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Wednesday, August 31, 2011

Judge bars testimony from longtime Jackson doctor (Reuters)

LOS ANGELES (Reuters) – Michael Jackson's dermatologist will not testify in the trial of Dr. Conrad Murray, a judge ruled on Monday, in a blow to defense plans to portray the singer as a drug addict who may have given himself the substance that caused his death.

Los Angeles Superior Court Judge Michael Pastor also barred witnesses in the case from testifying about Jackson's 2005 trial and acquittal on child molestation charges.

Murray's involuntary manslaughter trial is slated to begin next month over the "Thriller" singer's June 25, 2009, death from what authorities said was an overdose of the powerful anesthetic propofol and other drugs.

Murray has admitted giving Jackson, 50, propofol as a sleep aid, even though it is normally used in a hospital setting. Murray's lawyers have suggested the pop star could have given himself a further dose when his physician was out of the room.

In court papers, Murray's attorneys said they wanted to call Jackson's longtime dermatologist, Dr. Arnold Klein, to the witness stand.

The papers said Klein gave frequent injections of the painkiller Demerol to Jackson for "no valid medical purpose" and that "Jackson became physiologically and psychologically dependent on Demerol."

"I do not think it is relevant," Pastor ruled on Monday. Pastor also barred the testimony of five other doctors, but said he would allow defense attorneys to call two other physicians -- Allen Metzger and David Adams.

Murray was hired as the singer prepared for a series of comeback concerts which had been scheduled to begin in London in July 2009.

The defense contends that Adams told police Jackson was so familiar with propofol that he called it "milk."

Metzger had treated Jackson for two decades, and as recently as two months before the singer's death, Jackson had asked Metzger for intravenous sleep medicine, the court papers from defense attorneys said.

Prosecutors told the judge on Monday that Metzger had turned down Jackson's request.

Pastor on Monday also refused a request by the defense to bring up a 2003 raid of the singer's Neverland Ranch in California, in which defense attorneys said propofol and Demerol were found.

Murray's team had said in court papers that they did not plan to refer to the child molestation charges on which Jackson was later acquitted.

Pastor said testimony about the Neverland raid would be "irrelevant" and that it "proves absolutely nothing" involving Jackson's 2009 death.

Murray has pleaded not guilty to involuntary manslaughter. He faces up to four years in prison if convicted.

Jury selection in the case is due to begin on September 8 and opening arguments are set for September 27.

(Reporting by Alex Dobuzinskis: Editing by Jill Serjeant)


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Review: Jake Owen needs to find his own voice (AP)

By MICHAEL McCALL, For The Associated Press Michael Mccall, For The Associated Press – Tue Aug 30, 4:52 pm ET

Jake Owen, "Barefoot Blue Jean Night" (RCA)

Jake Owen's third album, "Barefoot Blue Jean Night," opens with a guy telling his lover he'll do whatever she wants to make her happy. The song, "Anywhere With You," epitomizes Owen's country music career: He strains for radio play by following formulas established by others, which keeps Owen from establishing his own identity or point of view.

Owen occasionally achieves a hit: The new album's breezy title cut has become his third top 10 single. But he misses more than he scores, and the reason can be found in songs like the cliche-filled "Keepin' It Country" and the silly "Apple Pie Moonshine," in which a blue-collar guy hits it off with a wealthy young woman because her moonshine tastes so sweet. As in the past, he focuses on lightweight fare that doesn't resonate.

On better songs — such as the dramatic narrative "The One That Got Away" or the beach-party celebration, "Nobody Feelin' No Pain" — Owen shows talent and personality. But he hasn't climbed to stardom as quickly as peers Jason Aldean and Jamey Johnson because, thus far, he's failed to suggest he has anything distinctive to offer. "Barefoot Blue Jean Night" doesn't change that assessment.

CHECK OUT THIS TRACK: "Alone With You" is a moody ballad about confronting a woman who only flirts with him when she's drinking. Throughout the song Owen displays a dramatic intensity that proves meatier material suits him.


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Review: Reggae gone country weird but good (AP)

Various Artists, "Reggae's Gone Country" (Warner Music Nashville and VP Records)

Imagine that a nightclub accidentally booked two wildly different acts — one reggae, one country — for the same night, and instead of one backing out, the bands decided to jam together. That's "Reggae's Gone Country," 14 tracks of covers that sound, at first blush, like a musical accident full of twangy guitars and reggae beats, but overall a happy one.

The album opens with Romain Virgo and Larry Gatlin's take on the Gatlin Brothers '"California." It starts out seemingly traditional and makes a sudden reggae turn, setting the tone for the rest of the tracks that blend the best of both genres.

The most enjoyable tunes are those most recognizable to even the least country-fied music fans, including Etana's sweet spin on "Crazy," Tessanne Chin's soulful take on "Don't It Make My Brown Eyes" and the fun meanderings of Freddie McGregor's "King of the Road." "El Paso" by Sanchez provides the album's most brain-twisting combination, drawing from reggae, country and Latin genres for the musical equivalent of enchiladas filled with jerk chicken and pulled pork. Weird, but actually pretty tasty.

CHECK OUT THIS TRACK: "Flowers On The Wall" by L.U.S.T. is a perfect blend of country and reggae, with misfit lyrics that could've originated in either genre: "My shoes are not accustomed to this hard concrete/So I must go back to my room and make my day complete."


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Anne Hathaway to star in film version of "Miserables" (Reuters)

By Joshua L. Weinstein Joshua L. Weinstein – Tue Aug 30, 2:59 pm ET

LOS ANGELES (TheWrap.com) – Some good may finally be coming out of Anne Hathaway's performance as host of this year's Academy Awards: a starring role in the film version of "Les Miserables."

In February, while serving as co-host of the poorly received Oscars event, the actress sang a more than credible rendition of "On My Own," a song from the musical.

Now, Broadway World is reporting that Hathaway is in contention to play Fantine in Tom Hooper's adaptation of the hit.

The publication says former Oscar host Hugh Jackman -- the man who Hathaway personally sung her rendition to in February, and who is set to play Jean Valjean in the Broadway show -- pushed for Hathaway to get the role.

Hathaway stars as Catwoman in the upcoming "The Dark Knight Rises."

Hathaway's rep did not return a call or email Tuesday.


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Janet Jackson says "too difficult" to attend tribute (Reuters)

LOS ANGELES (Reuters) – Singer Janet Jackson said on Monday she would not attend her brother Michael Jackson's tribute concert because it coincides with the trial of the singer's doctor.

"Because of the trial, the timing of this tribute to our brother would be too difficult for me," Janet Jackson said in a statement.

Jackson's mother Katherine and his sister LaToya have backed plans for the "Michael Forever Tribute" concert in Wales on October8. But the event is opposed by brothers Randy and Jermaine and some fans are unhappy with the organization of the event.

Christina Aguilera, Cee Lo Green and Smokey Robinson are due to headline the concert. Janet Jackson was not scheduled to perform and her representatives said she had issued the statement in response to media queries about her presence.

The concert will take place in the middle of the high-profile trial in Los Angeles of the "Thriller" singer's physician, Dr. Conrad Murray. Murray is accused of giving Jackson a lethal dose of the anesthetic propofol and failing to monitor him properly, leading to his death in June 2009.

Randy and Jermaine Jackson, along with several Michael Jackson fan clubs have also said the timing of the tribute is inappropriate given the trial. Opening statements are expected to begin on September 27 and the trial is likely to last 4-6 weeks.

Conrad Murray has pleaded not guilty to involuntary manslaughter and faces a four year prison term if convicted.

(Reporting by Jill Serjeant; Editing by Zorianna Kit)


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Michael Jackson's 53rd birthday: the world celebrates (Reuters)

LOS ANGELES (TheWrap.com) – Michael Jackson would have turned 53 on Monday if not for his untimely death on June 25, 2009.

And though the musical legend has left this world forever, the King of Pop's life is being celebrated throughout the country in a variety of ways.

The big celebration is occurring in Jackson's birthplace in Gary, Ind., where the city is holding a four-day celebration that began over the weekend.

The Chicago Tribune reported that the extended bash -- marked by musical performances and a circus -- drew hundreds of fans over the weekend, and was attended on Saturday by Jackson's family, including his 13-year-old daughter, Paris, as well as his sons Prince, 14, and Blanket, 9, and his father Joe.

Jackson's mother, Katherine, was also on hand for the festivities on Sunday, TMZ reported.

Those who couldn't make it to Indiana still managed to find ways to celebrate.

In San Francisco, the singer's birthday was marked with a flash mob dancing to "Thriller." The semi-organized dance performance wound its way from the city's Ferry Plaza to Union Square, into the Mission District's Dolores Park and finally into the Castro District.

Jackson's influence on musicians is probably inestimable, and quite naturally the artists who've drawn inspiration from him are remembering him on his special day.

Former Tribe Called Quest rapper Q-Tip performed a special tribute to Jackson at his concert in New York City's Irving Plaza on Saturday.

"Michael Jackson was a huge influence on my music and was an inspiration to me and so many others," Q-Tip told the press. "I want to bring people together to celebrate the man, his music and his legacy that will undoubtedly live on forever!"

Meanwhile, Chris Brown weighed in on the milestone Monday, writing on his twitter account, "Happy birthday Michael Jackson!!!! Your the greatest!"

The celebration of Jackson's life and musical contributions won't stop thee. "Michael Forever -- The Tribute Concert" will take place on October 8 at the 74,500-seat Millennium Stadium in Cardiff, Wales.

Though the production has been beset by problems, artists including Christina Aguilera, Cee Lo Green, the Jackson Brothers, Leona Lewis and Smokey Robinson are scheduled to perform.


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Jerry Lewis a no show at Telethon after 45 years (AP)

NEW YORK – No one would sniff at all the dollars Jerry Lewis raised for muscular dystrophy: a couple of billion during his 45-year reign as host of the Muscular Dystrophy Association Telethon.

But what kind of TV did he offer in exchange? The short answer: Jerry put on a show like no other.

Labor Day this year promises to be bland by comparison, with the 85-year-old Lewis now banished from the annual rite he built from scratch and molded in his image.

As if deflated by the absence of its larger-than-life host, "The 46th Annual MDA Labor Day Telethon" will fill just six hours (Sunday from 6 p.m. to midnight in each of the United States' four time zones), rather than the grueling 21 1/2-hour endurance contest that Lewis used to churn through with his viewers in tow.

