Ads 468x60px

Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Tuesday, June 4, 2013

Best Music Video Of The Year?

It's time to return to one of the best music videos of the year. Already leaked in May, ABC has finally released the official version of "Bachelorette" Desiree and Soulja Boy's music video masterpiece for "Right Reasons" to coincide with the latest episode. Although the video is arguably perfect all the way through, here are a few notes on parts that are especially perfect.

-The first screen calls this a deleted scene. They centered an episode around making this video and then deemed it unworthy of any final cut.

-Soulja's first rhyme is, "You look [unintelligible], maybe you should go ahead and do some contemplating."

-The "I Heart Dad" shirt.

-At :53 when they start throwing dead leaves. Sort of like they're throwing money and trying to convey they're "rolling deep" but he's pulling them out of a bucket and once again they're dead leaves.

-Dead Leaves Follow-Up: Seconds later when he takes a shower in dead leaves. Maybe if they had made it rain earlier/correctly the leaves wouldn't have died.

-At 1:00 when the "manager" gives a thumbs-up and there's a cha-ching noise.

-Whenever the camera points to Soulja Boy and he just says "yo" in the background and laughs to himself.

-When one of the guys is dancing and his sunglasses accidentally fall down on to his face.

-Dead Leaves Follow-Up/Snow Edition: The hook becomes clear that these guys want this girl in every season. They huddle for warmth in fake snow and the dead leaves from earlier start making much more sense.

-At 1:59 when Soulja Boy says to keep going and then they don't.

-The guy shaking a skateboard in the last big group shot.

-The spoiler alert that Soulja Boy wins the Bachelorette.


View the original article at Huffington Post / Celebrity

Sunday, January 29, 2012

Kenny Chesney leads Academy of Country Music nominees

NASHVILLE, Tenn (Reuters) - Kenny Chesney grabbed the lead with nine award nominations on Thursday from the Academy of Country Music, which hands out its prizes on April 1 in Las Vegas.

Jason Aldean was the runner-up with six nods and trio Lady Antebellum had five.

Chesney will have plenty of competition for the fan-voted Entertainer of the Year trophy from nominees Aldean, Brad Paisley, Blake Shelton and last year's winner Taylor Swift.

Fans can vote for entertainer of the year and new artist of the year beginning on March 19. Voting for the top prize continues through the third hour of the live broadcast of the 47th edition of the awards show.

One of the veteran performers on the list of nominees, Chesney also received his 10th nomination for top male vocalist.

Aldean, whose career has taken off in the past few years, received his second nominations for entertainer of the year and top male vocalist.

The trio of Hillary Scott, Charles Kelley and Dave Haywood, collectively known as Lady Antebellum, is up for vocal group of the year, an award they have won for two consecutive years.

Brad Paisley was nominated again for top male vocalist, which he has won every year since 2006.

Toby Keith's runaway hit "Red Solo Cup" brought him three nominations, including video and single of the year. He took home the top video award in 2003 for "Beer For My Horses," which featured Willie Nelson.

Swift received her third nomination for the top prize of entertainer of the year and for the fifth time for top female vocalist. She received her third nod for best video.

Newcomer Grace Potter will be up for three awards, based on her performance with Chesney on their hit, "You and Tequila."

A relatively new group, the Eli Young Band, was nominated in three categories including vocal group of the year and top single and song for "Crazy Girl."

YOUNGER GENERATION

Most of this year's nominees are from the crop of country performers who have come along in the past 10 to 15 years. Swift, 22, is the youngest nominee.

The band Alabama, nominated with Paisley for vocal event of the year, has not toured together since 2004.

Other veteran nominees include Vince Gill, who began his solo career in 1983; and Martina McBride, who worked behind the scenes for Garth Brooks until she signed her first label deal in 1991.

Reba McEntire, one of the most successful country singers of the 1980s and 1990s, acted as master of ceremonies for the announcement, with the nominations revealed for the first time via a digital format on the Academy of Country Music's Facebook page.

That gave fans a chance to lodge comments, including one bleat that Gill should not have been left off the list of nominees for top guitarist.

Fan voting will determine the finalists for new artist of the year, to be announced at the end of the month. Voting for the winner of that award will begin on March 19 and close before the show begins on April 1.

McEntire and Blake Shelton will co-host the live CBS broadcast for the second consecutive year from the MGM Grand Garden Arena in Last Vegas.

(Reporting By Vernell Hackett; Editing by Andrew Stern and Vicki Allen)


View the original article here at Yahoo News!

Monday, October 24, 2011

Aguilera, Bieber to play American Music Awards (AP)

LOS ANGELES – Justin Bieber, Christina Aguilera, Mary J. Blige, Kelly Clarkson and Maroon 5 are set to perform at the American Music Awards next month.

Producer Larry Klein unveiled the latest group of AMA entertainers on Monday. They join previously announced performers Katy Perry and Pitbull.

Fans can vote online for the winners of the AMAs, which will be presented Nov. 20 at the Nokia Theatre in Los Angeles.

Klein says the host-free show will feature unusual pairings such as Aguilera performing "Moves Like Jagger" with Maroon 5.

The AMAs will air live on ABC.

___

ABC is owned by The Walt Disney Co.

___

Online:

http://us.rd.yahoo.com/dailynews/ap/ap_en_mu/storytext/us_music_american_music_awards/43368075/SIG=11kjlaqnj/*http://abc.go.com/shows/american-music-awards/vote


Yahoo! News

Thursday, October 20, 2011

MTV sets dates for Video Music and Movie Awards (AP)

NEW YORK – MTV has set the dates for next year's MTV Movie and Video Music Awards.

The MTV Movie Awards will air live from Los Angeles on June 3.

After an August date in Los Angeles this year, the VMAs will move to Sept. 9. A host city hasn't been announced. The show will also air live on the network.

The announcement was made Thursday.

