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Showing posts with label maker. Show all posts
Showing posts with label maker. Show all posts

Monday, May 30, 2011

No let-up for perpetual music maker Quincy Jones (Reuters)

RABAT (Reuters) – After a frenetic career as producer to Frank Sinatra, Ray Charles, Michael Jackson and many other music legends, 78-year-old Quincy Jones refuses to slow down and has just signed up for a new project in the Arab world.

"I'm 78 and I've still got a lot of energy and I want to do what my dreams are, which is to see people come together across the barriers," Jones told Reuters in the Moroccan capital Rabat where he appeared in the Mawazine music festival.

He scoffs at a question as to whether age and past medical woes, such as a serious cerebral aneurysm he suffered in 1974, might encourage him to ease up.

"Not at all. I'll slow down when I die," he said.

As a performer, Jones was already touring North Africa and other parts of the world in the 1950s with some of the biggest names of jazz including Lionel Hampton and Dizzy Gillespie.

He arranged Sinatra's "Fly Me to the Moon" and produced Michael Jackson's album "Thriller" and the 1985 "We are the World" recording for African famine relief.

Watching the star-studded 1990 documentary "Listen Up: The Lives of Quincy Jones" today, one is struck by how many of the music legends linked to Jones have since died.

"Sinatra, Ray Charles, Billy Eckstine, Ella Fitzgerald -- all gone," Jones said before adding the name of film director Sidney Lumet and others. "How do you think I feel? I've lost 188 friends, man, in less than 15 years."

"It hurts," the veteran producer, musician and arranger continued. "It just doesn't stop."

Doctors have long told Jones to reduce his workload. "I know, I don't care. I like what I am doing," he said.

RIFFING ON HIS PAST

Like a master jazz improviser able to draw on thousands of musical phrases, Jones, with the slightest association, is well prepared to roll out a remarkable array of genial anecdotes about a lifetime of adventures with music legends.

A mention of Italy prompts him to show off his much cherished ring from Frank Sinatra. India sparks him to tell of meeting sitarist Ravi Shankar in 1956, after which he recalls that Shankar is father to singer Norah Jones.

A reference to Serbia inspires him to show off a few words in Serbian, including one off-color one that causes him much amusement.

In one of his latest projects, Jones, who has won 27 Grammy Awards, has launched a joint venture to promote music in North Africa and the Middle East in which musicians from different cultures will work together.

They are also recording a new song to raise funds for regional scholarships.

A musician from the besieged Libyan town of Misrata made a visit to Rabat this week for the project. On Sunday, Jones was also set to appear at a memorial concert in Marrakesh after an attack there killed 17 people a month ago.

"More and more when you get older you do exactly what you believe in with the people that you love and trust and admire," he told Reuters. "That's where I am now, which allows me to do what I feel and give back what I feel, whatever I want to do."

Jones says he feels an affinity for Arabs as they have often suffered from prejudice like American blacks.

"People have preconceived concepts of you just on your appearance. That's sad," he said. "My two least favorite words are 'you people." I hate that word."

"All the things I did, they said you were the first. That means only," he said. "Like first black (vice) president of a record company or the first one to produce the Oscars."

As a musician, Jones has frequently changed with the times, from bebop and big band jazz earlier in his career to pop and hip-hop later on. He is hoping evolving medical technology will enable him to stay involved for many more years.


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This post was made using the Auto Blogging Software from WebMagnates.org This line will not appear when posts are made after activating the software to full version.

Sunday, May 29, 2011

No let-up for perpetual music maker Quincy Jones (Reuters)

RABAT (Reuters) – After a frenetic career as producer to Frank Sinatra, Ray Charles, Michael Jackson and many other music legends, 78-year-old Quincy Jones refuses to slow down and has just signed up for a new project in the Arab world.

"I'm 78 and I've still got a lot of energy and I want to do what my dreams are, which is to see people come together across the barriers," Jones said in an interview in the Moroccan capital Rabat where he appeared in the Mawazine music festival.

He scoffs at a question as to whether age and past medical woes, such as a serious cerebral aneurysm he suffered in 1974, might encourage him to ease up.

"Not at all. I'll slow down when I die," he said.

As a performer, Jones was already touring North Africa and other parts of the world in the 1950s with some of the biggest names of jazz including Lionel Hampton and Dizzy Gillespie.

He arranged Sinatra's "Fly Me to the Moon" and produced Michael Jackson's album "Thriller" and the 1985 "We are the World" recording for African famine relief.