On this year's broadcast (which, ironically, will no longer be airing on Labor Day), a quartet of lightweights are standing in for Jerry: Nigel Lythgoe ("So You Think You Can Dance"), Nancy O'Dell ("Entertainment Tonight"), Alison Sweeney ("The Biggest Loser") and Jann Carl (billed as "an Emmy-winning journalist").

Celebrities will include Celine Dion, Jennifer Lopez, Lady Antebellum, Richie Sambora and Jordan Sparks.

It may be entertaining. It may spur contributions. But as a media event, this year's telethon can hardly match the display of wretched excess Jerry Lewis guaranteed, especially in his epic, unbridled prime.

"Jerry is a ferociously contradictory personality, and that's what makes him fascinating to watch," says satirist-actor-writer Harry Shearer, a Jerry-watcher for a half-century. He noted just two of Lewis' clashing identities: "the inner 9-year-old, set loose" and the would-be deep thinker "who fancies himself something of an autodidact."

"It all makes for psychodrama of a high order," Shearer marvels.

Year after year, Lewis bounced between the polarities of smarmy sentimentalism and badgering lunacy as if in a weightless environment. He put his multiple identities on raw display, each constantly jostling for the spotlight.

Hear him on a circa-1970s telethon introducing singer Julius LaRosa with syntax-butchering effusiveness as "the kind of human being that is wonderful to get close to and near, and then you pray that it's contagious" and as "what the literal translation of the word `professional' means," in possession of "probably the best singing voice I think anyone has ever heard, when you listen to the heart that goes into it."

It was fascinating, ridiculous, cringe-worthy and spellbinding to see how Jerry held court for the parade of entertainers, the checks-bearing civic leaders and corporate sponsors, and the adorable, afflicted kids.

The Jerry Lewis telethon was a reality show decades before the term or genre had been invented. It was video retailing, years before QVC. It was round-the-clock TV companionship long before cable news and the Weather Channel.

For nearly a full day, it was a spectacle of show-biz glitz, heart-tugging emotion and suspense: Would Jerry make it to the end without unraveling? Would the level of pledges do justice to his efforts at soliciting them?

There was a perfect symbiosis of the telethon and Lewis. He made muscular dystrophy as big a star as he had once been. Meanwhile, aligning himself with the search for its cure gave him the gravitas he had always sought. He branded the disease with himself, and vice versa.

He was not only the host of the telethon and chairman of the Muscular Dystrophy Association (a job he would hold for 60 years), but the central figure in a massive enterprise as the self-styled avenging angel of a dread disease.

The contradictions, though, were legion, breathtaking to behold. Shearer covered the 1976 telethon during its heyday for Film Comment magazine.

"The telethon combines the hysterical mystique of the (Las Vegas) Strip superstar with equally hysterical desperation of the downtown lounge act," he wrote. "It mixes the glib disinterest of a TV star taping a thirty-second public-service spot with the glib agony of a comedian on a crusade."

There was the unresolvable question of Lewis' motives; he has famously refused to say why he poured so much of his life into MDA. How much of what he did was prompted by humanitarian urges? How much is explained by the voracious appetites of an attention hog?

And how to explain the choice of theme songs by Lewis for his righteous cause: the piteousness of "Smile (Though Your Heart Is Aching)," and, of course, the riotously inappropriate "You'll Never Walk Alone" with which Lewis, overcome by emotion, ended each telethon, daring his audience to consider it a cruel joke.

Lewis found a perfect counterbalance for his excesses and vanities in the purity and urgent need of "his" kids. Everything he did he was doing in their service, which, in his mind, absolved him of his carte blanche life-or-death extravagance.

It made him, at last, a success on TV. He was a comedian-singer-writer-actor-director-producer-movie star who, after splitting with his partner Dean Martin in the mid-1950s, had failed to match his other triumphs with any real television inroads. But on the telethon each year, for 21 1/2 hours, he was the unquestioned boss of the Love Network.

It is not as if his TV acceptance was not a mixed blessing, as Shawn Levy observed in his Lewis biography, "King of Comedy."

On the one hand, Lewis was the star of a hit show "for which the nation not only dropped all else on a summer holiday weekend but actually opened its wallets." On the other hand, Lewis could never be certain "that it was to him and not his cause that the American public was responding with its support."

This has long since become moot, all the more so since Aug. 3, when, with no elaboration, MDA announced that Lewis had "completed his run" as national chairman, and that he would not be appearing on the telethon, as promised earlier.

Lewis has provided no insight into the matter. But it is hard to imagine how wronged he must feel after bonding with the telethon for so long. As Levy writes in "King of Comedy," Lewis "had conflated America's charitable instincts with love for himself as a public figure and even as one more lonely child."

The telethon will be on again this Labor Day weekend, in some faint version of what Lewis wrought. But for those who watch, and remember it with Jerry, it is likely to feel like a lonely affair.

___

Online:

http://www.mda.org/telethon

___

EDITOR'S NOTE — Frazier Moore is a national television columnist for The Associated Press. He can be reached at fmoore(at)ap.org and at http://www.twitter.com/tvfrazier


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Sheen roast promos: now we understand him (Reuters)

NEW YORK (TheWrap.com) – We feel like we understand Charlie Sheen now.

For the promos for his new Comedy Central roast, Sheen appears on a metaphoric crazy train, surrounded by goddesses, spouting catch phrases. The decor is as unsubtle as a carousel's, yet strangely lulling. Perhaps even beautiful. Everything is bathed in golden light. Ozzy Osbourne serenades us into whatever comes next.

Is this how Sheen sees the world? It all suddenly makes sense.

The roast airs September 19, but you can see the first promo here: http://www.thewrap.com/tv/article/charlie-sheen-roast-promos-now-we-get-him-video-30566


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Cuban singer Milanes knocks harassment of 'Ladies' (AP)

HAVANA – Cuban singer-songwriter Pablo Milanes has harshly criticized government-backed harassment of the Ladies in White dissident group in his country.

The women are the wives and mothers of former political prisoners and Milanes says the way they are treated inspires feelings of "shame" and "indignation." He adds that he does not agree with the women's opinions about the Cuban government, but he feels "solidarity" with their pain.

The comments come in an open letter published Tuesday by Miami's El Nuevo Herald newspaper.

The Ladies in White hold weekly protest marches in Cuba and are often met by rowdy, pro-government crowds who shout insults and obscenities at them.

Milanes calls such treatment "vile" and "cowardly."


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Judy Greer to play Ashton Kutcher's ex on "Men" sitcom (Reuters)

LOS ANGELES (TheWrap.com) – Ashton Kutcher has found his source of heartache. Or at least his "Two and a Half Men" character, Walden Schmidt, has.

Judy Greer, who starred in the short-lived CBS sitcom "Mad Love," has landed the recurring role of Bridget, Schmidt's estranged wife, on "Two and a Half Men," an individual with knowledge of the production confirms to TheWrap.

As reported earlier, Kutcher will play a heartbroken Internet billionaire on the series, which is scheduled to make its Charlie Sheen-less debut on September 19. (The same night, perhaps not so coincidentally, that Sheen's Comedy Central roast airs.)

During an appearance on "Late Show With David Letterman," Kutcher confirmed long-running reports that Sheen's character, Charlie Harper, is being killed off from the series, though he neglected to say how Harper meets his demise.

Interestingly, this won't be Greer's first go-round with the hit CBS sitcom -- she portrayed one of Harper's many love interests, Myra, on two episodes of the series back in 2007. (She's also enjoyed relations -- though professional -- with Kutcher in the past; she starred as Becky Freeley in the ABC sitcom "Miss Guided," which Kutcher executive-produced.)

Greer also provides the voices of Wendy Park on Nick at Nite's "Glenn Martin, DDS" and Cheryl on FX's "Archer."


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Angelina Jolie dismisses talk of marriage, babies (Reuters)

LOS ANGELES (Reuters) – Angelina Jolie has dismissed ongoing speculation about marriage and more kids with her partner Brad Pitt, telling Vanity Fair in an interview published on Tuesday that there are "no secret wedding plans."

The Oscar-winning actress revealed details of her upcoming wartime romance film, "In the Land of Blood and Honey," which she directed. She told Vanity Fair magazine that she feared stepping behind the camera for the first time.

"I've never felt more exposed. My whole career, I've hidden behind other people's words," Jolie said. "Now it's me talking. You feel ridiculous when you get something wrong."

The actress, who penned the script during a two day quarantine period when she had the flu, said she had Pitt read it over first. "He called and said, 'You know, honey, it's not that bad,'" Jolie told the magazine.

The story follows a couple's love affair during the Bosnian war, and Jolie made sure to get the script as accurate as possible by sending it to reporters and writers of Serbian and Bosnian nationalities who had experienced the war.

"I was gauging the accuracy...If they said no, I wouldn't have done it," she said.

But the movie did cause controversy last year when the leader of a woman's group in Sarajevo urged city officials to ban shooting the film in Bosnia. She complained that the love story was offensive because it was between a Bosnian woman and Serbian man.

At the time, Jolie said she hoped people would withhold any judgment until that had seen the film, which is expected to hit theaters in December of this year.

The "Salt" actress told Vanity Fair that she took the helm as director because the script "was something I didn't trust out of my hands." And she revealed how directing the film changed the way she perceived acting.

"Brad thinks I'm going to be a nightmare," joked Jolie, who won her Oscar for supporting actress in "Girl, Interrupted."

"I had such a good experience he thinks I'm going to be impatient with directors, which I already am. I get impatient with people working on a film that have their head in their hands like it's the most complicated thing in the world."

She said Pitt was very supportive of the film and offered suggestions, but she wasn't sure he was the best person from whom to take advice.

"He'd come in and say what he liked or what he didn't understand. Like any woman, I would listen to most of it and fight a few things. He's been so supportive. But it's hard to separate the person that loves you from the critic, so I don't think he's a fair judge."

Jolie cast many unknown actors in the film, which she felt was important for authenticity.

"It couldn't be anyone else. It's their story. It was important that they were willing to do it. If none of them were willing, I wouldn't have made it," said the actress.

And as for its ultimate success or failure, Jolie leaves it up to the audience to decide, hopefully in a good debate.

"People will judge for themselves. I think if you make a good movie people will walk away arguing," she said.

(Reporting and Writing by Piya Sinha-Roy; Editing by Bob Tourtellotte)


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Vanessa Redgrave supports people facing eviction (AP)

LONDON – Actress Vanessa Redgrave said Tuesday a local authority's attempts to evict a group of Irish Travellers from a site where they have lived for years is a breach of their human rights.