This year's VMAs drew an audience of 12.44 million people, which gave MTV its biggest audience since 1993.

___

Online:

http://us.rd.yahoo.com/dailynews/ap/ap_en_mu/storytext/us_mtv_awards/43323983/SIG=10kbpnmp3/*http://www.mtv.com


Yahoo! News

Wednesday, October 12, 2011

Adele leads American Music Award nominees with 4 (AP)

Adele has the year's most popular album with "21," so it makes sense that she's the most nominated artist for this year's American Music Awards.

The nominees were announced Tuesday in Los Angeles by Nicki Minaj and Pitbull, and Adele led all nominees with four. The British soul singer and songwriter, whose hits include the No. 1 songs "Rolling in the Deep" and "Someone Like You," was nominated for artist of the year, favorite female artist, favorite adult contemporary artist and favorite album for "21." Her sophomore album is the year's best-selling album with more than 3.7 million copies sold in the United States.

Taylor Swift, Lady Gaga, Lil Wayne, Katy Perry, Rihanna and The Band Perry all trailed Adele closely with three nominations each. Pitbull and Minaj both got two nominations each, along with Beyonce, Bruno Mars, Chris Brown, Jason Aldean, LMFAO and Kanye West.

Lil Wayne, Swift, Perry and Lady Gaga are competing with Adele in the artist of the year category.

Nominees are determined from chart data, and winners will be determined by online fan voting.

The 39th annual American Music Awards will be held Nov. 20 at the Nokia Theatre in Los Angeles. Perry and Pitbull are the first confirmed performers. The show will air live on ABC.

___

Online:

http://ama.abc.com


Yahoo! News

Tuesday, September 27, 2011

Selena Gomez to host MTV Europe Music Awards 2011 (Reuters)

LONDON (Reuters) – U.S. teen actress and singer Selena Gomez will host this year's MTV Europe Music Awards in Belfast on November 6, the music channel said on Monday.

The 19-year-old, who is dating another teenage sensation the 17-year-old Canadian pop star Justin Bieber, will aim to find time to tweet and provide commentary for mtvema.com website as well as her regular hosting duties.

Gomez follows the likes of Justin Timberlake, Eva Longoria, Katy Perry and Snoop Dogg in hosting one of pop music's biggest nights outside the United States.

Although held in a different European city each year, the MTV EMAs tend to be dominated by U.S. acts.

This year, Lady Gaga leads the list of nominations with six, followed by two other U.S. acts -- Katy Perry and Bruno Mars. Bieber has been shortlisted in three categories.

(Reporting by Mike Collett-White, editing by Paul Casciato)


Yahoo! News

MTV doubles down on the O Music Awards (AP)

NEW YORK – MTV is bringing back the O Music Awards just months after debuting the digitally minded awards show.

In late April, the network premiered the OMAs, a fan-friendly celebration of digital music. Sharply distinct from regular award shows, it featured interactive, fan-voted awards that culminated in a live, multiplatform webcast on MTV Music Group websites.

On Tuesday, MTV will announce the O Music Awards 2, to take place Oct. 31. MTV plans for the OMAs to be so atypical that they don't adhere to the calendar, but sprout up twice or maybe even three times a year.

In noting how quickly digital music is changing, Shannon Connolly, vice president of digital music strategy for MTV, pointed to Rebecca Black, whose viral hit "Friday" now feels like a century ago.

"We're celebrating an emerging culture and we're celebrating this thing that's happening really fast," says Connolly. "It's partly debunking the award show format — once a year, sticking to all the same categories — but it's also because the space is changing so quickly."

Part of the OMA mission is to put as much attention on fans as artists. Award categories include best "fan army," "must-follow artist on Twitter" and best fan cover.

Everything is very much in flux, with MTV continually tweaking the format. On the first OMAs, which were put together in a matter of months, Connolly recalled the sudden panic when they realized they needed an actual physical award to present. A handful of them — a kind of glass cube — had to be shuttled around to winners who needed to pre-tape acceptance speeches.

This time around, MTV allowed fans to select some of the award categories, including best "Web-born artist" and best vintage viral video. The musical spectrum has been expanded to include genres beyond pop and hip-hop. The 2nd OMAs will also have more of a presence on MTV's flagship network.

Lady Gaga and Odd Future's Tyler the Creator are among the leading nominees, with two nominations each. Justin Bieber, Katy Perry, The Weeknd, Demi Lovato and Sinead O'Connor also received two nominations.

The first OMAs generated 3 million votes cast online and resulted in MTV's second-largest streaming audience ever.

"The audience is there," says Connolly. "We know we can give them something they love even more."

Voting for the OMAs 2 begins Tuesday.

___

MTV is owned by Viacom Inc.

___

Online:

http://omusicawards.com/


Yahoo! News

Tuesday, September 13, 2011

Artists welcome EU music copyright extension (Reuters)

LONDON (Reuters) – Artists welcomed a European decision to extend copyright for recorded music to 70 from 50 years, after a years-long campaign by performers including Paul McCartney and Cliff Richard who faced their rights expiring in their lifetime.

The move will help the music industry claw back some of the revenues lost as it has struggled to respond to a digital revolution that has allowed widespread music piracy on the Internet with growing online distribution.

"At a time when certain interests seek to weaken copyright for their own purposes, this sends a vital message that the right of creators to earn a living is taken seriously by the EU," the Independent Music Companies' Association said.

Global recorded music sales fell 9 percent last year to $15.9 billion.

"The European Union has finally acted to give performers and musicians in Europe a longer term of protection to ensure that they benefit from their performances, at least in their lifetime," said former ABBA singer-songwriter Bjorn Ulvaeus. "Now I won't have to see ABBA being used in a TV commercial."

"This is a great step forward for artists," said U2's manager Paul McGuinness. "Nearly 40,000 artists petitioned for this change and delivered a loud and clear message that politicians have taken heed of."

