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Showing posts with label Silent. Show all posts
Showing posts with label Silent. Show all posts

Sunday, May 22, 2011

Cannes contenders: Malick, Almodovar, silent film (AP)

CANNES, France – Robert De Niro, an actor of few words, and a film of hardly any words could prove a perfect match as the Cannes Film Festival prepares to hand out its awards.

Among titles competing for the top prize Sunday at the world's most-prestigious film festival is French director Michel Hazanavicius' silent movie "The Artist," which charmed Cannes audiences with a story about early Hollywood likely to appeal to an actor and filmmaker such as De Niro, who heads the awards jury that also includes Uma Thurman and Jude Law.

Other possible winners of the festival's Palme d'Or include Spaniard Pedro Almodovar's horror thriller "The Skin I Live In," starring Antonio Banderas; American filmmaker Terrence Malick's expansive drama "The Tree of Life," with Brad Pitt; British director Lynne Ramsay's school-violence saga "We Need to Talk About Kevin," featuring Tilda Swinton; and Finnish director Aki Kaurismaki's heartwarming immigrant tale "Le Havre."

Hazanavicius, competing at Cannes for the first time, said he has tried to ignore the awards talk swirling about his film, which stars his wife, Berenice Bejo, and Jean Dujardin in the comic melodrama of a silent-era star whose career crumbles in the sound era.

"Some people talk and it's very nice, but I try to stay cool," Hazanavicius said. "It would be an honor to have any prize, but it's an honor to be here. This festival is so prestigious, and this year all the directors are so talented, and the films are so good. It's a good year for the festival. Some years are not so good, but everybody says this year is the perfect year."

The strong lineup includes an unusual entry from Almodovar, the Academy Award-winning director of "Talk to Her" and "All About My Mother," who has won the directing and screenplay prizes at Cannes but never the top award.

"I love the festival, but for a veteran director like me, Cannes can be an enormous trap," Almodovar said. "It is really risky to come ... because there have been times in my career when it's a more interesting, punchy story if a film fails (to win the prize) than if it gets it. I'm a much more interesting story as a loser than if I win a prize, but anyway, I try not to think about these things."

The film is a reunion between Almodovar and Banderas, who rose to stardom in the director's 1980s movies. Almodovar's films often are a mix of sober drama and blissful comedy, but this one casts Banderas as a mad scientist intent on terrible vengeance, and the tale features disturbing images of sexual assault and other violence.

Malick is another past directing winner at Cannes, for "Days of Heaven" in 1979. "The Tree of Life" is only the third film Malick has made since and marks his first trip back to Cannes, this time with a film setting the travails of a family against a cosmic backdrop, stretching from the creation of the universe through the age of dinosaurs to modern times.

Notoriously press-shy, Malick stayed out of sight at Cannes, where his film starring Pitt, Sean Penn and Jessica Chastain had been eagerly awaited for more than a year. Festival organizers had hoped to premiere "The Tree of Life" last year, but the film was not ready in time.

Malick is uncomfortable with the public trappings that go along with filmmaking, said Pitt, who doubts the director would show up to accept any awards the film might receive.

"I don't want to presume, but I would think not. He's not made for it. It's not his interest," Pitt said. "One of the film's many messages is that it's the experience, it's not the outcome, and I think it would be antithetical to him."

Three of the 20 competing films come from past Palme d'Or recipients — the troubled-youth tale "The Kid with a Bike" from Belgian brothers Jean-Pierre and Luc Dardenne (two-time Cannes winners for "Rosetta" and "The Child"); the papal saga "Habemus Papam" from Italian filmmaker Nanni Moretti ("The Son's Room"); and the end-of-the-world drama "Melancholia" from Danish director Lars von Trier ("Dancer in the Dark").

Cannes organizers kicked von Trier out of the festival after a news conference in which the director said he sympathized with Adolf Hitler, made wisecracks about Jews and quipped that he was a Nazi. Von Trier later apologized and said he had been joking.

"Melancholia," which stars Kirsten Dunst, Charlotte Gainsbourg and Kiefer Sutherland, remains eligible for prizes, though von Trier is banned from the awards ceremony.