The residents of Dale Farm, east of London, were told to leave voluntarily by Wednesday. They are refusing to move and local authorities may begin to forcibly evict them in the coming weeks.

Irish Travellers are similar but ethnically distinct from Gypsies or Roma. They have a nomadic heritage but now often settle in one place for several years. Some of the Travellers had lived legally at the site for decades, but local authorities said new arrivals who came in 2001 did not have the right permits to live there.

Tony Ball, leader of Basildon Council, said in a statement that the council has tried to avoid forcibly evicting the residents, but feels it now has no choice. He said the council does not object to their lifestyle, but says they have not complied with planning regulations at the site 30 miles (50 kilometers) east of London.

After lengthy legal battles, a British court said last month that around 240 people living on the site illegally had to leave within 28 days.

Redgrave, who has campaigned on behalf of Gypsies and Travellers around the world, visited the site Tuesday and said "lives will be ruined" if the move goes ahead.

"I am certain that the eviction of the Dale Farm Traveller families is illegal under international, mandatory, human rights conventions," she said. "Evicting these families would be totally unreasonable and irresponsible. The council has said there are no alternatives but there are alternatives," she added.


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Clooney's latest opens Venice film festival (AP)

VENICE, Italy – George Clooney's "The Ides of March" opens a star-studded Venice Film Festival on Wednesday, and fans will also see two other Hollywood actor/directors, Madonna and Al Pacino, premiering their latest directorial efforts.

Clooney's political drama is among 23 films — five from Hollywood — vying for the coveted Golden Lion, which will be awarded Sept. 10.

The jury will be headed by American director Darren Aronofsky, a two-time Golden Lion winner whose "Black Swan" was launched to huge Oscar success after opening in Venice last year.

"The Ides of March" tells the story of an ambitious campaign press secretary, played by Ryan Gosling, who gets swept up in a political scandal in the last frantic days of a heavily contested primary race. The film, which also stars Philip Seymour Hoffman and Paul Giamatti as rival campaign managers, is adapted from the play "Farragut North" by Beau Willimon.

Clooney said the movie was ready to begin filming when Barack Obama was elected U.S. president in 2008.

"Suddenly, a cynical film about politics seemed badly timed. Everyone was too optimistic," Clooney wrote in film notes. "It only took about a year before all the optimism evaporated and the timing seemed perfect."

In all, 66 films will make their world premiere at the 68th edition of the world's oldest festival. It is the first time since World War II that all feature films in the festival's three official events — in competition, out of competition and the "Horizons" avant-garde section — are world premieres.

Nearly half of the festival's lineup is high-powered English-language films, a sign of its growing prestige in the eight years that it has been directed by Marco Mueller.

The strong selection also includes Roman Polanski's "Carnage," an adaptation of the Broadway show "God of Carnage," featuring Jodie Foster, Kate Winslet and Christoph Waltz; David Cronenberg's take on psychoanalysis, "A Dangerous Method," featuring Keira Knightley, Viggo Mortensen and Michael Fassbender; and "Shame," a drama by British director Steve McQueen featuring Fassbender and Carey Mulligan.

Other American movies in competition include end-of-the-world film "4:44 Last Day on Earth" by Abel Ferrara; "Dark Horse" starring Mia Farrow and Christopher Walken and directed by Todd Solondz; "Killer Joe," a black comedy by William Friedkin starring Matthew McConaughey in the title role; and the second feature film by Ami Canaan Mann, "Texas Killing Fields," a murder drama featuring Sam Worthington and Jessica Chastain.

One of the most highly-anticipated events at Venice this year is Madonna's second feature film, the U.K. production "W.E." The movie, which premieres out of competition Thursday, intercuts between the romance of a modern woman (Abbie Cornish) and the relationship of American socialite Wallis Simpson and Britain's King Edward VIII, who abdicated the throne for love in the 1930s.

"It is very important because she is a very interesting filmmaker and very personal filmmaker," Mueller said. "She already proved that with her first feature. Even more so in her sophomore film, `W.E,' you would feel like it is such a celebrated love story, the love story of the century."

Pacino has an out-of-competition biopic, "Wilde Salome," one of seven American movies being show at side events. Featuring Jessica Chastain, "Wilde Salome" is an exploration of Oscar Wilde's work that combines documentary and film, much like Pacino did in his previous "Looking for Richard."

Mueller maintains his strong commitment to Asian film in this year's festival, with one Japanese, one Taiwanese and two Hong Kong films in competition.

Taiwanese director Wei Te-sheng's "Warriors of the Rainbow: Seedig Bale" is stirring hopes that the island's film industry is ready for a comeback after two decades in the doldrums. The four-hour epic about a 1930 aboriginal uprising against Taiwan's Japanese rulers was 10 years in the making and had a $24 million budget, which is huge for a Taiwanese film.

Hong Kong filmmaker Johnnie To's "Life Without Principle" was announced as a surprise movie earlier — and the festival hinted another surprise movie is yet to come.

Mueller has made surprise films a feature of the Venice festival since he took over in 2004. Often their announcement is delayed until after the festival opens, due to political sensitivity or production schedules.


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Lil Wayne's "Tha Carter IV" falls short with critics (Reuters)

NEW YORK (Reuters) – Rapper Lil Wayne released his newest album, "Tha Carter IV," just after midnight on Monday to huge media hype following MTV's Video Music Awards, but early reactions show the record falling short of high expectations from fans and critics.

After several delays, "Tha Carter IV," hit digital music retailers at midnight, almost immediately following Lil Wayne's rowdy, rocked-out performance at VMAs.

The MTV honors show, where trophies are handed out in categories for best video among others, annually draws top stars in music and is a key promotional stop for singers trying to boost sales. Sunday's show drew a record 12.4 million viewers to the network, up from 11.4 million last year.

Fans watched Beyonce reveal she was pregnant with her first child, Lady Gaga dressed in male drag, Jay-Z and Kanye West perform a song from their new record "Watch the Throne," and the late singer Amy Winehouse remembered in a moving tribute.

Wayne closed out the show with his top 10 hit "How to Love," which with Weezy's crooning vocal, sounds as much R&B as hip-hop, and he performed "John," remixed over Black Sabbath's rock tune "Iron Man."

The crowd went crazy, and the show likely was a key factor in helping lift the album's 19-track deluxe edition, featuring an exclusive bonus track, to a fast start at No. 1 on iTunes.

Wayne's label mate and protege Nicki Minaj tweeted her support with a simple, "Buy the Carter IV."

Veteran rapper Busta Rhymes, who is featured on the album, was in a more celebratory mood tweeting that Wayne had "smashed the Vma's KRAZZZZYYYYYY!!!" Adding, "By the way CARTER 4

AVAILABLE EVERYWHERE RIGHT NOW!!!"

Critics, however, were not so enthusiastic.

HARD TO TOP 'CARTER III'

"Tha Carter IV" is the ninth studio album from the New Orleans rapper born Dwayne Carter, but the fourth in his career-defining Carter series.

Wayne, aka Weezy, released two albums last year, "I Am Not a Human Being" and his rock experiment, "Rebirth." Neither album came close to the first-week sales of 1 million copies for 2008's "Tha Carter III" whether due to a break from formula or to Wayne's being unavailable to promote the records while serving an 8-month stint for a weapons charge.

Billboard.com wrote that Wayne's most recent effort may have had unrealistically high expectations, saying in its review that "Tha Carter IV" "is not a bad album," but adding that it may be "may be more easily digested and supported by those largely unfamiliar with Weezy's antics and unaware of his previous highs (pun intended)."

Rollingstone.com gave the album a respectable 3-1/2 out of 5 stars but admitted, "Weezy doesn't have the same speed-demon intensity he had five years ago."

In its review, HiphopDX.com noted that more attention was being paid to a new lyrical jab Lil Wayne took at rap impresario and music mogul Jay-Z, who was a featured guest on "Tha Carter III," than on the album's music.

"The fact that most of us have spent a week debating what the fallout will be from Wayne's Jay-Z diss on "It's Good," instead of the album's wins, was probably a bad omen," HiphopDX.com wrote.

And a comical trending topic emerged on Twitter Monday with the hash tag, #ThingsBetterThanTheCarterIV. The answers offered ranged from a colonoscopy to "Watch the Throne."

(Editing by Bob Tourtellotte)


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"I'm With You" leaves new Chili Peppers guitarist stewing (Reuters)

LOS ANGELES (TheWrap.com) – The big worry for Red Hot Chili Peppers fans leading into "I'm With You," their 10th album, was whether new guitarist Josh Klinghoffer could possibly measure up to the legacy of departed axeman John Frusciante, who'd been with the Chili Peppers for most of their career and all their most popular recordings.

Actually, Klinghoffer has no problem fitting in, despite, at 31, being about 17 or 18 years the junior of the other three members. If anything, the problem is that the young addition isn't featured nearly enough, since his all-too-infrequent, all-too-fleeting solos are the reddest and hottest thing about the under-baked "I'm With You."

Other members have described the newcomer's guitar work as "subtler" than that of predecessors Frusciante and Dave Navarro, and maybe the fresh recruit needed to be encouraged to come out of his shell more. Or maybe the subtle tag was a self-fulfilling prophecy meant to keep Klinghoffer in his place while they doled him out slowly to suspicious fans.

Whoever's responsible for the reining-in, Klinghoffer is used more for accents than prominent riffs, let alone soloing, and as much as modesty can be a virtue, reticence isn't, at least for this band. You want to nudge Anthony Kiedis out of the way and beg for an instrumental freakout in lieu of that superfluous third or fourth chorus.

If there's a glass-half-full take on "I'm With You," it involves wonderment that the album works as well as it does, given the high mortality rate for bands that have been around since the 1980s.

A couple of the best numbers prove the Chili Peppers can straighten out their herky-jerky rhythms enough to produce a nearly straightforward dance track, starting with the terrific opener, "Monarchy of Roses," which transforms itself from near-psychedelia into sheer, shimmering disco every time the chorus comes around. The equally charming "Look Around" ups the dance ante with actual, bona fide handclaps while making greater use of the crew's trademark funk.

"Did I Let You Know" offers Klinghoffer's best solo -- think George Harrison on steroids, and possibly other stimulants -- while adding an unexpected trumpet to the tropically flavored mix. The fun renders lyrical groaners like "I want to get lean on you/Get Jan and Dean on you" and "I like you cheeky/So Mozambique-y" nearly forgivable.