The step will bring performers' rights more into line with those of songwriters and authors, and also take the European copyright term closer to the U.S. term of 95 years.

European Union member states will have two years to incorporate the provisions of the directive adopted on Monday into their national laws.

(Reporting by Georgina Prodhan)


Yahoo! News

Music Review: UK's Katy B is a girl 'On A Mission' (AP)

Katy B, the so-called "queen of dubstep," recently was nominated for the 2011 Mercury Music Prize for her debut album, "On A Mission." And her competition included more established U.K. artists such as Adele, Tinie Tempah and PJ Harvey.

Although she didn't take home the big prize, the 22-year-old stands out from her peers with her club-friendly pop record that encompasses not just dubstep, but 1990s house and garage, too. Her warm vocals have a soothing R&B-feel and have been compared to Jazmine Sullivan and Marsha Ambrosius.

The songs "Katy On A Mission" and "Lights On" are bold and catchy with their infectious melodies, while tracks like "Disappear," with its broken beat, and "Go Away," a dubstep ballad, delve into another territory and highlight Katy B's multiple talents. The magic here is her versatility across the entire album, showing that she's not tied down to a single genre: It's that versatility that is the key to a great dance album.

CHECK THIS TRACK OUT: The big standout here is "Easy Please Me," a popular song that shows Katy B's humor and sharp wit, with lyrics like: "Now I won't call you 20 times a day, `cause I've got my own (expletive) to do." It's fresh and edgy - something the U.K. has been missing.


Yahoo! News

Monday, September 12, 2011

BMG Rights to buy Bug Music for $300 million (Reuters)

NEW YORK (Reuters) – BMG Rights Management said on Monday it would pay around $300 million to buy Bug Music, a Los Angeles song publisher whose catalog includes hits such as "What a Wonderful World" and "Under The Boardwalk."

BMG Rights reached the deal with Bug Music's owner, private equity firm Spectrum Equity Investors. The deal values Bug Music at around $300 million, according to two people familiar with the process.

With a catalog of more than 250,000 songs the auction for Bug Music had attracted interest from a range of bidders including "American Idol" creator Simon Fuller, Ole Music and Sony/ATV, a joint venture between Sony Corp and the estate of late pop star Michael Jackson.

BMG Rights is a joint venture of giant German media company Bertelsmann and private equity firm KKR. The deal is expected to close in October.

Even as global recorded music sales have tumbled in recent years, song catalogs have kept or increased their value because they can earn revenue from a wider variety of licensing sources than record sales.

Fund managers and investors like pension funds and private equity firms have been attracted by song publishers' relatively stable cash flows.

Earlier this year, Russian-born billionaire Len Blavatnik paid $3.3 billion to take control of Warner Music Group, whose assets include the music publisher Warner/Chappell.

Blavatnik is now among contenders for EMI Music's recording and publishing assets with final bids due by the end of this month, according to several sources.

BMG Rights and Sony/ATV are also known to be interested in EMI, but are more focused on EMI's publishing catalog.

(Reporting by Yinka Adegoke; Editing by Lisa Von Ahn and Maureen Bavdek)


Yahoo! News

Saturday, September 10, 2011

Movies and music: Toronto film fest turns tuneful (AP)

TORONTO – Bruce Springsteen pumped up the volume for music at last year's Toronto International Film Festival, and this year, the cinema showcase has cranked it up to 11.

A year after Springsteen's memorable visit for a film about his album "Darkness at the Edge of Town," the Toronto festival opens Thursday with a documentary about Irish rockers U2 and continues with a musical lineup featuring films about Neil Young, Pearl Jam, Paul McCartney and 1970s songwriting staple Paul Williams.

The 11-day festival also includes "W.E.", a drama directed by pop star Madonna, and a range of other feature films and documentaries with music backdrops, from the Paris nude-dance revue portrait "Crazy Horse" to the musical road-trip comic drama "The Brooklyn Brothers Beat the Best."

"There just seems to be kind of a perfect storm of films about music," said festival director Piers Handling. "Rock `n' roll probably got to a moment in history where there's enough material, and enough filmmakers who grew up with the bands are finding that material and going back to make some pretty definitive documentaries."

The list of filmmakers taking on music subjects at Toronto includes Academy Award winner Davis Guggenheim ("An Inconvenient Truth") directing the U2 documentary "From the Sky Down," a look back at the band's 1991 album "Achtung Baby" as Bono and his band mates prepare for a live performance of the songs.

Jonathan Demme, the Oscar-winning director of "The Silence of the Lambs," has the concert film "Neil Young Journeys," his third documentary featuring the rocker, this time in a solo gig at Toronto's Massey Hall.

Cameron Crowe, who made "Jerry Maguire" and won a screenplay Oscar for "Almost Famous," comes to the festival with "Pearl Jam Twenty," a portrait of the Seattle-based band that is playing two concerts in Toronto Sunday and Monday following the film's premiere Saturday.

Albert Maysles — whose credits with his late brother, David, include the Rolling Stones documentary "Gimme Shelter" — directs "The Love We Make," a chronicle of former Beatle McCartney's memorial concert in New York City after the Sept. 11 attacks.

"Gimme Shelter" and D.A. Pennebaker's Bob Dylan film "Don't Look Back" stand as monumental rock portraits of the 1960s. According to Crowe, it took nearly four decades for another film of similar stature to appear with Martin Scorsese's 2005 Dylan documentary "No Direction Home."

Crowe, who started as a rock journalist and has known Eddie Vedder and the rest of Pearl Jam almost since the band formed in 1991, said Scorsese's film rocked the world of other music-loving filmmakers, contributing to the current rush of documentaries.

