really hot with the French," he says.

After four decades on screen, half of it in independent films, Nolte says he hardly recognizes Hollywood today.

"There are so many outlets with television and cable, and in one sense that's very good, but in the other it's taken a lot away from movie houses, and they can only really afford the big films so they make the big cartoon film, which aren't unfun to make," he says, referencing some of the bigger-budget films he has coming up.

The independent film is endangered, he says. He anticipates that there will be fewer movie theaters in the future, and the only films shown will be mega-budget blockbusters — all in 3-D.

"I said to (Dreamworks Animation boss) Jeffrey (Katzenberg), `Do you have (3-D) without glasses?'" Nolte says. "And he said no. I said, `Well, I don't think it will work.' And he said, `Well, you haven't been in the game in years. It doesn't matter what you think."

But Nolte still has so much more to say, and the acting is getting easier.

"What happens is you get into this rarified area of 70 years old, your work kind of comes to you in a very unconscious way," he says. "You don't have to struggle at it as much as you did before. You don't have to really fight for it much. Your emotions are pretty prevalent to you."

Even though his calendar is full, he would love to tell Hindu stories and try to make the many Hindu characters personally familiar to him "into some form for the American public."

"It would be really fascinating," he says.

He's also mentoring future filmmakers through his production company, Kingsgate. Nolte has taught his proteges to prepare for their film careers by studying the great writers.

"A good education, you need that in this business," Nolte says. "You need literature. You need a literary background."

You also need love. Nolte's given the subject a lot of thought, and lately he's had a lot of love in his life.

He loves his work, he loves his life, and he deeply loves his family. Any free time he has he spends with his young daughter.

His eyes get all crinkly as he says, "I don't think I'd be around much longer if it wasn't (for her)."


Yahoo! News

Wednesday, July 13, 2011

Schwarzenegger to return to acting in 'Last Stand' (AP)

LOS ANGELES – Arnold Schwarzenegger said he'd be back.

A spokesman for the former governor says Schwarzenegger will return to acting with a role in the Lionsgate film "Last Stand." The role represents Schwarzenegger's first major movie role since 2003's "Terminator 3: Rise of the Machines." He made a cameo appearance in last summer's "The Expendables."

Spokesman Daniel Ketchell confirmed Tuesday that Schwarzenegger will appear in the Western flick but did not elaborate. Lionsgate declined comment Tuesday.

Schwarzenegger said in May that he was putting his acting projects on hold after disclosing that he fathered a child with a family housekeeper and splitting with wife Maria Shriver.


Yahoo! News

Thursday, June 30, 2011

Detroit Symphony names acting concertmaster (AP)

DETROIT – The Detroit Symphony Orchestra has announced the appointment of Kimberly Ann Kaloyanides Kennedy as acting concertmaster for the 2011-12 season.

Kennedy has served as a member of the DSO's violin section since 1998 and has been the associate concertmaster since 2003.

She replaces Emmanuelle Boisvert, who announced in May she was leaving the ensemble to join the Dallas Symphony Orchestra.

DSO Music Director Leonard Slatkin says he's confident in Kennedy's "ability to bear the lion's share of the work this coming season."


Yahoo! News

Saturday, May 14, 2011

Rockstar Games' 'L.A. Noire' magnifies game acting (AP)

By DERRIK J. LANG, AP Entertainment Writer Derrik J. Lang, Ap Entertainment Writer – Fri May 13, 9:08 am ET

LOS ANGELES – Aaron Staton doesn't like watching himself on "Mad Men."

It makes the 33-year-old actor uneasy when it comes time to step back in front of the boozy AMC drama's cameras to portray slick ad account executive Ken Cosgrove. That's not the case when he's played as himself in "L.A. Noire," Rockstar Games' upcoming murder-mystery saga set in 1947 Los Angeles and starring Staton as ambitious police detective Cole Phelps.

"I think it's because there was all of this technology involved," said Staton, who has played about 20 minutes of the game, which is set for release May 17. "I feel removed enough that I can appreciate all the elements. There are portions of the final product incorporated in a way that tell the story of a moment in a way that I couldn't have predicted."