"Happiness Loves Company" is pure, piano-fueled power pop, and has Kiedis inexplicably name-checking the Mothers of Invention, even though it's the Monkees or Turtles that come to mind. In contrast, "Goodbye Hooray," the punkiest number, is the one rocker to make effective use of the new guitarist throughout -- not just for textures and interjections, but as part of the central riff, a prominent duty more often left solely to bassist Flea.

Other tracks get more frustrating, like "Etheopia," where a potentially great Klinghoffer jam is cut short so we can hear Kiedis sing yet another chorus of "E-I-O-I-E-I-A," in apparent homage to the farmer in the dell.

Next album, when it comes time to determine how stingy to be with the new guitarist's talent: give it away, give it away, boys.


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VMAs score biggest audience since '93 (AP)

LOS ANGELES – Between Beyonce's baby bump and Lady Gaga dressed in drag, the Video Music Awards brought MTV its biggest audience since the network has been measuring its viewership.

MTV says its annual show honoring the top music videos attracted 12.4 million viewers Sunday night, a nine percent growth from last year and a network record — at least since 1993, when Nielsen and MTV began keeping viewership records.

Lady Gaga dressed as her male alter-ego to open the show, where Adele and Katy Perry were the top winners with three trophies each.

But Beyonce overshadowed their performances and prizes with her own silent announcement: The 29-year-old entertainer revealed her pregnancy with husband Jay-Z by cupping her growing belly for photographers as she arrived. Later, after performing on the show, she unbuttoned her jacket and openly rubbed her tummy on stage.


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James Franco drops out of making Broadway debut (AP)

NEW YORK – James Franco can't make time for Broadway.

Publicist Robin Baum confirmed Tuesday that the workaholic actor has dropped out of a planned production of the steamy Tennessee Williams play "Sweet Bird of Youth."

It was to mark Franco's Broadway debut and would have created one of the hottest tickets of the season because he was to be paired with Nicole Kidman, who is still on board.

The play tells the story of an aging actress and the gigolo paramour who uses her as he tries to help her get back into movies. David Cromer is scheduled to direct.

Franco, last seen in "Rise of the Planet of the Apes" and "Your Highness," is shooting the film "Oz," appearing on "General Hospital" and earning a doctorate in English at Yale.


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Daryl Hannah arrested in White House protest (Reuters)

WASHINGTON (Reuters) – Actress and environmental activist Daryl Hannah was briefly arrested outside the White House on Tuesday during a protest against a proposed $7 billion oil pipeline, police said.

Hannah was released after paying a $100 fine, following her arrest for failure to obey a lawful order, said U.S. Park Police spokesman Sergeant David Schlosser.

More than 70 people were arrested in the Tar Sands Action protest on Tuesday, which is named after efforts to block the proposed Keystone XL pipeline project to bring oil sands petroleum from Canada to Texas refineries.

The 50 year-old Hannah is best known for playing the mermaid Madison in 1984 film "Splash," and had roles in 2003 film "Kill Bill: Vol. 1" and its 2004 sequel.

Hannah was arrested in a sit-in outside a gate to the White House after she refused police orders to leave, said Daniel Kessler, spokesman for the Rainforest Action Network, which was part of the demonstration.

Canadian-born "Superman" actress Margot Kidder and hundreds of other protesters have been arrested since the action outside the White House began on August 20, Kessler said.

(Writing by Alex Dobuzinskis: Editing by Jill Serjeant)


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Review: Guetta mails in "Nothing But The Beat" (AP)

David Guetta, "Nothing But The Beat" (Capitol)

David Guetta's new album "Nothing But The Beat" presents the Grammy-winning DJ and producer with a formidable task. Take good music from good artists and it infuse it with a dance club floor-filling frenzy. If there's anyone who can, surely it's the urban dance-track maestro who collaborates with A-list artists. Right?

Well, half-right. On "Nothing But The Beat," Guetta accomplishes the main mission, but it's nothing to run out and buy a new pair of dancing shoes for. This is a fairly routine treatment at best, and Guetta doesn't inject enough of his own style to take the music to a level that the list of featured vocalists couldn't do on their own.

Guetta gets things started in fine fashion, adding some of his signature energy to "Where Them Girls At," with sharp vocals from Flo Rida and white-hot Nicki Minaj. The good stuff continues through "Little Bad Girl," with solid feature work from Ludacris and Taio Cruz.

But then things begin to get pretty pedestrian. "Sweat" with Snoop Dogg is a snoozer and "Without You" featuring Usher never delivers much more than soaring synth track. The latter song is about as edgy as a Kia Sorento commercial for soccer moms.

Guetta is on auto-pilot these days. He's on top of his game, but his game currently is to deliver safe club music to the masses. There's nothing daring in his approach to production and remixing and for this result, he's failed a bit.

CHECK THIS TRACK OUT: Thank you Jennifer Hudson. Even David Guetta's soft-sell approach couldn't ruin "Night Of Your Life." Hudson's voice is perfect here, with all the right emotion in all the right places. Guetta keeps it simple with a buzzing backbeat and Hudson keeps it lush with vocals that will always have a home on the hottest dance floors. Minaj and Hudson saved this album from being a total loss.

___

Ron Harris can be reached at http://twitter.com/Journorati


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Nancy Grace, Chaz Bono among "Dancing" cast (Reuters)

LOS ANGELES (Reuters) – Legal commentator Nancy Grace, Cher's daughter Chaz Bono and basketball player Ron Artest are among the celebrities taking part in the new season of "Dancing with the Stars," the network behind the show said on Monday.

The show on ABC pairs celebrities with professional dancers and makes the couples compete for support from a panel of judges and viewers at home.

Grace is a tough talking legal commentator on the CNN cable spinoff HLN, who generated controversy this year for saying "the devil is dancing" after the acquittal of Casey Anthony in Florida on charges of murdering her 2 year-old daughter.

But Grace will be doing her own dance on the show, alongside a cast list that includes former talk show host Ricki Lake, Los Angeles Lakers player Ron Artest and Chaz Bono.

Chaz Bono is the only child of singers Cher and Sonny Bono who recently underwent a female-to-male sex change which was chronicled in the TV documentary "Finding Chaz".

Another child of celebrity participating this year is singer and actress Chynna Phillips, who is the daughter of the John and Michelle Phillips from 1960s group The Mamas and the Papas, ABC said.

The other celebrities putting on their dance shoes this season will include actor David Arquette, who is the former husband of Courteney Cox, and style expert Carson Kressley.

Rounding out the list is Iraq war veteran and actor J.R. Martinez; George Clooney's ex-girlfriend Elisabetta Canalis; former "The Hills" cast member Kristin Cavallari; Rob Kardashian, 24, the brother of reality TV stars Kim, Kourtney and Khloe; and soccer player Hope Solo.

The "Dancing with the Stars" celebrity cast was officially announced on Monday evening during the ABC reality show "Bachelor Pad." The new season begins on September 19.

(Reporting by Jill Serjeant and Alex Dobuzinskis; Editing by Cynthia Johnston)


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Jackson molest case barred from doctor's trial (AP)

By LINDA DEUTSCH, AP Special Correspondent Linda Deutsch, Ap Special Correspondent – Mon Aug 29, 9:10 pm ET

LOS ANGELES – The judge in the upcoming trial of Michael Jackson's doctor ruled Monday that the defense cannot call any witnesses to testify about the child molestation investigation that led to the pop star's trial and acquittal in 2005.

Prosecutor David Walgren argued that lawyers for Dr. Conrad Murray were seeking to engage in character assassination of the victim in the involuntary manslaughter case.

"The people are concerned about this trial deteriorating into an attack on Michael Jackson," Walgren said.

The hearing took place on what would have been Jackson's 53rd birthday.

Superior Court Judge Michael Pastor barred a half-dozen witnesses related to the molestation case, including the police detective who headed searches of Jackson's Neverland home in Santa Barbara County in 2003. The judge said such testimony would be distracting and misleading for the jury in Murray's trial and is irrelevant.

Jackson was acquitted of all charges in a high-profile trial in Santa Maria in 2005.

The judge said he was barring any mention of the molestation case because, "It proves nothing regarding the year 2009," when Jackson died.

Defense attorney Edward Chernoff said he was seeking testimony that in the past Jackson had been addicted to the painkiller Demerol.

Chernoff repeated a previously stated defense position that the pop star was addicted to that drug and was withdrawing from it when he died of an overdose of propofol and other medications in June 2009.

Walgren, however, said Jackson's autopsy found no Demerol in his body.

The judge effectively blocked the Demerol defense when he also excluded the testimony of Dr. Arnold Klein, a dermatologist blamed by the defense for giving Jackson Demerol. Pastor said written reports on Klein's statements could be used but neither the doctor nor his assistant will testify.

Walgren argued that the defense was seeking to transfer responsibility for Jackson's death to Klein. The judge appeared to agree with the prosecutor.

"The calling of Dr. Klein does raise the issue of third party culpability," the judge said, noting jurors would become distracted by that issue.

Opening statements in the trial of Murray are scheduled to begin on Sept. 27. Murray, who has pleaded not guilty to involuntary manslaughter, could face up to four years in prison if convicted.

Authorities allege he gave Jackson a lethal dose of the anesthetic propofol and other sedatives in the bedroom of his rented mansion on June 25, 2009.

In court on Monday, Chernoff suggested that Jackson was desperate for sleep and turned to propofol because he was withdrawing from Demerol.

Pastor said he would permit two other doctors and a nurse to testify about their interactions with Jackson regarding propofol.

One is an anesthesiologist who gave Jackson propofol at least four times, including for dental procedures. Chernoff said the doctor, David Adams, used Murray's Las Vegas office in April of 2009 to give Jackson propofol for sleep on at least one occasion.

Adams is expected to testify that Jackson was so familiar with propofol that he called it "milk," according to documents filed by the defense.

Walgren sought to bar Adams' testimony, saying it will be "a side show."

Outlining the planned defense for the Houston-based cardiologist, Chernoff reiterated that he would claim Jackson self-administered the drug in a desperate quest for sleep.

Also barred was the testimony of Tohme Tohme, a one-time Jackson manager who negotiated the contracts for Jackson's ill-fated "This Is It" concerts, and John Branca, the co-executor of Jackson's estate. Pastor has said Jackson's finances won't be discussed at the trial.

The judge ordered lawyers back to court Sept. 6 to finalize jury questionnaires which will be handed out beginning Sept. 8.

He said in-court questioning will begin Sept. 23 with each side allotted 20 minutes to question each jury prospect.