"Maysles and Pennebaker made these incredibly strong rock documentaries, and really, that got left behind for years and years," Crowe said. "Now the mantle has kind of gotten picked up. It is Scorsese who did it. He took the biggest subject, Dylan, went back and explored the roots and tells a story that goes right up to the ... `Judas' moment" — the notorious fan cry of betrayal over Dylan's transition from acoustic folkie to electric rocker.

A year after "No Direction Home," Demme made the acclaimed concert film "Neil Young: Heart of Gold" and followed with 2009's "Neil Young Trunk Show." The new film, "Neil Young Journeys," intercuts between the rocker's solo performance and video of a conversation he had with Demme on a drive to the gig in a 1956 Ford Crown Victoria from Omemee, Young's north Ontario hometown.

"The real challenge in doing a performance film is, how do you make a film that has its own identity and isn't a lot like other performance films we've seen?" said Demme, whose credits include the 1984 Talking Heads concert flick "Stop Making Sense."

"If a performance of a concert is one certain kind of journey, we take that automobile journey from Omemee into the big city, so you see these two journeys reflecting who Neil is in different ways. It really gave us something that works well in the rhythm of the movie and helps make it completely different."

Also in the Toronto lineup is director Stephen Kessler's "Paul Williams Still Alive," a documentary about the diminutive musician and actor who was ubiquitous in the 1970s, when his songwriting credits included the Carpenters' "We've Only Just Begun," the Oscar-winning "Evergreen" from "A Star Is Born" and the Oscar-nominated "The Rainbow Connection" from "The Muppet Movie."

The festival also offers fictional films with musical themes, among them Marjane Satrapi and Vincent Paronnaud's "Chicken with Plums," whose lead character tumbles into a hallucinatory spiritual journey after his cherished violin is broken; Sheldon Larry's "Leave It on the Floor," a musical set among LA's underground ballroom dance subculture; and Bibo Bergeron's animated musical fantasy "A Monster in Paris."

Ryan O'Nan wrote, directed and stars in the Toronto premiere "The Brooklyn Brothers Beat the Best," in which he plays a singer-songwriter reluctantly drawn into a cross-country tour with a new band mate (Michael Weston) who plays nothing but Fisher-Price-style children's instruments.

O'Nan, who starred with America Ferrera in last year's Sundance Film Festival premiere "The Dry Land," wrote most of the songs in "Brooklyn Brothers" and toured as a musician for years before becoming an actor.

He had long thought about making a music-themed film, and his desire was reinforced a few years ago when he went to see an earlier music documentary from director Guggenheim, "It Might Get Loud," the guitar dream-team portrait featuring U2's The Edge, Led Zeppelin's Jimmy Page and Jack White of the White Stripes.

"When the documentary was done, the whole crowd stood up and cheered. I was looking around like, who are they cheering to? There's nothing there," O'Nan said. "There's just something about music, man, that links people in this unspoken way that nothing else really can. They were literally cheering to a blank screen."

___

Online:

Toronto International Film Festival: http://tiff.net


Yahoo! News

Artists set to win European music copyright battle (Reuters)

BRUSSELS/LONDON (Reuters) – Musicians are likely to win longer copyright protection of their work in Europe next week, helping artists and record labels as music revenues decline, and bringing Europe closer into line with the United States.

Artists including Paul McCartney and Cliff Richard have led a years-long campaign to extend music copyright in Europe, as they faced the expiry of the 50-year copyright protection term in their own lifetime.

A European Union official who asked not to be named said on Friday: "Although some countries are opposed, it seems likely an extension of copyright protection to 70 from 50 years will be agreed."

Ministers from EU countries are due to vote on the issue in Brussels on Monday.

The move would provide some extra royalties for record labels including Universal, Sony Music Entertainment, Warner Music Group and EMI -- which may soon be sold or listed by owner Citigroup.

Global recorded music sales fell 9 percent last year to $15.9 billion as rampant piracy cut into major markets, with 19 of every 20 music tracks downloaded from the Internet illegal, according to industry trade body the IFPI.

The IFPI's Chief Executive Frances Moore said on Friday: "Extending the term of protection to 70 years would narrow the gap between Europe and its international partners and improve the conditions for investment in new talent."

U.S. music copyright lasts for 95 years after recording, while authors of written works and their estates keep the rights to their works for 70 years after their death.

Music companies' back catalogs of older music have increased in value as distribution over the Internet makes them more accessible. Older fans are also more likely to pay for digital music than teenagers.

But music analyst Mark Mulligan told Reuters the music industry would do better to focus its energies on meeting the new challenges of the digital age.

"How wise is it to have invested so much effort into trying to defend the historical assets of the music industry, when the disruption that's being driven by technological chance really demands attention?" he asked.

"There is a risk with much focus and lobbying efforts on trying to protect what's been done in the past," he said.

(Editing by Jon Loades-Carter)


Yahoo! News

Friday, September 9, 2011

MTV Awards boost Lil Wayne, Adele on music charts (Reuters)

LOS ANGELES (TheWrap.com) – While satellite photos of the Apollo astronauts' footsteps on the moon have been in the news, providing a sad reminder of the diminishment of the American space program, MTV's "moon men" have proven to still be very relevant.

The highest-rated MTV Video Music Awards ever translated into a sales bonanza for some of the show's performers in the days that followed -- especially Lil Wayne, whose "Tha Carter IV" went on sale online less than an hour after the telecast's end, and Adele, whose riveting performance of her new single pushed it to the top spot on the digital songs chart.

Lil Wayne's blockbuster album moved an even-better-than expected 964,000 copies, per SoundScan. That's the second-best debut of the year, trailing only Lady Gaga's "Born This Way," which opened with 1.11 million.

Wayne's album had a more profitable debut, in any case, since more than 40 percent of Gaga's first-week tally came via Amazon loss-leader 99-cent sale, while "Tha Carter IV" entered the race without any such pricing-handicap advantage.