Watching the star-studded 1990 documentary "Listen Up: The Lives of Quincy Jones" today, one is struck by how many of the music legends linked to Jones have since died.

"Sinatra, Ray Charles, Billy Eckstine, Ella Fitzgerald -- all gone," Jones said before adding the name of film director Sidney Lumet and others. "How do you think I feel? I've lost 188 friends, man, in less than 15 years."

"It hurts," the veteran producer, musician and arranger continued. "It just doesn't stop."

Doctors have long told Jones to reduce his workload. "I know, I don't care. I like what I am doing," he said.

RIFFING ON HIS PAST

Like a master jazz improviser able to draw on thousands of musical phrases, Jones, with the slightest association, is well prepared to roll out a remarkable array of genial anecdotes about a lifetime of adventures with music legends.

A mention of Italy prompts him to show off his much cherished ring from Frank Sinatra. India sparks him to tell of meeting sitarist Ravi Shankar in 1956, after which he recalls that Shankar is father to singer Norah Jones.

A reference to Serbia inspires him to show off a few words in Serbian, including one off-color one that causes him much amusement.

In one of his latest projects, Jones, who has won 27 Grammy Awards, has launched a joint venture to promote music in North Africa and the Middle East in which musicians from different cultures will work together.

They are also recording a new song to raise funds for regional scholarships.

A musician from the besieged Libyan town of Misrata made a visit to Rabat this week for the project. On Sunday, Jones was also set to appear at a memorial concert in Marrakesh after an attack there killed 17 people a month ago.

"More and more when you get older you do exactly what you believe in with the people that you love and trust and admire," he told Reuters. "That's where I am now, which allows me to do what I feel and give back what I feel, whatever I want to do."

Jones says he feels an affinity for Arabs as they have often suffered from prejudice like American blacks.

"People have preconceived concepts of you just on your appearance. That's sad," he said. "My two least favorite words are 'you people." I hate that word."

"All the things I did, they said you were the first. That means only," he said. "Like first black (vice) president of a record company or the first one to produce the Oscars."

As a musician, Jones has frequently changed with the times, from bebop and big band jazz earlier in his career to pop and hip-hop later on. He is hoping evolving medical technology will enable him to stay involved for many more years.


Yahoo! News


This post was made using the Auto Blogging Software from WebMagnates.org This line will not appear when posts are made after activating the software to full version.

No let-up for perpetual music maker Quincy Jones (Reuters)

RABAT (Reuters) – After a frenetic career as producer to Frank Sinatra, Ray Charles, Michael Jackson and many other music legends, 78-year-old Quincy Jones refuses to slow down and has just signed up for a new project in the Arab world.

"I'm 78 and I've still got a lot of energy and I want to do what my dreams are, which is to see people come together across the barriers," Jones said in an interview in the Moroccan capital Rabat where he appeared in the Mawazine music festival.

He scoffs at a question as to whether age and past medical woes, such as a serious cerebral aneurysm he suffered in 1974, might encourage him to ease up.

"Not at all. I'll slow down when I die," he said.

As a performer, Jones was already touring North Africa and other parts of the world in the 1950s with some of the biggest names of jazz including Lionel Hampton and Dizzy Gillespie.

He arranged Sinatra's "Fly Me to the Moon" and produced Michael Jackson's album "Thriller" and the 1985 "We are the World" recording for African famine relief.

Watching the star-studded 1990 documentary "Listen Up: The Lives of Quincy Jones" today, one is struck by how many of the music legends linked to Jones have since died.

"Sinatra, Ray Charles, Billy Eckstine, Ella Fitzgerald -- all gone," Jones said before adding the name of film director Sidney Lumet and others. "How do you think I feel? I've lost 188 friends, man, in less than 15 years."

"It hurts," the veteran producer, musician and arranger continued. "It just doesn't stop."

Doctors have long told Jones to reduce his workload. "I know, I don't care. I like what I am doing," he said.

RIFFING ON HIS PAST

Like a master jazz improviser able to draw on thousands of musical phrases, Jones, with the slightest association, is well prepared to roll out a remarkable array of genial anecdotes about a lifetime of adventures with music legends.

A mention of Italy prompts him to show off his much cherished ring from Frank Sinatra. India sparks him to tell of meeting sitarist Ravi Shankar in 1956, after which he recalls that Shankar is father to singer Norah Jones.