Swinton, an Oscar winner for "Michael Clayton," is considered a front-runner for Cannes' best-actress prize for "We Need to Talk About Kevin," in which she plays the guilt-ridden, grieving mother whose son carried out a school massacre.

A past member of film juries, Swinton said awards make for an aggravating end to the cinema celebration that is Cannes.

"Juries have this rather strange task of giving prizes, but that's never the most important thing," Swinton said. "In my experience you go to see a lot of films and have fantastic conversations with people, and then there's this noxious process where you have to choose."

___

Associated Press reporters Jenny Barchfield and Jill Lawless contributed to this report.


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This post was made using the Auto Blogging Software from WebMagnates.org This line will not appear when posts are made after activating the software to full version.

Saturday, May 21, 2011

Cannes contenders: Malick, Almodovar, silent film (AP)

CANNES, France – Robert De Niro, an actor of few words, and a film of hardly any words could prove a perfect match as the Cannes Film Festival prepares to hand out its awards.

Among titles competing for the top prize Sunday at the world's most-prestigious film festival is French director Michel Hazanavicius' silent movie "The Artist," which charmed Cannes audiences with a story about early Hollywood likely to appeal to an actor and filmmaker such as De Niro, who heads the awards jury that also includes Uma Thurman and Jude Law.

Other possible winners of the festival's Palme d'Or include Spaniard Pedro Almodovar's horror thriller "The Skin I Live In," starring Antonio Banderas; American filmmaker Terrence Malick's expansive drama "The Tree of Life," with Brad Pitt; British director Lynne Ramsay's school-violence saga "We Need to Talk About Kevin," featuring Tilda Swinton; and Finnish director Aki Kaurismaki's heartwarming immigrant tale "Le Havre."

Hazanavicius, competing at Cannes for the first time, said he has tried to ignore the awards talk swirling about his film, which stars his wife, Berenice Bejo, and Jean Dujardin in the comic melodrama of a silent-era star whose career crumbles in the sound era.

"Some people talk and it's very nice, but I try to stay cool," Hazanavicius said. "It would be an honor to have any prize, but it's an honor to be here. This festival is so prestigious, and this year all the directors are so talented, and the films are so good. It's a good year for the festival. Some years are not so good, but everybody says this year is the perfect year."

The strong lineup includes an unusual entry from Almodovar, the Academy Award-winning director of "Talk to Her" and "All About My Mother," who has won the directing and screenplay prizes at Cannes but never the top award.

"I love the festival, but for a veteran director like me, Cannes can be an enormous trap," Almodovar said. "It is really risky to come ... because there have been times in my career when it's a more interesting, punchy story if a film fails (to win the prize) than if it gets it. I'm a much more interesting story as a loser than if I win a prize, but anyway, I try not to think about these things."

The film is a reunion between Almodovar and Banderas, who rose to stardom in the director's 1980s movies. Almodovar's films often are a mix of sober drama and blissful comedy, but this one casts Banderas as a mad scientist intent on terrible vengeance, and the tale features disturbing images of sexual assault and other violence.

Malick is another past directing winner at Cannes, for "Days of Heaven" in 1979. "The Tree of Life" is only the third film Malick has made since and marks his first trip back to Cannes, this time with a film setting the travails of a family against a cosmic backdrop, stretching from the creation of the universe through the age of dinosaurs to modern times.

Notoriously press-shy, Malick stayed out of sight at Cannes, where his film starring Pitt, Sean Penn and Jessica Chastain had been eagerly awaited for more than a year. Festival organizers had hoped to premiere "The Tree of Life" last year, but the film was not ready in time.

Malick is uncomfortable with the public trappings that go along with filmmaking, said Pitt, who doubts the director would show up to accept any awards the film might receive.

"I don't want to presume, but I would think not. He's not made for it. It's not his interest," Pitt said. "One of the film's many messages is that it's the experience, it's not the outcome, and I think it would be antithetical to him."

Three of the 20 competing films come from past Palme d'Or recipients — the troubled-youth tale "The Kid with a Bike" from Belgian brothers Jean-Pierre and Luc Dardenne (two-time Cannes winners for "Rosetta" and "The Child"); the papal saga "Habemus Papam" from Italian filmmaker Nanni Moretti ("The Son's Room"); and the end-of-the-world drama "Melancholia" from Danish director Lars von Trier ("Dancer in the Dark").