The 964K figure wasn't very far off Wayne's career best, which came in 2008, when "Tha Carter III" debuted with 1.01 million. Even a widely pirated leak of the album in the days before the MTV Awards didn't put much of a crimp in the rapper's "blunt blowin'" style.

Having a harder time keeping pace with past successes were the Red Hot Chili Peppers, who, possibly to their detriment, were not the lone token rock band invited to appear on the guitar-avoidant MTV Awards.

"I'm With You" debuted at No. 2 with 229,000 copies -- monumental by most standards, but only about half the 442,000 their previous effort opened with five years ago.

If this was merely an arena-sized debut, compared with the massive figures for 2006's "Stadium Arcadium," some of that could be due to fans taking a wait-and-see attitude toward the new music after the departure of the Chili Peppers' long-time guitarist, John Frusciante.

The other two top 10 entries were dance guru David Guetta's "Nothing But the Beat," in at No. 5 with 58,000, and country singer Jake Owen's "Barefoot Blue Jean Night," which sold 55,000, more than doubling his previous best.

Two returning veterans slipped into the top 30: rock revivalist Lenny Kravitz settled for No. 18, while Glen Campbell's purported final album came in at No. 24.

The already indomitable Adele got yet another leg up from her strikingly stark MTV appearance.

Already the bestselling album of the year, "21" enjoyed an 88 percent sales increase, selling 154,000 and holding steady at No. 3. Her previous release, "19," also saw a 60 percent increase and moved back up to No. 17 on sales of 20,000.

Even more significant was the boost for Adele's new single.

Some questioned her choice to do a slow ballad on the MTV Awards instead of the familiar, up-tempo "Rolling in the Deep."

But her simple performance of the searing, lovelorn "Someone Like You" quickly became one of the telecast's water-cooler moments, at least among the few viewers who still look to the MTV Awards for music -- or the greater number who are pleasantly surprised when it unexpectedly occurs.

The teary tune leapfrogged to the top of the digital songs chart by selling 275,000 downloads, a week-to-week increase of 191 percent.

On the album chart, the biggest MTV-related percentage increase belonged to the relatively unknown band Young the Giant, who, for reasons not immediately apparent, took the token rock slot on the telecast that the Chili Peppers might have enjoyed.

Their self-titled album benefited from a 189 percent uptick, although, coming from such a low position, that only amounted to 10,000 in sales.


Yahoo! News

Thursday, September 8, 2011

Movies and music: Toronto film fest turns tuneful (AP)

TORONTO – Bruce Springsteen pumped up the volume for music at last year's Toronto International Film Festival, and this year, the cinema showcase has cranked it up to 11.

A year after Springsteen's memorable visit for a film about his album "Darkness at the Edge of Town," the Toronto festival opens Thursday with a documentary about Irish rockers U2 and continues with a musical lineup featuring films about Neil Young, Pearl Jam, Paul McCartney and 1970s songwriting staple Paul Williams.

The 11-day festival also includes "W.E.", a drama directed by pop star Madonna, and a range of other feature films and documentaries with music backdrops, from the Paris nude-dance revue portrait "Crazy Horse" to the musical road-trip comic drama "The Brooklyn Brothers Beat the Best."

"There just seems to be kind of a perfect storm of films about music," said festival director Piers Handling. "Rock `n' roll probably got to a moment in history where there's enough material, and enough filmmakers who grew up with the bands are finding that material and going back to make some pretty definitive documentaries."

The list of filmmakers taking on music subjects at Toronto includes Academy Award winner Davis Guggenheim ("An Inconvenient Truth") directing the U2 documentary "From the Sky Down," a look back at the band's 1991 album "Achtung Baby" as Bono and his band mates prepare for a live performance of the songs.

Jonathan Demme, the Oscar-winning director of "The Silence of the Lambs," has the concert film "Neil Young Journeys," his third documentary featuring the rocker, this time in a solo gig at Toronto's Massey Hall.

Cameron Crowe, who made "Jerry Maguire" and won a screenplay Oscar for "Almost Famous," comes to the festival with "Pearl Jam Twenty," a portrait of the Seattle-based band that is playing two concerts in Toronto Sunday and Monday following the film's premiere Saturday.

Albert Maysles — whose credits with his late brother, David, include the Rolling Stones documentary "Gimme Shelter" — directs "The Love We Make," a chronicle of former Beatle McCartney's memorial concert in New York City after the Sept. 11 attacks.

"Gimme Shelter" and D.A. Pennebaker's Bob Dylan film "Don't Look Back" stand as monumental rock portraits of the 1960s. According to Crowe, it took nearly four decades for another film of similar stature to appear with Martin Scorsese's 2005 Dylan documentary "No Direction Home."

Crowe, who started as a rock journalist and has known Eddie Vedder and the rest of Pearl Jam almost since the band formed in 1991, said Scorsese's film rocked the world of other music-loving filmmakers, contributing to the current rush of documentaries.

"Maysles and Pennebaker made these incredibly strong rock documentaries, and really, that got left behind for years and years," Crowe said. "Now the mantle has kind of gotten picked up. It is Scorsese who did it. He took the biggest subject, Dylan, went back and explored the roots and tells a story that goes right up to the ... `Judas' moment" — the notorious fan cry of betrayal over Dylan's transition from acoustic folkie to electric rocker.

A year after "No Direction Home," Demme made the acclaimed concert film "Neil Young: Heart of Gold" and followed with 2009's "Neil Young Trunk Show." The new film, "Neil Young Journeys," intercuts between the rocker's solo performance and video of a conversation he had with Demme on a drive to the gig in a 1956 Ford Crown Victoria from Omemee, Young's north Ontario hometown.

"The real challenge in doing a performance film is, how do you make a film that has its own identity and isn't a lot like other performance films we've seen?" said Demme, whose credits include the 1984 Talking Heads concert flick "Stop Making Sense."