A reference to Serbia inspires him to show off a few words in Serbian, including one off-color one that causes him much amusement.

In one of his latest projects, Jones, who has won 27 Grammy Awards, has launched a joint venture to promote music in North Africa and the Middle East in which musicians from different cultures will work together.

They are also recording a new song to raise funds for regional scholarships.

A musician from the besieged Libyan town of Misrata made a visit to Rabat this week for the project. On Sunday, Jones was also set to appear at a memorial concert in Marrakesh after an attack there killed 17 people a month ago.

"More and more when you get older you do exactly what you believe in with the people that you love and trust and admire," he told Reuters. "That's where I am now, which allows me to do what I feel and give back what I feel, whatever I want to do."

Jones says he feels an affinity for Arabs as they have often suffered from prejudice like American blacks.

"People have preconceived concepts of you just on your appearance. That's sad," he said. "My two least favorite words are 'you people." I hate that word."

"All the things I did, they said you were the first. That means only," he said. "Like first black (vice) president of a record company or the first one to produce the Oscars."

As a musician, Jones has frequently changed with the times, from bebop and big band jazz earlier in his career to pop and hip-hop later on. He is hoping evolving medical technology will enable him to stay involved for many more years.


Yahoo! News


This post was made using the Auto Blogging Software from WebMagnates.org This line will not appear when posts are made after activating the software to full version.

Saturday, May 14, 2011

Diana death documentary maker under fire in Cannes (Reuters)

CANNES, France (Reuters) – Director Keith Allen on Friday defended his film about Princess Diana's death, amid accusations that it was a one-sided attack on what he called the British "establishment" and entirely funded by Mohamed al-Fayed.

The businessman, whose son Dodi died with Diana in a 1997 Paris car crash, has long maintained that the couple was killed on the orders of Queen Elizabeth's husband, Prince Philip, believing the royal family did not want Diana marrying a Muslim.

At a sometimes heated press conference in Cannes, where Allen is launching "Unlawful Killing" outside the official film festival, he described the documentary as "forensic," a description some attendees questioned.

The film focuses partly on the 2007/8 inquest into Diana's death and argues the British press failed to properly reflect its findings due to indirect pressure from the royal family. "I thought it was important that the public got to understand in a forensic manner what was happening in this inquest," Allen, best known as a British television actor, told reporters in Cannes.

"I didn't want to make a sensationalist film, I don't think it is a sensationalist film. I think it is a very forensic analysis of a British legal process and I think it reveals certain things that ... don't add up.

"I believe that they should be questioned. That's why I made the film. I hope it shows people that nothing is at it seems."

Allen was directly criticized by one journalist for failing to make clear that the film was entirely funded by Fayed to the tune of 2.5 million pounds ($4.1 million), a figure provided by a man claiming to be Fayed's representative.

Fayed was not in Cannes to present the film.

"He put money in because nobody else would," Allen said. "If I could have got it somewhere else I would have got it somewhere else. But I didn't, I got it off him."

Investigations by French and British police have concluded the deaths of Diana and Dodi were a tragic accident caused by a speeding chauffeur, who was found to be drunk. They have both rejected Fayed's theories.

NOT MUCH NEW

Asked what was new in Unlawful Killing, Allen added: "I don't believe that there is too much that is new.

"There's an old saying in our country which is the best kept secrets are on the bookshelves of the British Library. They're all there if you care to go and look for them.

"This is not an attack on the monarchy. It's actually questioning the role of the establishment and in so doing it will make it clear that there are connections between the royal House of Windsor and the establishment."

The documentary includes a photograph of Diana dying after the car crash, an element which the British press focused on in recent days, although Allen played it down.

"As I said when I presented the film, there won't be a sharp intake of breath when you see the photograph of Princess Di. It's nowhere near as sensational or revealing as people made it out to be."

Allen was still not sure whether the documentary would be shown in Britain due to legal issues.

"When you want to screen a film in England, you have to have insurance, and the only way that you can get insurance is if it's lawyer-approved. I could get lawyer approval if I'd made 87 cuts which I wasn't prepared to make."

One early review was damning. "Princess Diana film Unlawful Killing is just unlawfully dull," wrote Baz Bamigboye, albeit in the Daily Mail, deemed an "establishment" newspaper.

(Editing by Steve Addison)


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This post was made using the Auto Blogging Software from WebMagnates.org This line will not appear when posts are made after activating the software to full version.