When Chernoff suggested that time was too short, the judge said, "Counsel will have the most comprehensive jury questionnaire I've ever seen, perhaps the most comprehensive one ever. You will know from that who they are and what they are thinking."


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Bruno Mars sues his publisher (Reuters)

LOS ANGELES (TheWrap.com) – Grammy winner Bruno Mars is asking a judge to free him from his publisher, Bug Music, Inc.

In a lawsuit filed in Los Angeles County Superior Court Tuesday, Mars -- whose real name is Peter Hernandez -- says that his contract with Bug ended on May 12, 2011 because the publisher didn't exercise its option to continue it.

Mars's lawyer, Michael J. Niborski of the law firm Pryor Cashman LLP, wrote that Bug initially acknowledged that Mars fulfilled his part of the contract, and that in order for the deal to remain in effect, Bug would have to officially extend its option to continue.

But after Mars told Bug that he wanted out, Bug "shifted gears, and suddenly argued that (Mars) had not, in fact, met the minimum release requirements," Niborski wrote.

Representatives of Bug did not return calls.

The Bug Music website continues to list Mars as a client.

Released in October, Mars' debut album "Doo-Wops & Hooligans" peaked at No. 3 on the Billboard 200, while yielding its Honolulu-raised maker a Grammy for Best Male Pop Vocal Performance on the single "Just the Way You Are."

Pamela Chelin contributed to this report.


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Review: Lil Wayne still crazy on "Tha Carter IV" (Reuters)

LOS ANGELES (TheWrap.com) – Lil Wayne's new album arrives preceded by controversy over a track that seems to make a barely veiled threat against rival Jay-Z. If Hova pays any mind to the schoolboy taunt at all, he can rest assured that if there's anyone Weezy feels more contempt for than him, it's ... every woman in the world.

No, Lil Wayne hasn't gotten any less small-minded with "Tha Carter IV," the long-delayed album that's certain to be the year's top hip-hop release. Prognosticators expect it to sell upwards of 700,000 or even 800,000 its first week (which, if you're keeping track of the aforementioned rivalry, would be several hundred thousand more than the Jay-Z/Kanye West collaboration managed).

How does Lil Wayne earn the allegiance and allowance money of seemingly every adolescent boy in America? By being deeply talented and deeply mean-spirited. If you thought misogyny had gone out of style in rap, Wayne is here to remind you that certain memes are timeless.

"I'm so cold, I'm hypothermic," he raps in "Nightmares," over a vaguely Asian chord progression. "Ask your b---, she will confirm it." When he details what he plans to do to women sexually, which he does in most of the 19 tracks, it's usually half-clinical and half-metaphoric, half-promise and half-threat.

It's all threat when he takes on Jay-Z and, by extension, Beyonce in "I'm Good," a move that seems in particularly bad taste after Sunday night's pregnancy revelation. "Talkin' 'bout baby money? I got your baby money," he teases, responding to a previous perceived dis about his relative wealth in a Jay-Z track. "Kidnap your b , get that 'how much you love your lady' money."

At times, he's the master of the comic non sequitur, as in this couplet from the Harry Belafonte-sampling "6 Foot 7 Foot," which moves with amusing ease from a questioning spirit to an existential crisis-quenching threesome: "So misunderstood but what's the world without enigma/Two b s at the same time, synchronized swimmers."

The rhymes are frequently hilarious in a Pesci-in-"GoodFellas" kind of way, where Weezy's sometimes increasingly hysterical, high-pitched rasp reminds you that pointing out his funny side might be grounds for a bloodbath. "People say I'm borderline crazy, sorta, kinda," he acknowledges in "6 Foot," and that uniquely unhinged quality is the broadest part of his charm, such as it is.

You may laugh at the improbability of the rhyme when Weezy raps, "That AK sleep on the side of my bed/ That's one eye closed, one eye open/Your cap get peeled like ibuprofen." You may also chuckle, a bit more nervously, when guest star Rick Ross uses painterly terminology in promising a bloodbath: "Red on the wall, Basquiat when I paint." (Ironically, Weezy's is only the second hip-hop album to name-check Basquiat this month, following... Jay-Z and Kanye's, naturally, though they weren't invoking machine-gun splatter.)

Perhaps the funniest incongruity of all comes in "John," which is named for John Lennon -- but not because Wayne wants to give peace a chance.

Instead, it's because he wants to imagine even more possessions, including the suit he'll wear in his casket: "If I die today, remember me like John Lennon/Buried in Louis, I'm talkin' all brown linen." It'll be the ultimate bed-in.

Taking the misogyny, misanthropy, and overweening greed of "The Carter IV" too seriously may be a fool's mission, and there's fun to be had in Wayne's way with words and beats if you don't, and if you can ignore the most cringe-worthy single entendres.

His post-prison refusal to act remotely rehabilitated on 18 out of 19 tracks makes it hard to know how to process the exception, his new single, "How to Love" -- an uncharacteristic ballad in which Lil Wayne croons (yes, croons) against an acoustic guitar for four minutes and sounds the genuinely tender and concerned romantic.

It's either fleeting proof that the misogynist has it in him to grow up, or the best fox-sneaking-into-the-henhouse ruse ever. Fathers of America, don't unlock your daughters just yet.


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Beyonce's baby bump reveal sparks Twitter record (AP)

NEW YORK – Beyonce's pregnant performance at the MTV Video Music Awards sparked a Twitter record.

When Beyonce performed at 10:35 p.m. EDT Sunday night, there were 8,868 tweets per second. Twitter said that rate was a record for the service.

At the VMAs, Beyonce revealed a baby bump, cupping her growing belly for photographers as she arrived and rubbing her tummy when she performed. The 29-year-old singer is married to Jay-Z.

The VMAs drew MTV's biggest audience since the network began measuring its viewership. Sunday night's show attracted 12.4 million viewers.


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Lady Gaga, Katy Perry on China's banned music list (Reuters)

LOS ANGELES (TheWrap.com) – Lady Gaga and Katy Perry have once again found themselves at the top of a music chart. Unfortunately, this chart is for songs that the Chinese government has given the thumbs-down to, CNN reports.

Gaga and Perry both made the list of 100 songs that China's Culture of Ministry has ordered websites in that country to remove by September 15, lest they face punishment.

Gaga racked up a staggering six songs on the list, all from her most recent album "Born This Way." "The Edge of Glory," "Hair," "Marry the Night," "Americano," "Judas" and "Bloody Mary" were all included in the ministry's announcement. (The album's title track was included in an earlier list issued by the government; the ministry has issued three lists of banned foreign songs since it began regulating internet content two years ago.)

Perry placed twice in China's latest banned-songs collection, with "E.T." and "Last Friday Night (T.G.I.F.)."

Other notable entries on the ministry's litany of musical no-no's: Beyonce's "Run the World (Girls)," Britney Spears' "Burning Up," and the 1999 Backstreet Boys chestnut "I Want it That Way."

The crackdown applies to all websites, including personal sites.

According to the ministry, allowing the songs on its list to be shared and downloaded over the web has "endangered national cultural safety."

The tunes in question were chosen because they had not been registered with and reviewed by the ministry. According to ministry guidelines, all imported digital music needs to be translated into Chinese and submitted to the government before online distribution is permitted.


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Judge blocks effort to get Spears' med records (AP)

LOS ANGELES – A judge won't give a company suing Britney Spears access to her medical information.

The pop star is still under court-ordered conservatorship after a bout of erratic behavior in 2008. Her father and attorneys control her personal and financial affairs.

Because of the conservatorship, she will not be required to give a deposition in the lawsuit from the company Brand Sense, which claims it helped negotiate a perfume deal for Spears but was cut out of the profits.

Brand Sense wanted to see medical records proving Spears couldn't testify. But Los Angeles Superior Court Judge Reva Goetz ruled Tuesday that Brand Sense Partners has no standing to see medical records.


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Clooney kicks off star-powered Venice film fest (Reuters)

VENICE, Italy (Reuters) – George Clooney kicks off the 2011 Venice film festival on Wednesday with the world premiere of his political drama "The Ides of March," setting the tone for a star-studded 11 days on the Lido waterfront.

The 50-year-old Hollywood heavyweight acts in and directs the movie based on Beau Willimon's play "Farragut North," and appearing alongside him is Ryan Gosling as an idealistic young press secretary to Clooney's governor Mike Morris.

The evening red carpet screening marks the opening of the August 31-September 10 event, which promises eagerly awaited movies and A-list stars who will hope the high-profile launch puts them in the frame for awards next year.

Thousands of journalists and fans are descending on the Lido island across the water from Venice to catch a glimpse of their idols and bring the glamour of the world's oldest film festival to a global audience.

The roll call of celebrities expected this year includes Clooney, Colin Firth, Keira Knightley, Matthew McConaughey, Kate Winslet, Matt Damon, Jude Law, Gwyneth Paltrow and pop superstar Madonna.

It marks a significant turnaround for director Marco Mueller, who was criticized last year for a low-key festival and faces growing competition from the annual rival event in Toronto which overlaps with Venice.

"It is a program that tells you how much support we get from the artists, the film makers ... and it proves that Venice really stands as a major platform to create a special kind of visibility," Mueller told Reuters.

Among the most hotly anticipated titles is "Tinker, Tailor, Soldier, Spy," an adaptation of John Le Carre's spy novel starring recent Oscar winner Colin Firth and Gary Oldman.

Other standout titles in competition include Briton Andrea Arnold's take on the Emily Bronte novel "Wuthering Heights," U.S. director Ami Canaan Mann's "Texas Killing Fields" and William Friedkin's "Killer Joe."

In "A Dangerous Method," Canadian David Cronenberg explores the rivalry between Carl Jung and Sigmund Freud as a young woman (Knightley) comes between them.

Roman Polanski worked on the screenplay for his latest movie "Carnage," featuring Winslet, Jodie Foster and Christoph Waltz, while under house arrest in Switzerland last year.

The 78-year-old was eventually freed after the Swiss authorities decided not to extradite him to the United States, where he is still wanted for sentencing for having sex with a 13-year-old girl in 1977 in Los Angeles.

Acclaimed Russian director Alexander Sokurov brings "Faust" and Hong Kong's Johnnie To presents "Life Without Principle," a story touching on the economic crisis and its effect on ordinary people.

Outside the main lineup, Madonna makes her second foray into feature films with "W.E.," a drama loosely based on divorcee Wallis Simpson whose relationship with Britain's King Edward VIII led to his abdication in 1936.