"If a performance of a concert is one certain kind of journey, we take that automobile journey from Omemee into the big city, so you see these two journeys reflecting who Neil is in different ways. It really gave us something that works well in the rhythm of the movie and helps make it completely different."

Also in the Toronto lineup is director Stephen Kessler's "Paul Williams Still Alive," a documentary about the diminutive musician and actor who was ubiquitous in the 1970s, when his songwriting credits included the Carpenters' "We've Only Just Begun," the Oscar-winning "Evergreen" from "A Star Is Born" and the Oscar-nominated "The Rainbow Connection" from "The Muppet Movie."

The festival also offers fictional films with musical themes, among them Marjane Satrapi and Vincent Paronnaud's "Chicken with Plums," whose lead character tumbles into a hallucinatory spiritual journey after his cherished violin is broken; Sheldon Larry's "Leave It on the Floor," a musical set among LA's underground ballroom dance subculture; and Bibo Bergeron's animated musical fantasy "A Monster in Paris."

Ryan O'Nan wrote, directed and stars in the Toronto premiere "The Brooklyn Brothers Beat the Best," in which he plays a singer-songwriter reluctantly drawn into a cross-country tour with a new band mate (Michael Weston) who plays nothing but Fisher-Price-style children's instruments.

O'Nan, who starred with America Ferrera in last year's Sundance Film Festival premiere "The Dry Land," wrote most of the songs in "Brooklyn Brothers" and toured as a musician for years before becoming an actor.

He had long thought about making a music-themed film, and his desire was reinforced a few years ago when he went to see an earlier music documentary from director Guggenheim, "It Might Get Loud," the guitar dream-team portrait featuring U2's The Edge, Led Zeppelin's Jimmy Plant and Jack White of the White Stripes.

"When the documentary was done, the whole crowd stood up and cheered. I was looking around like, who are they cheering to? There's nothing there," O'Nan said. "There's just something about music, man, that links people in this unspoken way that nothing else really can. They were literally cheering to a blank screen."

___

Online:

Toronto International Film Festival: http://tiff.net


Yahoo! News

Cricket's Muve Music attracts 200,000 subscribers (AP)

LOS ANGELES – Muve Music, the unlimited music plan offered by prepaid cellphone company Cricket, has doubled the number of subscribers it has to 200,000 in the past two months.

The milestone announced Thursday makes Muve the clear No. 2 in the subscription music category behind only Rhapsody, which has about 800,000 subscribers.

Cricket, a division of the nation's seventh-largest carrier, Leap Wireless International Inc., also announced that it would begin offering the service along with unlimited voice, data and texting for $65 a month on Android-powered smartphones by the end of September. Up until now, the service has only been offered on a traditional cellphone with stripped-down capabilities for $55 a month, a deal that also offered unlimited voice, data and texting.

Cricket's music service has grown rapidly since launching in January, partly because it bundles the music service with customers' regular cellphone bills and eliminates incremental charges for downloading new songs. Users on average download more than 400 songs per month and listen to music two to three hours per day.

Songs acquired through Muve and other subscription plans cannot be transferred off the phone and expire if the monthly subscription is cancelled, but can be listened to outside of cellphone range.

Rhapsody has been around since 2001 and costs $10 a month on its own. Starting last month, Rhapsody leapt into competition with Muve by offering a bundled $60 monthly plan that also covers voice, data and texting on Android phones in partnership with MetroPCS Communications Inc., the nation's fifth-largest wireless carrier. Rhapsody has been offered as an add-on service through Verizon Wireless for several years.

Despite having a smaller following, Muve said it accounted for 70 percent of plays of the top 10,000 songs played on mobile devices in July in the so-called "tethered streaming" category that it shares with Rhapsody, MOG, Spotify and Rdio, citing Nielsen Co. statistics. The category does not include songs purchased through Apple Inc.'s popular iTunes service, which charges a one-time price for songs that can be transferred and kept forever.

Jeff Toig, general manager of Muve Music, said the usage data is "staggering."

"They're putting down their MP3 players, their iPods, and they're making the phone the centerpiece of their music experience," Toig said.

Recording companies like Universal Music Group and Warner Music Group Corp. are enthusiastic about licensing music to subscription services because one-time download sales through online stores such as iTunes and Amazon.com haven't made up for a decade-long drop in CD sales.

Wireless carriers see music plans as a way to attract new customers and keep them longer while boosting monthly revenue. More than half of Muve Music's customers are new to Cricket, the company said.

Muve's Android interface is the same as the one it launched on the older Brew platform for feature phones, but its response time is somewhat quicker. Toig said the company is preparing upgrades that take advantage of Android's notification bar and improve Muve's search function.

It is also contemplating song files that contain more data than now because the Android platform will be compatible with Wi-Fi wireless networks. Larger file sizes would not tax the company's cellphone network if downloaded over Wi-Fi.


Yahoo! News

Toronto film fest mixes stars, music, Oscar bait (AP)

TORONTO – There's a broader vibe than the usual Hollywood A-listers this year at the Toronto International Film Festival, one of the world's top cinema showcases and a prelude for contenders at the Academy Awards.

Stars such as George Clooney, Brad Pitt, Rachel Weisz, Michelle Williams, Glenn Close, Robert De Niro and Viggo Mortensen are on the guest list for the 11-day festival that opens Thursday with an unusually heavy emphasis on music and documentaries.

Pitt is on hand for the premiere of "Moneyball," a film he has been trying to bring to the screen for years as both star and producer. Directed by Bennett Miller ("Capote"), "Moneyball" casts Pitt as Oakland A's general manager Billy Beane, who rebuilt his team on a shoestring budget applying a fresh statistical approach to find under-appreciated players.

"Baseball had relied on a form of statistics that just hadn't been questioned, and this discovery that had been around for 30 years but had been dismissed showed that there's much more to it," Pitt said. "There's a lot of talented people out there who aren't being used."