Cannes organizers kicked von Trier out of the festival after a news conference in which the director said he sympathized with Adolf Hitler, made wisecracks about Jews and quipped that he was a Nazi. Von Trier later apologized and said he had been joking.

"Melancholia," which stars Kirsten Dunst, Charlotte Gainsbourg and Kiefer Sutherland, remains eligible for prizes, though von Trier is banned from the awards ceremony.

Swinton, an Oscar winner for "Michael Clayton," is considered a front-runner for Cannes' best-actress prize for "We Need to Talk About Kevin," in which she plays the guilt-ridden, grieving mother whose son carried out a school massacre.

A past member of film juries, Swinton said awards make for an aggravating end to the cinema celebration that is Cannes.

"Juries have this rather strange task of giving prizes, but that's never the most important thing," Swinton said. "In my experience you go to see a lot of films and have fantastic conversations with people, and then there's this noxious process where you have to choose."

___

Associated Press reporters Jenny Barchfield and Jill Lawless contributed to this report.


Yahoo! News


This post was made using the Auto Blogging Software from WebMagnates.org This line will not appear when posts are made after activating the software to full version.

Monday, May 16, 2011

Silent film is all the talk at Cannes (AFP)

CANNES, France (AFP) – A French director's clever silent movie about a fallen Hollywood silent-movie star came out of nowhere on Sunday to become a strong contender for the Palme d'Or at Cannes.

"The Artist" by Michel Hazanavicius won strong applause -- and more than a few laughs -- from festival goers who'd been wondering if Cannes this year was ever going to be about more than dysfunctional families and sexual deviancy.

Shot in Hollywood in black and white, it stars Jean Dujardin as George Valentin, a vain silent-movie hero in 1927 who becomes a zero two years later with the advent of the talkies.

Berenice Bejo is Peppy Miller, a talking-picture siren who fondly remembers how Valentin gave her a leg-up in show biz. Veteran funnyman John Goodman rounds out the cast as studio boss Al Zimmer.

Hollywood's heavy-hitting Weinstein brothers, riding high on the success of "The King's Speech," are planning to release "The Artist" later this year. Winning top honours at Cannes would give the film a huge publicity boost.

But for now, Hazanavicius -- best known for the "OSS" spy-movie parodies -- is more than happy with his adventure in a form of cinema that was long thought extinct.

"It's purely visual. It's pure cinema. I didn't know if I'd be able to do it," said the 44-year-old film-maker, who called in composer and longtime collaborator Ludovic Bource to score the rich orchestral soundtrack.

Like his cast, Hazanavicius watched a lot of silent films -- Charlie Chaplin's among them -- in order to grasp the secrets of telling a tale without spoken words.

He soon realised that ironic comedy wouldn't cut it. "A silent film imposes a certain experience on the viewer," he explained. "A melodrama or a love story fits best with the (silent) format."

Bejo, born in Argentina but raised in France, took inspiration from silent era heroines -- "without doing much, they managed to convey a lot of emotion" -- and F.W. Murnau's 1930 classic "City Girl".

Going into the project, she said, "I was petrified. I wondered if I could rise to the challenge... but strangely enough, not having to talk gave us tremendous freedom. We could overplay, for instance."

Dujardin agreed: "Sometimes there's too much talking in films. Silence is a wonderful exercise."

Not in Cannes on Sunday, but much talked about, was the terrier who plays Valentin's faithful four-legged companion. Named Uggy, he looked like a shoo-in for this year's Palm Dog prize for best canine acting.

Other films in competition seen so far in Cannes have been achingly heavy, such as British director Lynne Ramsey's "We Need to Talk About Kevin" and Australian film-maker Julia Leigh's "Sleeping Beauty".

"The Artist" was a last-minute addition to the list of 20 films vying for the Palme d'Or, having initially been earmarked to be shown out of competition.

But Hazanavicius made no apologies for making a crowd-pleaser -- although it remains to be seen how a silent movie will go down in this era of 3-D blockbusters and multiplex theatres.

"It's designed to be a popular film," he said, "not something that would be state of the art or complicated, or something you'd have to read between the lines."


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