Egyptian documentary "Tahrir 2011" covers the revolution and overthrow of the old regime, Philippe Faucon explores radical Islam in "La Desintegration" and Al Pacino plays himself and King Herod in "Wilde Salome."

Steven Soderbergh promises an all-star cast including Damon, Winslet, Marion Cotillard, Law and Paltrow in "Contagion," about a lethal airborne virus that spreads panic.

(Reporting by Mike Collett-White)


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Michele Bachmann memoir to outline vision for U.S. (Reuters)

NEW YORK (Reuters) – Following other presidential candidates whose books have become a rite of passage to the White House, Minnesota congresswoman Michele Bachmann is writing a memoir to be published on November 21, her publisher said on Tuesday.

Bachmann, the Tea Party favorite and Republican White House hopeful, will address her personal background -- including her roles as a tax attorney, wife, mother and foster mother -- as well as her leap into politics and her "vision for America's future," said a statement from Sentinel, a Penguin imprint.

"This book will help to share my enthusiasm for an energized, pro-growth economy, and the life experiences that inform my optimism for the American people and for American greatness," Bachmann said in the statement.

Bachmann is among the top three candidates seen to have a chance of winning the Republican nomination to take on President Obama next year.

Among other remarks to have come under scrutiny of late, she raised eyebrows this week by saying that Hurricane Irene and the U.S. east coast earthquake were God's way of telling American politicians to cut spending and fix the budget deficit. She has responded by insisting she was joking.

The memoir follows other Republican candidates to have released books, including former Massachusetts governor Mitt Romney and Texas governor Rick Perry.

Sentinel has acquired the worldwide rights to Bachmann's book. The imprint said Bachmann will not receive an advance against royalties, in compliance with the rules of the House of Representatives.

(Reporting by Christine Kearney, editing by Jill Serjeant)


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David "Honeyboy" Edwards, blues man, dies at 96 (Reuters)

CHICAGO (Reuters) – Grammy-winning Delta bluesman David "Honeyboy" Edwards, whose emotional singing and eccentric timing thrilled audiences from his native Mississippi to Europe, has died at age 96, his manager said on Tuesday.

Edwards died on Monday from congestive heart failure, said manager Michael Frank, who also played harmonica in Edwards' trio.

"Honeyboy was the quintessential Delta bluesman," Frank said.

Edwards was among the last musicians to know and play with legendary bluesman Robert Johnson, who died in 1938, and his career was intertwined with the likes of Charlie Patton, Big Joe Williams, Sonny Boy Williamson, Howlin' Wolf, Lightnin' Hopkins, Big Walter, Little Walter and Muddy Waters.

Edwards, who was born in 1915 in Shaw, Mississippi, earned a 2008 Grammy Award for best traditional blues album for "Last of the Great Mississippi Delta Bluesmen: Live In Dallas." He was awarded a lifetime achievement Grammy in 2010.

Edwards usually performed on acoustic guitar, sitting in a chair on stage, although he was in constant movement.

"He was a very emotional and physical player and singer," Frank said. "He used his body in his stage performance for effect.

"He had an eccentric style, with unusual timing. He would make changes unpredictably. That was the Honeyboy test. (Musicians who sat in) found out very quickly you can't just count. He would do some funny turnaround, or funny lick, then look over and just laugh, knowing he was messing with us," Frank said.

Edwards, who fell ill in April, last toured Europe in 2009, performing 10 shows back to back in England, Frank said. On tour, he played in small clubs, theaters, and music festivals.

In 1942, archivist Alan Lomax recorded Edwards in Clarksdale, Mississippi, for the Library of Congress, according to his website. Edwards did not record again commercially until 1951, when he made "Who May Your Regular Be" for Arc Records.

Although known more for rearranging other blues artists' tunes, Edwards wrote several songs including "Long Tall Woman Blues," "Gamblin' Man" and "Just Like Jesse James."

(Reporting by Andrew Stern; Editing by Bill Trott)


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The top 10 singles and albums on iTunes (AP)

iTunes' top 10 selling singles and albums of the week ending Aug. 29, 2011:

Singles:

1. "Moves Like Jagger (Studio Recording from `The Voice' Performance) (feat. Christina Aguilera)," Maroon 5

2. "Pumped Up Kicks," Foster the People

3. "Stereo Hearts (feat. Adam Levine)," Gym Class Heroes

4. "Cheers (Drink to That)," Rihanna

5. "Lighters (feat. Bruno Mars)," Bad Meets Evil

6. "Party Rock Anthem (feat. Lauren Bennett & GoonRock)," LMFAO

7. "She Will (feat. Drake)," Lil Wayne

8. "You and I," Lady GaGa

9. "Super Bass," Nicki Minaj

10. "Good Life," One Republic

Albums:

1. "Tha Carter IV," Lil Wayne

2. "Hell On Heels," Pistol Annies

3. "The R.E.D. Album," Game

4. "21," ADELE

5. "Watch the Throne," Jay-Z, Kanye West

6. "Sigh No More," Mumford & Sons

7. "I'm With You," Red Hot Chili Peppers

8. "Muppets: The Green Album," Various Artists

9. "Torches," Foster the People

10. "Loud," Rihanna

___

iTunes is owned by Apple Inc.


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Russell Armstrong's suicide 911 call released (Reuters)

LOS ANGELES (Reuters) – The emergency call made by the friend who found the body of "Real Housewives of Beverly Hills" husband Russell Armstrong was released on Tuesday, as reports emerged that cast members had filmed a new segment about the suicide for the TV show.

The 911 call obtained by celebrity website TMZ.com revealed that Armstrong's estranged wife Taylor and their 5-year-old daughter Kennedy were both in the house when the body of the venture capitalist was found hanging by an electrical cord two weeks ago.

Taylor Armstrong, who had filed for divorce in July, can be heard sobbing and the caller tells her to keep Kennedy out of the room.

Armstrong committed suicide just three weeks before the September 5 second season premiere of the TV reality show.

Cable channel Bravo has been re-editing the reality TV series, which looks at the lives of wealthy and pampered women in Beverly Hills, because the upcoming season was originally expected to feature the crumbling Armstrong marriage.

Sources close to the show told Reuters on Tuesday that the other "Housewives" got together this week to film a segment in which they discuss the tragedy. But it is not a special or stand-alone episode and Bravo has not yet decided when to broadcast it.

Taylor Armstrong did not take part in the filming.

The second season had been set to premiere on September 5. Bravo has yet to announce how it plans to proceed with the new season of the popular franchise given Armstrong's suicide and the media attention it has attracted.

(Reporting by Piya Sinha-Roy; Editing by Jill Serjeant and Bob Tourtellotte)


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Monday, August 29, 2011

Gaga, Perry win big at VMAs, Beyonce steals show (Reuters)

LOS ANGELES (Reuters) – Lady Gaga picked up two awards and Katy Perry won three, including video of the year. But it was Beyonce showing off her new baby bump that stole the show at MTV's Video Music Awards on Sunday.

The MTV VMAs annually turn up the volume on surprises and outrageous acts by the world's top singers and bands. Last year it was Lady Gaga's meat dress and the year before the Kanye West and Taylor Swift speech mishap. But nobody saw the Beyonce's pregnancy coming -- except her husband Jay-Z.

Beyonce, whose hits include "Single Ladies (Put a Ring on It)," first appeared on the red carpet, posed for photographers and used her arms to outline the baby bump her long gown.

She later performed her song "Love On Top," telling the audience to stand up and saying, "I want you to feel the love that's growing inside of me." At the end, she took off her jacket, smiled broadly and rubbed her tummy.

In the audience, Jay-Z was congratulated by Kanye West and he gave Beyonce a big wave. On Twitter, one ardent fan had already started an account, http://twitter.com/#/BeyJayFetus, and it had more than 900 followers.

Lady Gaga opened the VMAs singing her song "You and I" and dressed in drag as her male alter ego, Joe Calderone. She stayed in the fictional character throughout the program and accepted awards for best female video and best message video for her song, "Born This Way."

"I feel so blessed to be here," Lady Gaga said onstage, holding the MTV moonman statuette for best female performer. "It doesn't matter how you are -- gay, straight, bi, lesbian, transgendered -- you were born this way."

KATY PERRY'S CUBE HAT

The other big winner of the night was Katy Perry. who took home video of the year, the night's top prize, with her triumphant song and video for "Firework."

She also picked up best collaboration for "E.T." featuring Kanye West, and a minor trophy for special effects with "E.T."

Perry, who is known for cute and colorful costumes accepted her award with a cube-shaped hat on her head.

"I'm very proud of the song, she said. "I feel like I am doing something right when I sing (it)."

Other awards went to Justin Bieber for best male video with "U Smile," and Tyler, The Creator took home the MTV moonman for best new artist with "Yonkers."

Britney Spears earned the honor of having the best pop video with "Till the World Ends." She was also given the special honor of the Michael Jackson video vanguard award.

Foo Fighters nabbed best rock video and Nicki Minaj, in a bright dress she said was inspired by Tokyo and its Harajuku district, took best hip-hop video for "Super Bass."

Shut out of the top awards was British singer Adele, who has been topping charts for weeks with her hit album "21" and its singles including "Rolling in the Deep." But "Rolling" did manage to earn awards in minor categories of art direction, cinematography, and editing.

Highlights included a duet by Jay-Z and Kanye West, singing a song from their new album, "Watch the Throne," and Lil Wayne closed the program in advance of his new album's release.

Legendary soul singer Tony Bennett and pop star Bruno Mars took part in a tribute to the late soul singer Amy Winehouse, who recently died. Bennett said some people just have talent and others don't.

"Amy had the whole gift," Bennett said.

(Additional reporting by Piya Sinha-Roy; Editing by Paul Simao)


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Def Leppard pours "Mirrorball" of sugar on fans (Reuters)

TORONTO (Reuters) – It may be difficult to believe that after three decades of rocking hard -- 65 million albums sold and hundreds of packed concerts -- Def Leppard hadn't released a standalone live album until this year.

As the bandmembers put it, "Mirrorball: Live and More" came together without much advance planning, and owes its existence, at least partly, to them leaving their old record label which, the group thinks, may unleash a new burst of creativity.

The three disc collection features live recordings of some of Def Leppard's greatest hits such as "Pour Some Sugar on Me," "Rock of Ages," and "Photograph." It has three new tracks, including anthem "Kings of the World", and a behind-the-scenes DVD. But a live album was never atop the band's to do list.