Pitt's "Ocean's Eleven" pal Clooney stars in two Toronto films, the family drama "The Descendants" from director Alexander Payne ("Sideways") and his own latest directing effort, the political saga "The Ides of March," in which he plays a presidential candidate opposite Ryan Gosling as an ambitious press secretary.

Weisz has three films playing Toronto: the 1950s drama "The Deep Blue Sea"; the sexual thriller "360," co-starring Anthony Hopkins and Jude Law; and the British spy tale "Page Eight," the festival's closing-night premiere that co-stars Bill Nighy and Ralph Fiennes.

Fiennes has a second film at Toronto, too. He directed and stars with Vanessa Redgrave and Gerard Butler in the Shakespeare adaptation "Coriolanus." Redgrave also has another Shakespeare film at the festival, playing Queen Elizabeth I in "Anonymous," which stars Rhys Ifans as an aristocrat some scholars believe is the actual author of the Bard's work.

Other highlights among the 260 feature films playing Toronto: Williams and Seth Rogen in actress Sarah Polley's latest directing effort, the marital tale "Take This Waltz'; Close in the cross-dressing story "Albert Nobbs," about a 19th century Irishwoman who disguises herself as a male butler; De Niro, Jason Statham and Clive Owen in the action thriller "Killer Elite"; and Mortensen, Keira Knightley and Michael Fassbender in the Sigmund Freud-Carl Jung drama "A Dangerous Method."

Polley, who grew up in Toronto and still lives there, said that unlike industry-dominated festivals such as Cannes and Venice, Toronto draws regular film fans that give filmmakers a sense of how their work might play in the real world.

"The audiences are so enthusiastic," Polley said. "It's a great launching pad for a film. You get your optimum audience here. If a film's not loved by audiences here, it's probably not going to be loved by an audience anywhere, so it's a great first shot."

The 36th Toronto festival is putting music on a pedestal, as well, with documentaries about Paul McCartney, Neil Young, Pearl Jam and U2, the Irish rockers who are the subject of Thursday's opening-night gala.

In "From the Sky Down," director Davis Guggenheim (the Oscar-winning Al Gore documentary "An Inconvenient Truth") traces the genesis of U2's 1991 album "Achtung Baby" and follows singer Bono and his band mates today as they prepare for a live performance of those songs.

The festival typically starts with a Canadian film, but "we were looking at a number of ideas of just opening up what's possible in terms of opening night," said Cameron Bailey, co-director of the Toronto fest, which also premiered Guggenheim's 2008 film "It Might Get Loud," featuring U2 guitarist The Edge, Jimmy Page and Jack White.

"The fact that it's Davis Guggenheim is as important as the fact that it's U2. Our audiences like his films and like his filmmaking. I like how he's able to get under the skin of these very prominent figures, whether it's the guitarists in `It Might Get Loud' or Al Gore or with this one on U2."

Also on a musical note: Jonathan Demme directs "Neil Young Journeys," his third concert film featuring the rocker, this time in a solo show at Toronto's Massey Hall at the end of his tour to promote the album "Le Noise."

Cameron Crowe combines his two occupations, filmmaker and rock journalist, to direct "Pearl Jam Twenty," a portrait of the Seattle-area music stars built on rare archival material and candid new interviews with Eddie Vedder and his band mates.

McCartney is at the heart of "The Love We Make," Albert Maysles' chronicle of the former Beatle's preparations for a memorial concert after the Sept. 11 attacks. The film screens at Toronto on Friday, the night before its TV premiere on Showtime and two days before the 10th anniversary of Sept. 11.

The attacks left stars, filmmakers, studio executives and fans stranded in Toronto 10 years ago. The festival briefly shut down before resuming with a subdued air.

To mark the 10-year anniversary, all festival screenings on Sept. 11 will be preceded by a four-minute film featuring directors and other industry professionals looking back on that day and its aftermath.

"From the Sky Down" marks the first time the festival has opened with a documentary, and the nonfiction department also offers one of the festival's most potentially divisive films with "Sarah Palin — You Betcha!"

Director Nick Broomfield ("Biggie and Tupac," "Kurt and Courtney") spent 10 weeks during winter in Palin's hometown of Wasilla, Alaska, where he interviewed her parents, friends, church members and others who have known the former governor and Republican vice presidential candidate.

"The idea was to go with a pretty open mind, not with a lot of preconceptions," Broomfield said. "It's almost like we made a diary of what we found rather than going out to nail her."


Yahoo! News

Simon Fuller bids for publisher Bug Music (Reuters)

NEW YORK (Reuters) – "American Idol" creator Simon Fuller is among parties in the final stages of bidding for Los Angeles music publisher Bug Music, according to three people familiar with the process.

Bug, which is owned by private equity firm Spectrum Equity Investors, is expected to fetch bids starting in the high $200 millions to $300 million range, according to two of the people.

Fuller's XIX Entertainment, BMG Music and Ole Music are among second-round bidders for the publisher whose 250,000-strong catalog of songs includes Iggy Pop's "Lust for Life" and the Drifters hit "Under the Boardwalk."

Final bids are due by Friday.

XIX was set up by Fuller when he left CKX last year and was valued around 100 million pounds ($157 million). The company manages soccer star David Beckham, Formula One race driver Lewis Hamilton and singer Jennifer Lopez, among others. Fuller sold his former company 19 Entertainment to CKX in 2005.

Fuller, 51, is best known for creating TV music shows and managing the Spice Girls. He started his career in music publishing in the 80's, signing Madonna's hit song "Holiday" when he was 23.

Even as global recorded music sales have tumbled in recent years, song catalogs have kept or increased their value because they can earn revenue from a wider variety of licensing sources than record sales.

Financial investors like pension funds and private equity firms have been attracted by publishers' relatively stable cash flows.