Staton's performance was digitized using two different methods. The blond, blue-eyed actor's face and voice were captured with MotionScan, a new system that more accurately records the human face than previous technologies. It required him to sit in a chair and recite his lines while being watched by 32 cameras and only moving his head in 45-degree angles.

To capture Staton's motion — walking, jumping and punching, for example — the actor separately performed scenes in a skintight suit that cameras could detect and digitize, a method commonly used in effects-laden films like "Avatar." At the end of filming each scene, the motion-capture system required Staton to stand straight with his arms outstretched.

"It's funny because I worked on that for quite a few months leading up to the first day on set of `Mad Men' for Season Four," said Staton. "After the first scene, they said cut, and I had the impulse to do a T-pose. It's just a funny thing how different those worlds are. If I had done that, I think everybody would've looked at me like, `What are you doing?!'"

Staton, a self-professed gamer who appreciates "Super Mario Bros." as much as "Call of Duty," had little time to prepare for his leading role as Phelps, a World War II veteran who returns to the U.S. and rises through the ranks of the Los Angeles Police Department throughout the game. He was offered the job on a Friday and started work the next Monday.

"There wasn't a lot of time with a 2,200 page script," said Staton. "I saw the test footage, and they sent me a character description, the full journey and context of the world. I'm somewhat familiar with the noir genre and `L.A. Confidential,' which is a great reference point for the feel of this game."

The "L.A. Noire" developers from Team Bondi in Sydney, Australia, and New York-based Rockstar Games set out to recreate an 8-square-mile stretch of Los Angeles, reaching from downtown to the Hollywood district, where Phelps investigates crime scenes, tracks suspects and interrogates witnesses. That last part makes up the bulk of the "L.A. Noire" gameplay.

In one case, dubbed "The Silk Stocking Murder," Phelps and his partner investigate the death of a young woman whose mutilated body was found in a parking lot. Clues at the crime scene could lead Phelps to the victim's boarding house, where players can interview the noisy landlady who knows several seedy details about the dead woman's personal life.

Developers said more than 400 actors portrayed various characters populating their virtual post-war Los Angeles. During investigations, players are tasked with probing witnesses and deciding after each prompt if they're being truthful based on their tone and facial tics. If players want to cast doubt, they can press a button to further press a witness.

"To do that, we had to have believable performances," said Brendan McNamara, the game's director. "We had to have technology that allowed actors to do their thing without any level of interpretation. No one can animate an actor's face better than the actor. The key thing that makes this game different from others is that it's about human interaction."

While games have long-used real actors to create virtual action, most games rely solely on voices recorded in a sound booth and physical movement captured on a soundstage, with the performances later combined and enhanced by animators inside a computer. MotionScan, created by technology firm Depth Analysis, eliminates the need for much of that tweaking.

"I think there's more animated footage in this game than any of the other games we've done — and we don't make small games," said Rob Nelson, art director at Rockstar Games. "We were shooting forever. You could use this technology on much smaller-scale games and get believable performances out of it. We just chose to do something very ambitious with it."

The result is a more linear and cinematic experience than Rockstar's open-world Western shoot-'em-up "Red Dead Redemption" and sprawling action-adventure "Grand Theft Auto" gangster series. The developers said the game's plot rarely deviates from the main storyline, and there's not much reason to explore the virtual Los Angeles beyond curiosity.

Because of the interactive nature of video games, Staton and the game's other actors recorded several lines and scenes that some players may never experience, depending on how they direct Phelps. Staton said to achieve his most authentic delivery possible, he performed each moment of the storyline as if it existed in a separate reality from the others.

Early during his work on the game, Staton delivered his lines to a red X in front of him, but the developers later replaced it with a small picture of Mona Lisa "to give me a set of eyes to look into." He said the sterile surroundings provided a "constant awareness of the perimeters" but he found the unconventional acting environment "really exciting."

"It was a cool challenge," said Staton. "As I did it, I definitely became more and more comfortable in there. It's a new thing. It's a different thing. I found myself working through those perimeters. Maybe I became more comfortable midway through or at the end of the process. I don't know. Probably, in three years, the process will be completely different."

___

Online:

http://www.rockstargames.com/lanoire/


Yahoo! News


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