"The band's focus has always been on writing and recording new songs," guitarist Vivian Campbell told Reuters. "It just never seemed appropriate for us to do a live record. It wasn't something that we sat down and thought, 'We are going to put out a live album in 2011.' It just sort of happened."

Instead of playing one concert and recording it, or taping a series of shows and picking the best one for the album, Campbell and his bandmates -- singer Joe Elliott, lead guitarist Phil Collen, bassist Rick Savage, and drummer Rick Allen -- picked the songs singularly from separate performances so the fans got the best of the best.

"In a way it was sort of like cheating...but it made it more relaxed for us because we never once thought that we were recording," said Campbell.

NEW CREATIVE ENERGY

"Mirrorball" is Def Leppard's initial release as an independent act after finding themselves without a major label for the first time after 30 years with Universal Records.

Campbell sees that factor as a positive, creatively, because it should force the band to put out singles more frequently, in keeping with trends in the recording industry that have performers releasing individual songs via download.

"I really don't see the point in putting out a 10 or 12 song album anymore. It's kind of like sticking our toes in the water, being independent, but that's the way that the industry is now. I do believe that the album is dead," he said.

And like so many bands in these days of declining CD sales and the fewer dollars that comes with it, Def Leppard is now touring through North America to connect with their fans.

In addition to the album, rock photographer Ross Halfin has published "Def Leppard: the Definitive Visual History," a photo anthology chronicling the band's three decades of rock.

The band also is part of the "Rock the Cradle" series which features lullaby renditions of rock classics. "Dreamin with Def Leppard" is a 12-song compilation that features lullaby versions of their greatest hits such as "Love Bites" and "Animal". Recreating songs in different ways shows listeners just exactly what a good tune truly is, Campbell said.

"It's interesting to hear how songs can morph and how they can be given different clothes. I think that's the indication of a good song, if you can restyle it and do it in a different genre. I'm glad to say that many Def Leppard songs stand up to it."

(Editing by Bob Tourtellotte)


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Israeli "idol" judge indicted in strongarm case (Reuters)

JERUSALEM (Reuters Life!) – Israel's "A Star is Born" TV singing competition has a new reality spinoff -- a criminal case against one of its judges, accused of using strongarm tactics to ensure she got a cut of a former contestant's earnings.

The judge, Margalit Tsanani, a popular singer in her own right, was indicted on Monday along with her alleged enforcer on extortion charges which both have denied.

The case has made front-page news in Israel, where the show, loosely formatted along the lines of the unaffiliated American Idol franchise, has been a ratings winner.

According to the charge sheet, Tsanani, popularly known as "Margol," co-managed along with a musical agent the lucrative career of one of the competition's former contestants.

But the agent withheld Tsanani's cut and she went to legal arbitration, which she won. The agent still refused to pay and Tsanani turned to an enforcer -- nicknamed "Tooth Puller" -- to collect, the indictment said.

Tsanani's arrest two weeks ago stunned the Israeli entertainment world, but parts of the indictment dealing directly with the singing competition could prove even more disturbing to fans.

Prosecutors alleged the judge awarded points to one contestant -- who did not win -- in accordance with a text message she received from tne enforcer during a live broadcast of the show.

And, the indictment said, Tsanani also did her enforcer a favor by making a friendly reference, during the show, to a convict watching the program in prison.

(Writing by Jeffrey Heller, editing by Tim Pearce)


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Beyonce shows off baby bump at MTV video awards (Reuters)

LOS ANGELES (Reuters) – R&B singer Beyonce let pictures tell the story of a baby on the way for her and rapper husband Jay-Z at the MTV Video Music Awards on Sunday.

She first appeared before photographers, telling them she had a surprise and outlining a baby bump under her long gown.

Then the singer, whose hits include "Beautiful Liar" and "Single Ladies (Put a Ring on it), appeared onstage to perform her song "Love On Top," telling the audience to stand up. "I want you to feel the love that's growing inside of me," she said.

At the end of her song, she took off her jacket, smiled broadly and rubbed her tummy. In the audience, her husband and rapper Jay-Z was congratulated by his friend and collaborator Kanye West and he gave Beyonce a big wave.

A spokeswoman for Beyonce was not immediately available for comment.

She and Jay-Z began dating in 2002 and were married in April 2008. For years, her many fans and the media have speculated about whether and when they might have a baby.

(Reporting by Sheri Linden and Bob Tourtellotte)


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List of winners of 2011 MTV Video Music Awards (AP)

Here are the winners of Sunday night's 2011 MTV Video Music Awards in Los Angeles:

Pop Music Video: Britney Spears, "Till the World Ends."

Rock video: Foo Fighters, "Walk."

Hip-hop video: Nicki Minaj, "Super Bass."

Collaboration: Katy Perry featuring Kanye West, "E.T."

Male video: Justin Bieber, "U Smile."

Female video: Lady Gaga, "Born This Way."

Video with a message: Lady Gaga, "Born This Way."

Choreography: Beyonce, "Run the World (Girls)."

Editing: Adele, "Rolling in the Deep."

Special effects: Katy Perry featuring Kanye West, "E.T."

Cinematography: Adele, "Rolling in the Deep."

Art direction: Adele, "Rolling in the Deep."

Direction: Beastie Boys, "Make Some Noise."

Best new artist: Tyler, The Creator, "Yonkers."

Video of the year: Katy Perry, "Firework."


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Beyonce's baby, Gaga's alter-ego spice up VMAs (AP)

By SANDY COHEN, AP Entertainment Writer Sandy Cohen, Ap Entertainment Writer – Mon Aug 29, 2:26 am ET

LOS ANGELES – BEYONCE'S SURPRISE DATE: Beyonce made a big announcement that practically upstaged the MTV Video Music Awards — and she did it without saying a word.

The 29-year-old superstar announced her pregnancy on the red carpet by cupping her stomach in an "I'm expecting" sort of way. Wearing a blond ponytail and flowing red gown, she used her hands to show the tiniest beginnings of a baby bump.

A publicist for the pop star confirmed the pregnancy to The Associated Press Sunday.

Beyonce and Jay-Z were married in 2008. This will be their first child together.

Jay-Z offered a (much smaller) surprise of his own Sunday: He performed alongside Kanye West on the VMA stage.

Beyonce took the stage herself later in the show, telling viewers, "I want you to feel the love that's growing inside of me."

At the end of her performance, she unbuttoned the sequined blazer she was wearing and rubbed her tummy on stage. The camera cut away to Jay-Z, who beamed a broad smile.

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RECORD ADVERTISEMENT: Lil Wayne is taking advantage of his Video Music Awards performance by dropping his anticipated new album the very same night.

The tattooed rapper closed the Video Music Awards with tunes from his new album as an ad blinked on the bottom of the screen reading: "Be the first to download `Tha Carter IV' on iTunes."

The album was to be released digitally at midnight on Aug. 29 and in stores later that day.

"There's only one man brilliant enough to piece this plan together," rapper Drake said as he introduced Lil Wayne.

Wayne opened with the melodic "How to Love" before tearing off his shirt and jumping around during "John," which borrows heavily from Black Sabbath's familiar "Iron Man" riff.

Fellow rapper Rick Ross called Wayne's strategically timed album release "big for hip hop."

"The strategic moves we've been seeing in the last few months, from the release of "Watch the Throne" and the pop-up stores, etcetera, I think it's big for hip hop and it's only going to continue to open doors for biggest numbers and bigger profits and a bigger future," Ross said.

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WHAT A DRAG: It was ladies' night at the Video Music Awards, as Katy Perry, Adele, Beyonce and Lady Gaga were among the top performers and winners. But Gaga, and later Nicki Minaj, were also tuned into their masculine sides.

Gaga opened MTV's Video Music Awards dressed in drag as her male alter-ego, Jo Calderone, who sports short dark hair and smokes constantly. She/he sat down at the piano and performed Gaga's latest single, "You and I."

The envelope-pushing artist (who wore a dress made of meat to last year's VMAs) remained dressed as Calderone throughout the night. After accepting the award for best female video for "Born This Way," Calderone came into a backstage press room smoking a cigarette and drinking what looked like whiskey. She stamped the cigarette out on the carpet before posing for photos.

Asked what she can express as Calderone that she can't as Gaga, she replied, "I don't understand the question." She said Gaga asked Calderone to come in her stead, saying, "If you really love me, you'll go instead of me and you'll get in that spotlight."

"So I did," said Calderone, describing himself as a guy from New Jersey whose family hails from Palermo, Italy.

"I'm not a singer or a model or an actor or anything. I'm a guy," she said. "I'm just a guy, you know, and I just wanted to show my girl how much I love her, that's all."

Earlier in the evening, Nicki Minaj, winner of the hip-hop video award, said her new album will feature her inner male artist, Roman.

"He's a boy that lives inside of me," Minaj said. "He's a lunatic and he's gay."

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BRITNEY TRIBUTE: Britney Spears has made many memorable appearances at the Video Music Awards (that liplock with Madonna, dancing with a snake to "Slave 4 U"), and she was honored for them with the Michael Jackson Video Vanguard Award.

Lady Gaga, dressed in drag as her male alter-ego, presented the moon man trophy to a smiling Spears.

"One of my biggest inspirations was Britney Spears," Gaga said. "Britney taught me how to be fearless. She taught us all how to be fearless. She's a pop-music legend and the industry would not be the same without her."

Gaga's male Jo Calderone character then lingered, apparently hoping for a kiss from Spears, but Spears demurred.

"I've done that already," she said.

Dancers performed a medley of Spears' most popular songs, iconic outfits and signature dance moves.

"This award means so much to me," she said. "Especially on the night before Michael Jackson's birthday. He had such a huge influence on me."

But other celebs at the Video Music Awards said Spears was their big influence, including teen superstars Selena Gomez and Justin Bieber.

"She's been a huge inspiration to me," Gomez said. "I just think that she doesn't really take no for an answer. A lot of people try to bring her down and maybe judge her too quickly, and she still makes a comeback and she's still hot."

Bieber called Spears "an icon," saying, "She opened the doors for young people to do what they love."

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• AP Entertainment Writer Sandy Cohen can be reached at www.twitter.com/APSandy.


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Coppola, Ecclestone get stylish Italian weddings (Reuters)

LOS ANGELES (Reuters) – Two globe-trotting celebrities, Sofia Coppola and Petra Ecclestone, held weddings in Italy over the weekend, one low-key and the other over-the-top, according to media reports on Sunday.