Earlier this year, Russian-born billionaire Len Blavatnik paid $3.3 billion to take control of Warner Music Group, whose assets include the music publisher Warner/Chappell.

Blavatnik is now among bidders for EMI Music's recording and publishing assets with final bids due by the end of this month, according to several sources.

Sony/ATV, a joint venture between Sony Corp and the estate of late pop star Michael Jackson, is also focused on EMI and is no longer chasing Bug.

XIX, BMG, Ole Music and Bug Music representatives declined to comment.

(Editing by Robert MacMillan)


Yahoo! News

Thursday, September 1, 2011

Morgan Spurlock investigates: why will.i.am makes music (Reuters)

NEW YORK (TheWrap.com) – Hulu's new foray into original content, Morgan Spurlock's series "A Day in the Life," follows an influential person for 24 hours and boils his or her day down to 22 minutes. So it's not surprising that the latest edition captures will.i.am's reason for being in mere seconds.

The Black Eyed Peas frontman explains why he does what he does -- besides the millions of dollars -- in a backseat interview for the show.

Watch, at the link below, to learn, finally, what force inspired "I Gotta Feeling": http://www.thewrap.com/music/article/bruno-mars-sues-his-publisher-30591


Yahoo! News

Facebook to allow further music integration (AP)

LOS ANGELES – Facebook is preparing to bolster the programming tools it offers to licensed music services like Rhapsody, Spotify, MOG and Rdio to make it easier for users of the social network to find out what songs their friends are digging.

The tools won't amount to a unique music service on its own, since Facebook has not negotiated licensing deals with major music companies, according to a person familiar with the matter.

But it will make give Facebook users yet another reason to stick around. Being more aware of what your friends are listening to could make the subscription music plans more attractive. They all offer unlimited listening to millions of new and old tracks on mobile devices for $10 a month, but they have yet to gain enough traction to replace revenue the music industry has lost from declining CD sales.

The person was not authorized to speak publicly on the matter and declined to be identified.

Facebook is expected to reveal the specific set of tools at its developer conference in San Francisco, called f8, on Sept. 22.

Spokesman Larry Wu said Facebook had nothing new to announce. "Many of the most popular music services around the world are integrated with Facebook and we're constantly talking to our partners about ways to improve these integrations," he said in a statement.

This week, subscription leader Rhapsody launched a beta version of its integration using Facebook's sign-in tool, Facebook Connect. A Rhapsody customer can now "like" an artist or song, and doing so lets others know in the person's Facebook news feed. Liked artists are synced across both services and Rhapsody subscribers can listen to artists that their friends have liked on Facebook.

But there is no way currently to find out exactly what a friend is listening to at a particular moment, nor can a Facebook friend join in and simultaneously listen to what a Rhapsody user is playing in real time.

Rhapsody spokeswoman Jaimee Steele said the company is "definitely interested" in improving its Facebook tools.

"We think that music is a very social experience and we are always looking at ways to enhance that experience," she said.

Swedish new entrant Spotify allows Facebook friends to access the playlists their friends have chosen to share. Rdio allows people to connect through Facebook, follow other Rdio users and find out what albums they have been listening to the most.

Rdio CEO Drew Larner and MOG spokeswoman Marni Greenberg declined to comment.

Facebook's new tools are an incremental step in getting people to pay for music even if Facebook itself does not stand to gain directly.

So far, subscription plans that offer unlimited song listening have not been popular enough to reverse a decade-long slide in CD sales. Piracy is partly to blame for the decline, as is the popularity of buying singles, such as through Apple's iTunes music store, instead of albums.

Last year, revenue from paid subscription plans fell 5 percent from a year earlier to $201 million, even though the number of subscribers grew about 25 percent to 1.5 million, according to the Recording Industry Association of America. Including CD sales, downloads and other forms of music, the value of U.S. music shipments fell 11 percent to $6.85 billion.

The most popular of the subscription services, Rhapsody, has more than 800,000 paying subscribers.


Yahoo! News

MTV music awards gets record 12.4 million viewers (Reuters)

LOS ANGELES (Reuters) – The buzz-heavy 2011 Video Music Awards scored the biggest audience in MTV's history, MTV said on Monday.

MTV, owned by Viacom, said that a record-breaking 12.4 million people watched Sunday's live performance and awards ceremony from Los Angeles, where Beyonce revealed she was pregnant with her first child, Lady Gaga appeared in drag, and the late British singer Amy Winehouse was remembered in a moving tribute.

Last year's MTV Video Music Awards ceremony -- where Gaga appeared in a dress made of raw meat -- drew 11.4 million viewers -- the biggest audience since 2002.

MTV said that 8.5 million of those watching Sunday's show were 12-34 year-olds, making it the most watched telecast of all time in that age group.

Katy Perry and Adele were the biggest winners, taking home three awards each, but it was Beyonce who was the story of the night.

"Beyonce stole everyone's thunder by revealing she was pregnant," said Billboard. Entertainment Weekly said the singer's baby bump was the "one defining moment" of the evening.

Other reviewers and online fans highlighted the salute by Bruno Mars, Tony Bennett and Russell Brand to Winehouse, 27, who died of still to be determined causes in London in July, and a simple, effects-free performance by Britain's Adele.

The Los Angeles Times said Chris Brown's "career rehab" performance -- following his 2009 conviction for assaulting his then-girlfriend Rihanna -- was also a strong moment in what was "a wildly inconsistent evening."

The VMA show was broadcast on Sunday without a traditional host linking the various acts and presentations, but few critics seemed to lament the omission.

MTV said its pre-show, featuring red carpet arrivals and celebrity interviews, also fared well with audiences, drawing 7.3 million viewers -- a 16 percent increase on last year.

(Reporting by Jill Serjeant; Editing by Zorianna Kit)


Yahoo! News