Academy Award-winning filmmaker Coppola and her longtime musician boyfriend, Phoenix frontman Thomas Mars, were married on Saturday in the Italian village that was home to Coppola's grandparents.

On the same day, British heiress Ecclestone tied the knot with businessman James Stunt outside Rome, capping a three-day event with a reported price tag that ranged widely from $2 million to $8 million, according to various reports.

The Ecclestone-Stunt wedding took place at the same castle where Tom Cruise and Katie Holmes married, and featured fireworks as well as performances by Eric Clapton and the Black Eyed Peas, according to People magazine.

Ecclestone, a 22-year-old fashion designer, is the daughter of former Armani model Slavica and Formula One racing chief executive Bernie Ecclestone. She's no stranger to lavish spending: In July, she paid $85 million for the Los Angeles mansion that was once the home of Aaron and Candy Spelling.

By contrast, Coppola and Mars were wed in a civil ceremony before 80 guests at the Coppola family's villa in the southern Italian town of Bernalda.

Wearing a custom lavender gown by Azzedine Alaia, the 40-year-old bride walked down the aisle on the arm of her father, "Godfather" director Francis Ford Coppola, who owns the estate, according to reports.

Coppola and rocker Mars, 34, have two daughters: Romy, 4-1/2, and Cosima, 15 months.

Coppola won the screenwriting Oscar for her movie "Lost in Translation," and became the first American woman to be nominated for an Academy Award for directing.

Her first marriage, to director Spike Jonze, ended in divorce in 2003 after four years.

(Reporting and writing by Sheri Linden; Edited by Bob Tourtellotte)


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Michael Jackson's children visit Ind. boyhood home (AP)

GARY, Ind. – Michael Jackson's children and father visited the late pop star's boyhood home in Gary, Ind., as the town celebrated what would have been his 53rd birthday.

Hundreds of fans took part in activities outside the house in Jackson Street over the weekend ahead of Jackson's birthday on Monday.

Thirteen-year-old Paris Jackson told WLS-TV that she enjoyed seeing so many fans at the house when she and her brothers, 14-year-old Prince and 9-year-old Blanket, visited on Saturday.

The Post-Tribune of Merrillville reports that Jackson's father Joe attended activities at the home on Sunday.

The Jackson family moved from Indiana to California in 1969 after the Jackson 5 struck it big. Jackson died in June 2009.


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Geldof's Africa private equity fund nears $200 million (Reuters)

ZURICH (Reuters Life!) – Bob Geldof, the former Boomtown Rats singer and Live Aid front man, said a private equity fund he agreed to front last year to invest in Africa was nearing its first close, having raised nearly $200 million.

Geldof helped organize the 1985 Live Aid concert, which reached an estimated 1.5 billion people and did much to raise the profile of those suffering from poverty, starvation and disease in Africa.

Geldof said the private equity fund, called 8 Miles, which represents the shortest distance between Europe and North Africa, had attracted increasing attention because of what he called an existential fiscal crisis in the euro zone.

"It's all about globalization. Without Africa, this whole game stops," Geldof told delegates at a Julius Baer investor conference in Zurich, focusing on growth. "Last month, of the 10 fastest-growing economies in the world, six were African."

Private equity funds often close to new investors as they deploy the money already gathered, because holding on to large amounts of idle cash while they choose their investments can create a drag on performance.

Geldof said he agreed to help raise money for the fund late last year after discussions with Phillip Pritchard, Chief Executive of CLSA, an Asian brokerage and investment company arm formerly called Credit Lyonnais Securities Asia.

He said that while Africa was currently seeing huge investment from China and other nations anxious to access its raw materials, the continent had the chance to become a productive global powerhouse.

"Currently 80 percent of exports from Africa are unprocessed raw materials. There's your opportunity: they need manufacturing," Geldof said.

"We need their brains and their muscle power, because we're growing older," he said, adding that by 2020, Africa will have a larger young working population than China or India.

"They are connected (to the global economy) now and cannot be disconnected," he said.

(Reporting by Martin de Sa'Pinto; Editing by Will Waterman)


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Perry wins top award but Beyonce baby tops show (AP)

Beyonce and Jay-Z's offspring doesn't even have a name yet, but it was the indisputable breakout star of Sunday's MTV Video Music Awards, upstaging everyone, even Katy Perry's win for video of the year.

Perry, who had the most nominations coming into the show with 10, came away with three moonman trophies, including video of the year for the inspirational clip "Firework."

"I feel like I'm doing something right when I sing that song," said Perry, conservatively dressed in a cotton-candy pink jacket, a skirt and something best described as a Green Bay Packers cheesehead decoration.

But the night's big news came from Beyonce, who stole the show before it even began when she announced on the black carpet that after more than three years of marriage, the dazzling couple had produced the ultimate all-star collaboration. Dressed in a loose-fitting, off-the-shoulder red gown, she clutched the baby bump that so many celeb-watchers had been predicting since the two wed.

Later, Beyonce performed "Love on Top," and if Twitter hadn't already spread the news, her outfit gave clues to her impending motherhood; instead of her typical sexy outfits, she dressed in conservative spangled tux — but still danced around in her signature stilettos.

Beyonce didn't utter a word about the pregnancy, but ended the number by taking off her jacket and rubbing her swollen belly; in the audience, an elated Jay-Z hooted and clapped for his wife as Kanye West hugged him.

In an instant, Beyonce and her soon-to-be child managed to overshadow the night's events. Lady Gaga's much-hyped opening number, during which she performed as a greasy, leather-jacketed male alter-ego during a performance of "You and I," became less interesting. So did the evening's meticulously planned wild moments, from Nicki Minaj's origami-like outfit to a dance-off between the members of Odd Future and Jack Black, Will Ferrell and Seth Rogen.

There was one apparently unscripted moment during Jay-Z's performance with Kanye West of "Otis," off their chart-topping joint album "Watch the Throne." Near the end of the song, someone tried to walk on the stage, but was quickly apprehended by a crew member as a bemused Jay-Z looked on. It was the second time Jay-Z had someone walk on unannounced during an MTV performance; two years ago, it was Lil Mama.

Britney Spears captured the night's first award, for best pop video, and later was honored with an MTV Video Vanguard award for her visual legacy. Lady Gaga, sticking to her gender-switch shtick, leered at Spears as she paid tribute to her.

"She's a pop music legend, and the industry would not be the same without her," Gaga said. "I used to hang pictures of her on my wall and touch myself when I was in bed."

Later, Gaga fished for a kiss, but as Spears leaned in, she quickly pulled back, reminding viewers, "I've done that before."

The show at the Nokia Theatre in Los Angeles had no official host, though comedian Kevin Hart delivered an opening monologue and was featured in a series of vignettes during the show.

Adele had perhaps the highlight of the night as the seven-time nominee delivered a powerfully understated performance of "Someone Like You," off her top-selling "21" album.

Chris Brown also wowed with an aerial number, soaring above the crowd in between high-stepping choreography.

Russell Brand provided the evening's rare poignant moment during a tribute to his late friend, Amy Winehouse, who died a month ago after struggling for years with drug and alcohol abuse. Brand urged people to remember the 27-year-old for her music, and urged others suffering to get help.

"A lot of people just get the disease, not many people get the incredible talent that Amy was blessed with," said Brand, who successfully battled drug addiction himself. "Let's remember there is a solution ... that solution is available."

Tony Bennett, who joined Winehouse in what is believed to be her last song on his upcoming "Duets II" album, showed the audience a clip of the pair singing "Body and Soul."

Moments later, Bruno Mars sang one of her hits, "Valerie," but closed the song out with the refrain, "Amy, we'll miss you baby," as a somber-faced audience looked on.

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Online:

http://www.mtv.com

___

Nekesa Mumbi Moody is the AP's music editor. Follow her at http://www.twitter.com/nekesamumbi.

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AP Entertainment Writer Sandy Cohen (http://www.twitter.com/apsandy) in Los Angeles, AP Writer Mesfin Fekadu (http://www.twitter.com/musicmesfin) in New York, and AP Global Entertainment Editor Alicia Quarles in New York contributed to this report.


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Sunday, August 28, 2011

L.A. gallery showcases photos of rocker Nikki Sixx (Reuters)

LOS ANGELES (TheWrap.com) – In March of 2009, when the Annenberg Space for Photography opened in Century City in Los Angeles, the most remarked-upon guest at the gala was David LaChapelle's date, Courtney Love.

I thought of Love during an unveiling of images late last week at the Annenberg -- all taken over the last two decades by Motley Crue bassist Nikki Sixx -- when he put up a photo of a homeless woman holding a sign reading, "I'm Not A Bad Girl, I Just Made Bad Decisions."

Anyone wondering about the wisdom of the Annenberg's decision to feature the art of Sixx was happily surprised. Not only was his camera work fascinating and its variety a bit dazzling, but the rocker's world view as he answered questions from moderator Kristine McKenna and the audience was quite compelling.

Sixx, 51, said he'd been fascinated by the medium since the late '80s, but his interest didn't truly flower until around the time he got sober in 2001, after a long series of addictions, including a near-death by overdose, chronicled in his book "The Heroin Diaries."

"I'm very passionate about what I wrap my hands around," Sixx said. "The recovery wants me to engage; the addiction made me disengage."

What recovery gives one, he added, is that "it allows your heart to soften."

He noted that the subjects of his images range all over because "my life isn't consistent. My life is chaotic. Rock 'n' roll is chaos."

Sixx -- who also has a new book and album out, both titled "This Is Gonna Hurt" -- alluded not just to his sobriety but to his struggle to show his individuality growing up, starting with a rough upbringing that included a "sorta" homeless delinquent stage.

"I was a gnarly little kid, a fighter," he told the crowd. "I try to hold on to that edge.

"If you're Bill Gates," he added, individuality "is okay -- in the beginning he was (called) a whack job."

His pictures, many of them in brooding black-and-white -- like a delicate study of a wet street in Prague at 3 a.m. -- were often grabbed on the run as he toured. He's asked for a portrait of many a prostitute in the world's capitals, but a certain gentleness emerges in the shots of the homeless -- or even of a shy hotel maid who said she was too ugly to photograph.

"I said, 'I'm gonna take a picture and show you you're beautiful.'"

The resulting image did just that.

"I'm an emotional terrortist," Sixx said. "If I see you have pain, I'm gonna pull it out of you."

Sixx's appearance was part of the Annenberg's "Iris Nights" lecture series and is linked to the gallery's "Beauty Culture" exhibit, which runs through November 27.


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